The unfading poetic brilliance of Robert Morgan shines through these ninety-three pieces spanning thirty-five years. Celebrated for his recent fiction, Morgan makes obvious in this volume he was first, and remains foremost, a wordsmith of poetic sensibilities―a craftsman of taut, forceful imagery, alert with wonder to the mystery of what lies in plain sight.
Like Robert Frost, Morgan takes the natural world as a metaphorical base for human projection. Much of his work is a love song to the Appalachian Mountain terrain and a way of life all but his father speaking in tongues; his mother canning peaches; carpentry, farming, the seasons in slow motion, family history, and wind-borne strains of music. He captures the aura around such common objects as resin, cellars, hog-wire fence, the whippoorwill, and crickets. Infusing his poetry with mountain idiom, even when pondering the cosmos beyond, Morgan creates lyrics with a rhythm like rain―“to be rocked to sleep by mountains / equals the rest of heroes.”
Fourteen new poems open the volume, and selections from nine previous collections follow. Robert Morgan’s The Strange Attractor grants readers a generous overview of an important American poet’s work.
A wonderful collection of poetry with a strangely ugly cover. But let's go straight to the poems. Okay, just one:
Wallowing
When old Nell rolled in the bins hollowed out of the pasture flats, she whinnied with the pleasure as one ripened area of skin after another whetted the firm ground, shuddered and twisted to reach itches on withers and rump. She seemed more like a snake or worm there on her back, often pulsing in coital shiver like an amoeba. I knew she scrubbed off fly eggs, dung, dried blood from bites, in the rasp of sand, the emery submersion salving harness galls and currying off sweat, massaging the soreness of age. Finding still neglected precincts she'd press them with a snort to dry grass at the lip of the wallow, stoking at frisking hair roots and getting down into the trough generate with friction a field of brushed nerves. She indulged a third of her hide at once to the bump and tickle, running with the pasture on her back. She thrashed the late summer dust in a whirlpool, then stood and shook herself of the dry cloud and, smoking pure and free as if new-born in the depression, stepped onto the wide pasture.
Under Cover: "Something in the blood says don't violate the poise of wood and wild, don't insult with words this place where every bush may hide an ambush..."
Honey: "If you go near bees every day they will know you... No bee full of sweetness wants to sting."