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384 pages, Paperback
First published January 9, 2018
“We knew this day would come. We tried to warn the others. It was obvious either the sharp rate of our technological advancement would lead to the robot singularity claiming lordship over all, or that the fairies would finally grow tired of our reckless destruction of the natural world and take it back from us.”
“We were always on your side. Unfortunately, half of the authors in this anthology chose poorly, but the other half always knew you would emerge triumphant.”
As far as the title and cover goes, this is, without a doubt, the coolest book I've ever read. The content, however, is a mixed bag.
These are eighteen stories that I read over the course of four days. Very few of them were good, a lot of them were incredibly confusing and a couple were just about lame. After each story there's an author's note describing whether they are Team Fairy or Team Robot. It's a tie.
Yeah, Kaijus are basically several stories tall fairies, okay?
The fae folk are diminishing and as a last ditch effort to reintegrate themselves into the world of humans, they disguise themselves and work inside a fairy 'theme park' where almost every attraction is real.
I liked this a lot. It kept me guessing and was sorta thrilling.
A big tech industry hires a folklore specialist who keeps coming up with ideas for robotics that keep failing.
The biggest point in this story's favor is that it kept me anxious. Any moment now, I thought, the robots would go nuts and kill everyone and there'd be world-domination and shit would go down. It didn't. But it was nice to be able to see how the author proved, despite being Team Robot, that you can't substitute machines for humans and other forms of life.
A human working in a fairy library has to save her fairy boss from an enchantment.
This is what I call lame. Really, really, really lame.
In the middle of a robot uprising, one advocate tries to free all robots in a company and recruit them to this cause by introducing malware into their software and making them think on their own.
Fascinating because things like "robot uprising", "advocate of robot rights" and "robot politicians" scares the crap out of me. NO.
A deadly and dangerous fae gets curiously drawn to a human boy. They both suffer. The END.
No, seriously, it was good. It was a surprising 'predator becomes prey' situation which only got more disturbing as the story came to a close. There is no one you feel sorry for in this little tale and no sides you take. Personally I think they both got what they deserved.
A dying man unintentionally revives a dying robot.
Now, THIS was fantastic, in a sense that it seemed more realistic. Stories that, in some measure, are more relatable to the present, no matter how small, are always the ones that strike a chord. This one did and it was a sad one.
A banshee discovers why her fellow fae have been gone missing and saves them.
LAME.
A space expedition to another planet goes awry.
If this reminds you of Prometheus and Alien: Covenant then good because it did me too. Which is why, again, I was expecting death, destruction and glorious bloodshed. Again, no sign of that. If you take the gory, scary part out, the two are similar. We have superior robotics and alien species in both of them, just, it ends peacefully, if anti-climatically, for once.
An old man can see fairies.
The biggest snoozefest in the book.
An old woman, who's considered a witch, one who sees and communicates with fae, lives with a helper, a AI droid equipped with household features.
I assume there was a point in there somewhere, I was too confused to see what it was.
A former 'found' girl, one of the evil Tinker Bell's followers, searches for her daughter.
Hmm, oh-kay. I have yet to read a Peter Pan retelling that wasn't borderline depressing or creepy. And according to this, every one is the Peter Pan of their own Neverlands. Dude.
In a post-apocalyptic world, two children hear the tale of a giant robot.
This gets three stars because of the strong resemblance to "The Turman Show" at one point. The rest is too vague to be coherent.
They do that and it's funny. And bizarre.
A shapeshifter policewoman challenges and wins against four fey men hunting another shapeshifter.
It's a southern setting and there are cowboys and a cowgirl and it's very unattractive.
After the deaths of her team members in a freak accident, the sole survivor of a teenage dancing group visits the AI versions of her friends to cope.
Gloriously chilling and heart-breaking.
The world falls apart after a super-powerful divorce.
Now, here's the thing. I didn't like it. GOODBYE.
Summary: I'm not sure.
Thoughts: What the fuck did it mean?
The only story that takes the "versus" part literally and seriously.
But is still pretty much half-baked and boring.
I like it wild.
—Maria Dahvana Headley, in “Adriftica," p.326
"people stopped wanting to imagine the future, but still liked the costumes."
—Heck Limmer, p.311
RUMBLE IN THE FUNGAL, THE BRAWL IN THE FALL, THE TWILIGHT PRIZEFIGHT OF WILD WIGHT AGAINST METAL MIGHT!(Yes, those caps are in the original.)
—p.341