Anselm Kiefer (b. 1945) is one of the most important and controversial artists of the twentieth century. This book, the first to analyze the essence of his work, begins with Kiefer's arrival on the international art scene at the 1980 Venice Biennale, when he sparked heated debate and controversy over the "Germanity" of his pieces. Since that time, through such diverse mediums as painting, gouache and watercolor, photography, artist's books, engravings, installations, and sculpture, Kiefer has created a body of work that is protean, theatrical, monumental, or intimate, depending on the period. He has interpreted the great political and cultural issues at the heart of the modern European the connections among memory, history, and mythology; war; the Holocaust; and ethnic and national identity.
Essentially a book of art bollix written for art bollixers. Having left it on the rig I will need to take it on again when I get back. Some of the text IS illuminating but far less so than the work itself - which is well documented by the book - and some of it is ALL art bollix-for-non-practitioners i.e. ART FUCKING HISTORIANS / non-practising artists.
This is a double edged book. The illustrations are immaculate and there's plenty of them. Good quality photographs well reproduced - full sized shots and close up details too. But the text from this chancer Arasse is pure dead Art Bollix from someone that sounds like king of the Art Bollixers and fluent in General Bollix.
There are cheaper (and smaller) books on Kiefer out there. The Phaidon book is decent - not so many illustrations, but not so much cock either ie. text is less important than getting the images across.
This geezer Arasse is right up there in the top European smarm-yer-way-into-the-cultural-elite-by-spouting-pish-that-only-cultural-pish-speakers-can-understand.
Do you think Daniel Arasses is a real geezer or some bumpkin taking the michael a la DaDa as in 'Dan I El ar an Ass e'?
really do admire this work so close to DADA in the way the subject is handled love the organic nature of the work the decay the becoming some thing other than its intended purpose the passage of time like the starkness all to say the ideas it gives me really excite me the processes of his use of materials well worth a glance at
I love this German artist. Pretty dark, but some fabulous mixed media work. Another post-war German trying to come to terms with the past, in this case through art.