This was a book club read, but I was so eager to pick it up, because I love the comped titles. Unfortunately, it has neither the intrigue of The Curious Incident of the Dog in the Night-Time nor the personality of A Man Called Ove. What it does have is a feelgood, easy-read sort of charm with a happy enough ending to leave a reader all warm and tingly when they finish the book, and that certainly counts for something. I'd definitely recommend this for anyone looking for a quick, uplifting read.
My Thoughts:
- This story has all the warm feels and feel-good moments you would expect, which makes it a really uplifting read. I didn't quite expect it to be so ... wholesome, I guess? So it was a really nice surprise. The journey in this book is more of self-discovery, so there's a lot to be learned. But that doesn't mean it's all rainbows and sunshine. A lot of what the characters go through encompasses the darkest parts of life. The important thing, though, is how they persevere and handle it, and I thought that was so well done.
- The magical realism is really cute and charming, such as the bakery where treats come to life. Someone should make this a real thing, because these things just sound waaaay too cute. I'm not entirely sure I could bring myself to eat them. Maybe I'd just keep a marzipan mouse as a pet. Who knows?
- The crux of this story is a journey of self-discovery, and I LOVED it. There were a lot of beautiful lessons and sentiments to be gleaned from this story, some so poignant that they just almost take your breath away. There's no doubt that the writing was beautiful and not afraid to shy away from the darkest aspects life, while still remaining uplifting and hopeful. Each new character that was introduced on Walter's journey brought a new sort of struggle and a new sort of hope, which was really lovely. But perhaps the best part was Walter's own arc and the way he finds himself, little by little, as he helps everyone else find the things they're looking for.
- There's a dog! Which is important, because who doesn't like doggos? Milton is a character just as much as Walter is, with his own personality and impact on the other characters. He's given his own voice, as Walter attributes words to actions as the dog seems to speak to him (and as any dog owner can attest, dogs can certainly be expressive creatures).
Sticking Points:
- I just didn't really connect to any of the characters in any sort of meaningful way. Sympathized with them, yes, but it was a pretty surface level thing. Now, there were several secondary characters whose stories were beautiful and I loved, but it wasn't really a connection. It was more an empathizing, in passing.
- The book is written in first person from the point of view of a 12-year-old boy, yet it sounds like the thoughts and musings of a 30-year-old. It kept tripping me up really hard, especially because there are moments when he does, in fact, act like the 12-year-old he is. I'm not sure why the book wasn't just written in third person, because the first person doesn't actually add anything, and it just kept striking me as super odd that a 12-year-old is thinking/talking like this. At one point, he thinks of relief "descending around my shoulders like a peppermint mist," which sounds lovely (though, I don't understand the image here and where peppermint comes into it I guess), but it doesn't sound like a 12-year-old. At one point, one of the observations he writes is, "A heady rush of happiness," which is also such a weird description for a kid that age. It kept pulling me out of the story, personally.
- It felt like it took a long time for this story to ramp up. There were a lot of descriptions of baking, which is not the most thrilling thing to me. Not only did I spend the entire time reading this drooling and hungry, but I also apparently am clueless about the world of baked goods, because I spent a lot of time googling just what the heck they were talking about. To me, not a whole lot happened for a good third of the book. Mostly just quotidian things, introducing the characters and world, etc, which made it a bit of a slog to get to the real action. Even then, there were scenes that felt like they dragged endlessly.
- There's a point toward the middle where the magical realism turns into almost a long, extended hallucination scene, and it really threw me for a loop. Until then, the magical realism had been pretty unobtrusive and slipped neatly and easily into the real world. But in the middle, there's a really long scene where a bunch of things happen (helpful, right? But I don't want to spoil anything) that feel like hallucinations more than actual legitimate plot points. Yet, we're supposed to take everything as being real and actually happening/existing. I was just so confused for this part, and it was a pretty big section.
- Walter is a bit of a unique character in that he suffers from childhood apraxia of speech, which is a struggle that he has to overcome because talking is exhausting and requires work and practice. How the author handled this struggle in the end, though, felt really icky to me. MILD SPOILER, YOU HAVE BEEN WARNED: The key to Walter's speech appears to have been in him all along and he basically just had to want it and try harder, essentially. I mean, it was part of his personal growth, in a way, to realize that he has the words. However, this isn't very realistic (I know, I know, it's fiction and it doesn't have to be). But considering that it's a real problem, this sort of makes it seem like people suffering with it just have to try harder and it'll be fine, when that's not the case. That's obviously NOT what the author is going for (and I'm not saying it is), but that's how it came across to me, like most of Walter's struggle was just in his head.