I appreciate that the play is more about the parents' grief more than Milla and Moses' thing, unlike in the film. Of course I'll be comparing this to the film, how do you think I got here? lol
Film-Moses and Play-Moses are also a bit different from each other, in that I think Play-Moses was solely there to take advantage of the situation, while Film-Moses was written to (possibly) reciprocate Milla's feelings, thereby being more layered (and more problematic? I don't even know).
Both the play and the film are aware of the problematic age gap. "This is the worst possible parenting I can imagine." This is the way to acknowledge it.
Anyway. I'm a sucker for stories about unhealthy coping mechanisms, almost-absurd premises with a memorable ensemble of characters. In this regard, I appreciate the play more, as the grief is more in focus while the romance takes a backseat. The play kinda had a little bit more humor, too.