What do you think?
Rate this book
Pink Floyd: Their Mortal Remains
Published to accompany the Victoria & Albert Museum's retrospective The Pink Floyd Exhibition: Their Mortal Remains 13 May - 1 October 2017.
The first book ever produced with full access the Pink Floyd archive. Published to accompany the V&A's major summer exhibition, Pink Floyd: Their Mortal Remains, celebrates 50 years of one of the greatest bands of all time. Five essays tackle different aspects of their far-reaching legacy in music and the visual arts. Authors including Jon Savage, Howard Goodall and Rob Young examine what makes the band truly special, from the mythology underpinning their output, through to their experimentation with technology to create new sounds. Their epic staging and performance impact will also be explored, along with the anti-authoritarianism that infuses their lyrics. The book is heavily illustrated throughout, emphasizing the essential role that visual material played in supporting the music and creating the lasting Pink Floyd phenomenon.
The first book ever produced with full access the Pink Floyd archive. Published to accompany the V&A's major summer exhibition, Pink Floyd: Their Mortal Remains, celebrates 50 years of one of the greatest bands of all time. Five essays tackle different aspects of their far-reaching legacy in music and the visual arts. Authors including Jon Savage, Howard Goodall and Rob Young examine what makes the band truly special, from the mythology underpinning their output, through to their experimentation with technology to create new sounds. Their epic staging and performance impact will also be explored, along with the anti-authoritarianism that infuses their lyrics. The book is heavily illustrated throughout, emphasizing the essential role that visual material played in supporting the music and creating the lasting Pink Floyd phenomenon.
320 pages, Paperback
First published July 11, 2017
7 people are currently reading
179 people want to read
Ratings & Reviews
Friends & Following
Create a free account to discover what your friends think of this book!
Community Reviews
Displaying 1 - 14 of 14 reviews
August 20, 2017
A bit repetitive, but damn it I love this band. Can't wait to see the exhibit in September.
June 24, 2019
As the companion to the incredible museum exhibit of the same name (that I was lucky enough to see in Rome), I assumed this would just be a catalog of all the pieces in the collection. First of all, despite being a pretty, big coffee table-type book, it's not that at all; there's no attempt at completion. However the accompanying essays are really insightful, and even as an uber-fan I learned things I never knew. Both the geeky gear talk and the many big photographs are wonderful. Deep personal stories from the early days and elaborate explorations of the accompanying artwork, both for albums and concert experiences, work together to paint a beautiful picture of an impressive band, that might just be more than the sum of its many parts.
Obviously, this book only gets 5 star if you're a super-duper Floyd fan. But if you are, man.....
Obviously, this book only gets 5 star if you're a super-duper Floyd fan. But if you are, man.....
August 22, 2018
This is an absolutely beautiful coffee table book. There are plenty of the requisite photos and handwritten notes for a fan to geek out over, and the written content is separated in article form with many different writers contributing. Best of all the cover is a big ol' magic motion sticker in which the iconic prism from DSOTM explodes into pieces as you walk past the coffee table.
September 21, 2017
This is a beautiful book, well designed and put together with fantastic photography. Text and content wise it's not really a chronological history of the band more of an impression with a lot of focus on the early years. For me the most interesting section was the history of each album - how they were developed and how the band broke up along the way. Interesting if you're a fan of Pink Floyd.
November 24, 2017
This is the catalogue that accompanied the recent hugely successful exhibition on the Pink Floyd at London’s V & A. It featured an exhaustive selection of mementoes and memories from what I’ve always though of as a quintessentially English band.
The Summer of Love in 1967 which is now 50 years ago was when the Floyd took off and became the house band at London’s legendary UFO Club. Its frontman and songwriter, Syd Barrett, began the English version of psychedelia rooted in childhood books and references especially to Alice in Wonderland. Poor doomed Syd became a casualty of the times and the Floyd took another path and began to explore other themes. They metamorphosed from modish young hipsters in the latest Carnaby Street fashions into anonymous band members as they began to develop the themes and ideas that would led to their masterpiece Dark Side of the Moon.
The Floyd have gone in and out of fashion. When I first saw them live in 1974 they were incredibly fashionable until Punk came along and Johnny Rotten famously, or infamously, depending on your point of view defiantly wore a t-shirt embellished with I Hate…over a picture of the band members. I saw them on their final tour in 1994 and they were still exploring the elegiac passing of time and the loss of their friend Syd. He has always cast along shadow over them and inspired one of their best loved songs Shine on you Crazy Diamond. In the exhibition fellow band member Roget Waters credited Syd for getting the band off the ground and not just a group of architecture students playing blues covers before giving up and looking for proper jobs.
The catalogue is divided into 4 parts. It begins with a foreword by Aubrey Powell who with Storm Thorgerson formed Hipgnosis who designed most of the Floyd’s iconic album covers – no mean feat in pre-Photoshop days, followed by 5 essays discussing the beginnings of Floyd, their very Englishness, on eon their musical legacy and experimentation and then the third section discusses the albums. The final section is an obituary to Storm.
The 1967 London Underground scene seems incredible now; the risk taking, the rapid changes in society with young people in charge. A fellow exhibition visitor commented to his friend ‘You can’t imagine young people doing that these days. They’re more concerned with mortgages and pensions.’
It’s a good catalogue and I enjoyed reading Joe Boyd’s reminiscences of that bygone time of exploration and originality. It also echoed my own thoughts about the Floyd and their influence. One of Roget Waters classic lines from Dark Side of the Moon was ‘Hanging on in quiet desperation is the English way’ in the song Time and how it gets away from you. Now the Floyd are no more and both Roger Waters and Dave Gilmour pursue their own solo projects. I have to admit that I have to be in a certain frame of mind, a certain melancholic mood to listen to the Floyd. It’s not background music I do want to listen to it fully and appreciate it. I’m sad that they are no longer a functioning group with the passing of keyboardist Richard Wright and this exhibition was welcome reminder of them and a tribute as well.
However it felt strange to see some of my souvenirs of them such as programmes on display and on sale in the shop as heritage items. I’m glad I kept them.
The Summer of Love in 1967 which is now 50 years ago was when the Floyd took off and became the house band at London’s legendary UFO Club. Its frontman and songwriter, Syd Barrett, began the English version of psychedelia rooted in childhood books and references especially to Alice in Wonderland. Poor doomed Syd became a casualty of the times and the Floyd took another path and began to explore other themes. They metamorphosed from modish young hipsters in the latest Carnaby Street fashions into anonymous band members as they began to develop the themes and ideas that would led to their masterpiece Dark Side of the Moon.
The Floyd have gone in and out of fashion. When I first saw them live in 1974 they were incredibly fashionable until Punk came along and Johnny Rotten famously, or infamously, depending on your point of view defiantly wore a t-shirt embellished with I Hate…over a picture of the band members. I saw them on their final tour in 1994 and they were still exploring the elegiac passing of time and the loss of their friend Syd. He has always cast along shadow over them and inspired one of their best loved songs Shine on you Crazy Diamond. In the exhibition fellow band member Roget Waters credited Syd for getting the band off the ground and not just a group of architecture students playing blues covers before giving up and looking for proper jobs.
The catalogue is divided into 4 parts. It begins with a foreword by Aubrey Powell who with Storm Thorgerson formed Hipgnosis who designed most of the Floyd’s iconic album covers – no mean feat in pre-Photoshop days, followed by 5 essays discussing the beginnings of Floyd, their very Englishness, on eon their musical legacy and experimentation and then the third section discusses the albums. The final section is an obituary to Storm.
The 1967 London Underground scene seems incredible now; the risk taking, the rapid changes in society with young people in charge. A fellow exhibition visitor commented to his friend ‘You can’t imagine young people doing that these days. They’re more concerned with mortgages and pensions.’
It’s a good catalogue and I enjoyed reading Joe Boyd’s reminiscences of that bygone time of exploration and originality. It also echoed my own thoughts about the Floyd and their influence. One of Roget Waters classic lines from Dark Side of the Moon was ‘Hanging on in quiet desperation is the English way’ in the song Time and how it gets away from you. Now the Floyd are no more and both Roger Waters and Dave Gilmour pursue their own solo projects. I have to admit that I have to be in a certain frame of mind, a certain melancholic mood to listen to the Floyd. It’s not background music I do want to listen to it fully and appreciate it. I’m sad that they are no longer a functioning group with the passing of keyboardist Richard Wright and this exhibition was welcome reminder of them and a tribute as well.
However it felt strange to see some of my souvenirs of them such as programmes on display and on sale in the shop as heritage items. I’m glad I kept them.
June 22, 2018
Pink Floyd are one of those bands that I pretty much have to dedicate a whole bookshelf to. Which is all well and good but as with any other subject that you read multiple books about the text within can become a bit repetitive, Syd, drugs, trying to find a musical path, breakthrough, dealing with fame, The Wall, Water's Ego, the split, post split and the brief reformation.
So with all that in mind I thought this was a really well laid out and and well written (only a couple of mistakes, Jon Savage crediting Pow R. Toc H. to Water's for instance). In general though, even if you know that story inside out and back to front you will still enjoy this. Especially nice as a reminder of what you struggled to see at the V&A exhibition.
So with all that in mind I thought this was a really well laid out and and well written (only a couple of mistakes, Jon Savage crediting Pow R. Toc H. to Water's for instance). In general though, even if you know that story inside out and back to front you will still enjoy this. Especially nice as a reminder of what you struggled to see at the V&A exhibition.
August 26, 2018
Pink Floyd are life as we know it. The first 5 chapters (about half of the book) is divided into different segments about the band. From Syd Barrett to the roots of Cambridge and it’s lyrical references to stage direction. The remaining is an album by album review, though not very long it is provided with info that most Floyd fans would know. Lastly, a nice ode to Storm Thorgeson is presented on the final pages. It’s a bit repetitive some of the info in here but the chunk of it is quite detailed. The photographs and album designs are also a brilliant addition. For any Floyd dweller this is must have.
December 18, 2024
An exceptionally interesting and fascinating written and visual history of one of the most revered and fascinating bands of the last 50 years. Packed with photos, quotes from band members and features loads of rare and previously unseen stuff. A must for Floyd fans and fans of music and popular culture.
December 16, 2017
The V&A exhibition catalogs are the best. This one reads like a bio of PF as good as any other I've seen. I particularly enjoyed Howard Goodall's essay on "The musical Legacy of Pink Floyd". Of course, the images as wonderful, and the print quality is superb. The exhibition was wonderful as well !
September 19, 2017
Classy - as you'd expect.
October 4, 2018
Not the best content or graphic design.
May 20, 2019
Este libro es una guía visual de la exposición de Pink Floyd que ha estado de gira por diferentes países; contiene fotografías, documentos, afiches, boletos de conciertos, bocetos e ideas de producción de sus conciertos, información detallada y más acerca de la banda. Contiene misma cantidad de información escrita y gráfica, no hay una que predomine.
May 25, 2021
Das Buch zu der Ausstellung „Their Mortal Remains“. Einfach spitze!
Und wer das Original-Equipment aus den 60ziger & 70ziger Jahren von David Gilmour in einem Buchband sehen will, der wird mit diesem Buch völlig zufrieden sein. Mein Highlight: Das Binson Echorec!!! Es kann nur ein Tape Delay geben...
Und wer das Original-Equipment aus den 60ziger & 70ziger Jahren von David Gilmour in einem Buchband sehen will, der wird mit diesem Buch völlig zufrieden sein. Mein Highlight: Das Binson Echorec!!! Es kann nur ein Tape Delay geben...
June 6, 2023
Fabulous 'coffee table' book. Tells the story of Pink Floyd from the early days of Syd Barrett in the words of people who worked with PF. An illustrated book for collectors of PF stuff.
Displaying 1 - 14 of 14 reviews