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The Silk Weaver's Wife
A heart-wrenching and unforgettable story of two women – centuries apart – linked by the hidden secrets of a beautiful woman in a Venetian painting.
Venice 1704: Anastasia is desperate to escape her controlling father and plans to marry her childhood sweetheart. But instead of the life she has always dreamed of, she finds herself trapped in Venice, the unwilling wife of a silk weaver.
Anastasia seeks comfort in painting and draws strength from her talents. Despite her circumstances, two women reach out to her and give Anastasia a reason to hope. And together they make a momentous decision which will change all of their lives...
London 2017: Millie wants more from her relationship and more from her life. So when her boss Max abruptly ends their affair, she takes the opportunity to write a feature in Italy.
Staying in a gorgeous villa, Millie unexpectedly falls in love with the owner, Lorenzo. Together they begin to unravel an incredible story, passed down through generations of women.
And Millie finds herself compelled to discover the identity of a mysterious woman in a portrait...
A richly evocative and utterly page-turning story about lost secrets, family heirlooms and love against all odds.
Venice 1704: Anastasia is desperate to escape her controlling father and plans to marry her childhood sweetheart. But instead of the life she has always dreamed of, she finds herself trapped in Venice, the unwilling wife of a silk weaver.
Anastasia seeks comfort in painting and draws strength from her talents. Despite her circumstances, two women reach out to her and give Anastasia a reason to hope. And together they make a momentous decision which will change all of their lives...
London 2017: Millie wants more from her relationship and more from her life. So when her boss Max abruptly ends their affair, she takes the opportunity to write a feature in Italy.
Staying in a gorgeous villa, Millie unexpectedly falls in love with the owner, Lorenzo. Together they begin to unravel an incredible story, passed down through generations of women.
And Millie finds herself compelled to discover the identity of a mysterious woman in a portrait...
A richly evocative and utterly page-turning story about lost secrets, family heirlooms and love against all odds.
394 pages, Kindle Edition
First published July 5, 2017
201 people are currently reading
283 people want to read
About the author
Debbie Rix
10 books235 followersI started writing novels after a long career in broadcasting and journalism. My first novel - The Girl with Emerald Eyes (originally published as 'Secrets of the Tower' in March 2015), is set in two time zones - the modern day and 12th century. It explores the extraordinary woman who left the money to build the Leaning Tower of Pisa.
My second novel: Daughters of the Silk Road follows the journey of a family of merchant explorers who return to Venice from China with a Ming Vase. The book again straddles two time zones.
The Silk Weaver's Wife was published in 2017 and is set in the world of the Italian silk industry. The period story follows the journey of a young Veronese woman who is forced into an abusive marriage. The modern heroine uncovers her remarkable story.
My last two novels are set in 20th century. 'The Photograph' tells the story of Hungarian refugee Rachael who escapes to London from Budapest in 1956. Travelling to Sardinia with her archaeologist father, she meets the man who will change her life. Meanwhile in 2018, her anthropologist grand-daughter Sophie is struggling with infertility. As their two stories intertwine, Sophie uncovers her grandmother's secret.
My latest novel: 'The Secret Letter' is due out on 22nd July. It explores the lives of two young girls in the 2nd world war - Imogen separated from her parents as an evacuee, and Magda who is determined to fight the Nazi regime. Their lives are brought together by a young RAF pilot. The story is based in part on the extraordinary experiences of my father who escaped a German prisoner of war camp at the end of the war.
I live in Kent with my family, four cats and chickens.
My second novel: Daughters of the Silk Road follows the journey of a family of merchant explorers who return to Venice from China with a Ming Vase. The book again straddles two time zones.
The Silk Weaver's Wife was published in 2017 and is set in the world of the Italian silk industry. The period story follows the journey of a young Veronese woman who is forced into an abusive marriage. The modern heroine uncovers her remarkable story.
My last two novels are set in 20th century. 'The Photograph' tells the story of Hungarian refugee Rachael who escapes to London from Budapest in 1956. Travelling to Sardinia with her archaeologist father, she meets the man who will change her life. Meanwhile in 2018, her anthropologist grand-daughter Sophie is struggling with infertility. As their two stories intertwine, Sophie uncovers her grandmother's secret.
My latest novel: 'The Secret Letter' is due out on 22nd July. It explores the lives of two young girls in the 2nd world war - Imogen separated from her parents as an evacuee, and Magda who is determined to fight the Nazi regime. Their lives are brought together by a young RAF pilot. The story is based in part on the extraordinary experiences of my father who escaped a German prisoner of war camp at the end of the war.
I live in Kent with my family, four cats and chickens.
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Displaying 1 - 30 of 45 reviews
September 9, 2017
A wonderful and interesting novel.
From the first page I was transported into the story of Anastasia and Millie. Dual time novels are a particular favorite. I was compelled to keep turning the pages to find out the fate of Anastastia.
Add to that the settings in Italy including Venice and you have the perfect combination of an engosiing read.
I loved it.
From the first page I was transported into the story of Anastasia and Millie. Dual time novels are a particular favorite. I was compelled to keep turning the pages to find out the fate of Anastastia.
Add to that the settings in Italy including Venice and you have the perfect combination of an engosiing read.
I loved it.
July 27, 2017
If you love Italy, a moving, multilayered story with stories woven together like silk itself, two great character leads, a memorable journey and evocative landscapes then this is the book for you
Visit the locations with the Literary Travel Agency: The Silk Trade
I’ve just spent the most luscious three days cocooned in this novel which details the interwoven stories of two women across the centuries and tied to the silk trade in some way. Right that’s enough of the silk related puns but it’s hard not to do as this novel just oozes and evokes everything about the magical history of such a fascinating theme.
There’s some really emotional scenes in this book too – harm and suffering of both women with one going to great lengths to escape her situation. There’s lots going on here, lots of emotions and edge of the seats moments where the chapter ended jumped to the other story at just the right, end of the bridge moment before splash the next chapter comes along.
The evocative writing is just gorgeous – the scene setting has as much flourish as a gondolier trying to entice you onto the Grand Canal.If ever there was a novel I’d like to step inside, this is it.
There is such detail about the silk trade here too – what a fascinating history and story to this! – but this weaves seamlessly into the plot (sorry there’s another silk reference again). I particularly loved the story set in the past and how many real life characters in the silk trade were placed alongside the fictional ones.
Oh and the locations! Italy the lakes, Amsterdam, Spitalfields Market in London…!
Seamlessly written and researched. Rix weaves magic and more. The locations are lusciously Italian and the story twists and turns like the ragged mountain roads past the calm flowing lakes to the bustling city of Venice and beyond. “Evocative and captivating” barely does the book justice
Visit the locations with the Literary Travel Agency: The Silk Trade
I’ve just spent the most luscious three days cocooned in this novel which details the interwoven stories of two women across the centuries and tied to the silk trade in some way. Right that’s enough of the silk related puns but it’s hard not to do as this novel just oozes and evokes everything about the magical history of such a fascinating theme.
There’s some really emotional scenes in this book too – harm and suffering of both women with one going to great lengths to escape her situation. There’s lots going on here, lots of emotions and edge of the seats moments where the chapter ended jumped to the other story at just the right, end of the bridge moment before splash the next chapter comes along.
The evocative writing is just gorgeous – the scene setting has as much flourish as a gondolier trying to entice you onto the Grand Canal.If ever there was a novel I’d like to step inside, this is it.
There is such detail about the silk trade here too – what a fascinating history and story to this! – but this weaves seamlessly into the plot (sorry there’s another silk reference again). I particularly loved the story set in the past and how many real life characters in the silk trade were placed alongside the fictional ones.
Oh and the locations! Italy the lakes, Amsterdam, Spitalfields Market in London…!
Seamlessly written and researched. Rix weaves magic and more. The locations are lusciously Italian and the story twists and turns like the ragged mountain roads past the calm flowing lakes to the bustling city of Venice and beyond. “Evocative and captivating” barely does the book justice
July 16, 2017
Wow! Debbie Rix is one of my favourite historical fiction authors and with this book, she has surpassed herself! Beautifully researched, the research is skillfully woven into a fabulous story, each thread, the past and the present interweaving beautifully, culminating in a dramatic and immensely satisfying finale. I felt for both women, I became them, experiencing their dilemmas. Through her beautiful words the author brings to life for us a time long gone, allowing us to experience life in Italy of the 1700s. She transports us to a world that no longer exists and I did not want to leave it, come back into the present - this for me is the hallmark of a great writer. I absolutely adored this amazing story and I cannot wait for more from this author. I will happily go wherever she chooses to take us next.
September 7, 2017
I really enjoyed this book, one of the reasons I like to read historical novels is in the hope that I can learn something new. This book ticked the box on that one, the research that Debbie Rix has done is obvious. She has explored the silk manufacture process from moth to cloth, there is not an overload of information, but has used her characters well to explain, as her characters learn things, then so does the reader. I found Debbie’s writing to be very readable and well set pace, there are a lot of stories within stories in this book, but they have been organised and well laid out so as not to confuse the reader at all. Also included in this are actual artists, designers and weavers there is a very handy section at the back that lists the fact and fiction characters as well a note about how Debbie weaves the two together.
This is a wonderful book written across two-time lines, 1704 and 20017. In 1704 we are introduced to Anastasia and her family from near Verona in Italy. In 2017 we meet Millie on a break with her sort of boyfriend Max.
Millie, a journalist, has been asked to write an article on the regeneration of Italy’s silk trade. She stays at the House of Cocoon, or Villa di Bozzolo, it has been part of the silk trade for many generations and has a deep history. The she meets owners Lorenzo and his sister Elena, they run the villa as a Bed and Breakfast guest house. Lorenzo provides her with much information for her article and is her contact for meeting various other people in the silk trade. She finds Lorenzo very easy to get along with, and has her questioning her life with Max, Lorenzo is her age, attractive and a widow.
Anastasia and her sister Mariette live under the iron rule of their father, their mother doesn’t have the strength to stand up to him so they all live under the threat of a beating from him. Anastasia has two loves, Marco and painting, both are things that her father will not allow, if he knew. He believes painting is not a thing a woman should do, he is of thought that they should be at home doing productive things.
As Millie discovers more about the history of silk manufacture process, Anastasia’s journey runs alongside with her journey into the world.
I would recommend this book to readers of historical fiction, womans fiction and romance. I wish to thank Netgalley and Bookouture for my copy in exchange for my honest and unbiased opinion.
This is a wonderful book written across two-time lines, 1704 and 20017. In 1704 we are introduced to Anastasia and her family from near Verona in Italy. In 2017 we meet Millie on a break with her sort of boyfriend Max.
Millie, a journalist, has been asked to write an article on the regeneration of Italy’s silk trade. She stays at the House of Cocoon, or Villa di Bozzolo, it has been part of the silk trade for many generations and has a deep history. The she meets owners Lorenzo and his sister Elena, they run the villa as a Bed and Breakfast guest house. Lorenzo provides her with much information for her article and is her contact for meeting various other people in the silk trade. She finds Lorenzo very easy to get along with, and has her questioning her life with Max, Lorenzo is her age, attractive and a widow.
Anastasia and her sister Mariette live under the iron rule of their father, their mother doesn’t have the strength to stand up to him so they all live under the threat of a beating from him. Anastasia has two loves, Marco and painting, both are things that her father will not allow, if he knew. He believes painting is not a thing a woman should do, he is of thought that they should be at home doing productive things.
As Millie discovers more about the history of silk manufacture process, Anastasia’s journey runs alongside with her journey into the world.
I would recommend this book to readers of historical fiction, womans fiction and romance. I wish to thank Netgalley and Bookouture for my copy in exchange for my honest and unbiased opinion.
July 19, 2017
I've read and really enjoyed the first two books published by Debbie Rix, Secrets of the Tower (now called The Girl with Emerald Eyes) and Daughters of the Silk Road, and now she is back with her third story The Silk Weaver's Wife. I love how Debbie weaves historical facts into a fictional story while still having a modern day aspect in place as well. The dual narrative has worked very well for Debbie but in the case of this new book I felt the modern story set in the countryside of Verona, Italy, was not as strong as in previous books. That's not to say I didn't enjoy this story, I did, after a significant period of settling into the read, but the scenes set in the present day just didn't grip me as they had before in Debbie's previous books.
Told from two perspectives The Silk Weaver's Wife follows Anastasia ( Ana) in Italy in the early 1700's and Camilla (Millie) Caparelli in Italy in the present day. Normally in books of this nature with the two storylines running concurrently there would be an eventual connection between the characters. When all would be revealed I would feel a deep sense of satisfaction at the truth uncovered but here it just seemed too weak and all too obvious too early on. For certain Ana's story was far stronger than that of Millie's and I found myself more eager to return to Italy in the past rather than read about what was happening to Camilla. There was more depth and substance to Ana's story where as I felt the reader was very much an observer of Millie and there was a lack of excitement and thrill of uncovering past secrets that I normally love with books of this genre.
The Silk Weaver’s Wife is split into three distinct sections with their own sub headings – silken thread, metamorphosis and regeneration. To be honest as I, was reading I didn't pay much heed to the section headings. It was only when I finished reading I realised how clever the author had been in separating the book into three parts and I understood then where she had wanted to take Ana as a character. I suppose when I stop and think about it the two main female characters even though separated by hundreds of years did have a connection and similarities in their lives but it was really Ana who I became more interested in reading about. It's not that I disliked Millie as a character it was more a case of her story didn't grab me early on and hold me in it's thrall as much as Ana's had.
Ana is the daughter of a silk weaver living in the Italian countryside near Verona. Her father rules the family with a firm fist and abusive words. Ana, her mother and sister Marietta live in a world of fear rather than comfort and happiness. Her father controls all aspects of their lives but Ana has one love she wishes to keep for herself and that is her love of painting and nature and in particular the finer detail of plants. Ana's also other deep love is for Marco, the son of a neighbouring farmer and she wants with all her heart to marry him but her father has other plans. Well it's more a case of his hand is forced due to circumstances, Ana is to be sent away to marry Anzolo Zorzi, a silk manufacturer living in Venice. What a horrible situation to be in. I felt Ana's desperation at the course of her life being taken out of her hands and I was cheering her on when she took matter's into her own hands but alas it was not to be.
The first half of the book I'll admit I found quite repetitive and difficult to get into. Ana is imprisoned more or less by the husband who was forced upon her and there was just endless descriptions of the days she spent incarcerated with nothing much happening. Yes I felt all her pain and upset but the story really did need to get going. Through one thing and another Ana escapes but what has occurred between the four walls of her prison has deeply affected her and she is not the same person who returns to the family farm. Ana knows now her fate is in her hands. I wanted Ana to escape the room because the story couldn't have gone on in the same vein it was going in due to nothing much happening but then on the other hand I was thinking where can the book go if she achieves freedom far too early on.
Thankfully this was only the focus of the first section of the book and the later two parts took the reader on Ana's journey which saw her undergo a transformation comparable to that of the silkworm which plays a dominant role in the story for various reasons. Ana has to do a lot of soul searching in order to find the outcome and answers she needs in order to accept fulfilment and true happiness. I enjoyed reading her story and her personal journey but behind it all I was hoping for a certain outcome and that she would make the right choice. She needed to get away from what had happened to her, to come to terms with it and then place it in the past before she could move forward in a positive way into the future. Ana's metamorphosis was a joy to read about but I hoped she would come to realise what was right before her eyes and as well as finding professional satisfaction, personal happiness would also follow.
Millie in some aspects was quite similar to Ana in some of the things they go through and in the fact she does go through a metamorphosis of sorts maybe to call it a realisation would be more apt. I don't think I gelled as well with Millie as I did Ana and that's partly because I really didn't like the situation she was in. I felt it was of her own making and I just despise people who do that to others. Millie works for a newspaper and she is commissioned to write about the Veneto region in Italy and their hopes to reinvigorate the silk industry which saw a rapid decline and then collapse. Hence the connection between the past and the present, that of silk. I did find all the descriptions of the silk industry and the process absolutely fascinating and also the descriptions of Italy, the food, the countryside, the architecture, the various cities and that's where Debbie Rix does excel in creating such vivid, wonderful, imagery in your head.
There were quite some dramatic scenes featuring Ana which I had such a clear image of that really brought the story alive. But what annoyed me about Millie was that for several years she had been in a relationship, one that wasn't good or beneficial for anyone for many reasons. I know it happens to lots of people day in and day out but I can't stand it and it gave me a picture of Millie that I really couldn't warm to. Yes I could sense she was beginning to see the wood for the trees and she felt soulless but she really should have known this from the start. Nothing good would ever come of the precarious situation she was in and I would have had far more respect for her if she had been more assertive and pushed someone very firmly to the kerb. The change she so badly needed was being given the opportunity to visit Italy and I hoped it would have the desired affect and basically make her wake up.
Millie stays in Villa Di Bozzolo with Lorenzo and Elena Manzoni. The brother and sister run a bed and breakfast along side their vineyard and also tend to the many mulberry trees which are needed to feed the silkworms. Lorenzo is a widower with a nine year old daughter Bella and over time and as she undertakes her research Millie becomes good friends with the Italians apart from Elena who maintains a distant and a cold persona and maybe she was right to. Whereas Ana had spirit, courage, strength and devotion I think Millie for the most part lacked these traits in full measure. I believe they were there waiting to emerge but she was entrenched in a situation she kept coming back to because she couldn't take the bull by the horns and just make a final decision. She was a prime example of her heart ruling over head when the opposite really needed to be the case. If Millie's story hadn't have been in The Silk Weaver's Wife I would have been perfectly happy with that. I get it was to show comparisons between the two main characters and to have the dual timeline but it didn't work for me and I wasn't engrossed in Millie's outcome. The element of surprise and searching back through the past just didn't come across as strong as it should have. Even if the beginning and closing chapters had just featured Millie that would have worked perfectly fine.
The Silk Weaver's daughter was a mixed bag for me. I was disappointed in the modern day story but as time went by I was enthralled and really understood Ana's side of the story. This was a good book but certainly not my favourite by the author but I having said that I will read what she writes in the future as I know judging on her first two books what a talented author she is.
Told from two perspectives The Silk Weaver's Wife follows Anastasia ( Ana) in Italy in the early 1700's and Camilla (Millie) Caparelli in Italy in the present day. Normally in books of this nature with the two storylines running concurrently there would be an eventual connection between the characters. When all would be revealed I would feel a deep sense of satisfaction at the truth uncovered but here it just seemed too weak and all too obvious too early on. For certain Ana's story was far stronger than that of Millie's and I found myself more eager to return to Italy in the past rather than read about what was happening to Camilla. There was more depth and substance to Ana's story where as I felt the reader was very much an observer of Millie and there was a lack of excitement and thrill of uncovering past secrets that I normally love with books of this genre.
The Silk Weaver’s Wife is split into three distinct sections with their own sub headings – silken thread, metamorphosis and regeneration. To be honest as I, was reading I didn't pay much heed to the section headings. It was only when I finished reading I realised how clever the author had been in separating the book into three parts and I understood then where she had wanted to take Ana as a character. I suppose when I stop and think about it the two main female characters even though separated by hundreds of years did have a connection and similarities in their lives but it was really Ana who I became more interested in reading about. It's not that I disliked Millie as a character it was more a case of her story didn't grab me early on and hold me in it's thrall as much as Ana's had.
Ana is the daughter of a silk weaver living in the Italian countryside near Verona. Her father rules the family with a firm fist and abusive words. Ana, her mother and sister Marietta live in a world of fear rather than comfort and happiness. Her father controls all aspects of their lives but Ana has one love she wishes to keep for herself and that is her love of painting and nature and in particular the finer detail of plants. Ana's also other deep love is for Marco, the son of a neighbouring farmer and she wants with all her heart to marry him but her father has other plans. Well it's more a case of his hand is forced due to circumstances, Ana is to be sent away to marry Anzolo Zorzi, a silk manufacturer living in Venice. What a horrible situation to be in. I felt Ana's desperation at the course of her life being taken out of her hands and I was cheering her on when she took matter's into her own hands but alas it was not to be.
The first half of the book I'll admit I found quite repetitive and difficult to get into. Ana is imprisoned more or less by the husband who was forced upon her and there was just endless descriptions of the days she spent incarcerated with nothing much happening. Yes I felt all her pain and upset but the story really did need to get going. Through one thing and another Ana escapes but what has occurred between the four walls of her prison has deeply affected her and she is not the same person who returns to the family farm. Ana knows now her fate is in her hands. I wanted Ana to escape the room because the story couldn't have gone on in the same vein it was going in due to nothing much happening but then on the other hand I was thinking where can the book go if she achieves freedom far too early on.
Thankfully this was only the focus of the first section of the book and the later two parts took the reader on Ana's journey which saw her undergo a transformation comparable to that of the silkworm which plays a dominant role in the story for various reasons. Ana has to do a lot of soul searching in order to find the outcome and answers she needs in order to accept fulfilment and true happiness. I enjoyed reading her story and her personal journey but behind it all I was hoping for a certain outcome and that she would make the right choice. She needed to get away from what had happened to her, to come to terms with it and then place it in the past before she could move forward in a positive way into the future. Ana's metamorphosis was a joy to read about but I hoped she would come to realise what was right before her eyes and as well as finding professional satisfaction, personal happiness would also follow.
Millie in some aspects was quite similar to Ana in some of the things they go through and in the fact she does go through a metamorphosis of sorts maybe to call it a realisation would be more apt. I don't think I gelled as well with Millie as I did Ana and that's partly because I really didn't like the situation she was in. I felt it was of her own making and I just despise people who do that to others. Millie works for a newspaper and she is commissioned to write about the Veneto region in Italy and their hopes to reinvigorate the silk industry which saw a rapid decline and then collapse. Hence the connection between the past and the present, that of silk. I did find all the descriptions of the silk industry and the process absolutely fascinating and also the descriptions of Italy, the food, the countryside, the architecture, the various cities and that's where Debbie Rix does excel in creating such vivid, wonderful, imagery in your head.
There were quite some dramatic scenes featuring Ana which I had such a clear image of that really brought the story alive. But what annoyed me about Millie was that for several years she had been in a relationship, one that wasn't good or beneficial for anyone for many reasons. I know it happens to lots of people day in and day out but I can't stand it and it gave me a picture of Millie that I really couldn't warm to. Yes I could sense she was beginning to see the wood for the trees and she felt soulless but she really should have known this from the start. Nothing good would ever come of the precarious situation she was in and I would have had far more respect for her if she had been more assertive and pushed someone very firmly to the kerb. The change she so badly needed was being given the opportunity to visit Italy and I hoped it would have the desired affect and basically make her wake up.
Millie stays in Villa Di Bozzolo with Lorenzo and Elena Manzoni. The brother and sister run a bed and breakfast along side their vineyard and also tend to the many mulberry trees which are needed to feed the silkworms. Lorenzo is a widower with a nine year old daughter Bella and over time and as she undertakes her research Millie becomes good friends with the Italians apart from Elena who maintains a distant and a cold persona and maybe she was right to. Whereas Ana had spirit, courage, strength and devotion I think Millie for the most part lacked these traits in full measure. I believe they were there waiting to emerge but she was entrenched in a situation she kept coming back to because she couldn't take the bull by the horns and just make a final decision. She was a prime example of her heart ruling over head when the opposite really needed to be the case. If Millie's story hadn't have been in The Silk Weaver's Wife I would have been perfectly happy with that. I get it was to show comparisons between the two main characters and to have the dual timeline but it didn't work for me and I wasn't engrossed in Millie's outcome. The element of surprise and searching back through the past just didn't come across as strong as it should have. Even if the beginning and closing chapters had just featured Millie that would have worked perfectly fine.
The Silk Weaver's daughter was a mixed bag for me. I was disappointed in the modern day story but as time went by I was enthralled and really understood Ana's side of the story. This was a good book but certainly not my favourite by the author but I having said that I will read what she writes in the future as I know judging on her first two books what a talented author she is.
February 1, 2021
As I have read a Debbie Rix book some time before, I was looking forward to read another book by her. I also liked the premise of "The Silk Weaver's wife".
I really enjoyed the start into the story and I liked that it was set in two different times with two very different characters. I also liked the author's descriptions of the setting and the area. It gave me a very good impression of the setting and the time. More and more into the story, I found these descpriptions a little bit too much and I got bored with the repetive descriptions.
In the beginning I found the two women very interesting and was looking forward to find out more about their lives. But soon I had the feeling that the two women remained very distant to me and I couldn't really connect with the stories. Surprisingly I had more difficulties with the part in the past, which I usually enjoy more.
The story was entertaining after all but remained a bit shallow unfortunately and couldn't completely hold my attention.
I really enjoyed the start into the story and I liked that it was set in two different times with two very different characters. I also liked the author's descriptions of the setting and the area. It gave me a very good impression of the setting and the time. More and more into the story, I found these descpriptions a little bit too much and I got bored with the repetive descriptions.
In the beginning I found the two women very interesting and was looking forward to find out more about their lives. But soon I had the feeling that the two women remained very distant to me and I couldn't really connect with the stories. Surprisingly I had more difficulties with the part in the past, which I usually enjoy more.
The story was entertaining after all but remained a bit shallow unfortunately and couldn't completely hold my attention.
December 30, 2017
Debbie Rix's excellent third novel is a fascinating glimpse into those involved in the indigenous silk production of Italy of the early eighteenth century. Through her painstaking research, she has created an authentic and vivid picture of the period, cleverly weaving into the story the occasional true to life character. I was particularly interested to learn more about the real character of the artist Maria Sibylla Merian in Debbie's letter at the end of the book and would definitely love to know more about her, certainly the hallmark of a great read when one is interested in enriching one's knowledge on a subject after the final page.
A colourful, enjoyable and satisfying read that effortlessly and cleverly flits between past and present. Highly recommended.
A colourful, enjoyable and satisfying read that effortlessly and cleverly flits between past and present. Highly recommended.
July 23, 2017
All reviews can be found on my blog at https://thewritinggarnet.wordpress.com
Being perfectly honest, I wasn’t sure what to expect with ‘The Silk Weaver’s Wife’ as, whilst I have heard of Debbie Rix, I had never read any of her novels before this one. To begin with, it took me a couple of chapters to warm up to the storyline as there was a lot of information to digest, and the pace was quite slow. When I reached halfway, I felt like bowing to the slow pace as it is such an important part of the overall novel structure, which is severely misunderstood.
Set during two different times, The Silk Weaver’s Wife explorers silk weaving in 1704, and 2017. In 1704 our main character is Anastasia, she has fallen in love yet her father seems to have different plans for her love life. It’s either his way, or the high way. Anastasia was forced into a lifestyle which compromised her safety, dignity, and independence. Reading Anastasia’s story was absolutely devastating. Whilst the character came across incredibly strong and independent, she was actually quite fearful and longed for her own life back. During the chapters of 1704, Debbie Rix takes us on a journey through time, an eye-opening one at that, especially when the storyline took us to different countries. Planes weren’t invented then, so how do you think the characters managed to get to those different countries? Imagine the length of time it must have taken them! I was in awe. I adore history. Debbie Rix has incorporated some wonderful historical facts alongside her fictional work – all of which blew me away.
During the chapters of 2017, the main character is Millie, a journalist who’s love life isn’t exactly above-board. That aside, Millie was given the opportunity to write a feature in Italy, exploring the history surrounding silk weaver’s as a whole. Well, she also got to explore a certain local Italian stallion….
I adored watching the past and present come together throughout the storyline, finding out the history behind the silk weaver’s, as well as seeing certain items from the past in the present chapters. Outstanding!
I absolutely LOVED this book! Yes, it was a little heavy in some parts but, due to the nature of the storyline, it just meant that I had to take my time over the storyline. Not really a hardship! Debbie Rix has blown me away with her enchanting and flawless writing style. Honestly, I have never read anything like it before.
Debbie Rix is an outstanding storyteller with such beautiful and iconic writing, which captured my heart and soul. The historical features in The Silk Weaver’s Wife, were written impeccably. The fictional parts of the storyline were written in such a mesmerising, and addictive manner; I was excited to change each page. Put the two parts together, and you have one memorable and alluring novel.
I believe I have found a new favourite author, and a new set of books to buy online. I need more of Debbie Rix on my bookshelf after this.
The Silk Weaver’s Wife is an authentic portrayal of silk weaving history meeting silk weaving present, whilst also being entwined with the authors distinctive and outstanding writing style. Overall, I cannot recommend this book enough, you must read this one!
Thanks Bookouture.
Being perfectly honest, I wasn’t sure what to expect with ‘The Silk Weaver’s Wife’ as, whilst I have heard of Debbie Rix, I had never read any of her novels before this one. To begin with, it took me a couple of chapters to warm up to the storyline as there was a lot of information to digest, and the pace was quite slow. When I reached halfway, I felt like bowing to the slow pace as it is such an important part of the overall novel structure, which is severely misunderstood.
Set during two different times, The Silk Weaver’s Wife explorers silk weaving in 1704, and 2017. In 1704 our main character is Anastasia, she has fallen in love yet her father seems to have different plans for her love life. It’s either his way, or the high way. Anastasia was forced into a lifestyle which compromised her safety, dignity, and independence. Reading Anastasia’s story was absolutely devastating. Whilst the character came across incredibly strong and independent, she was actually quite fearful and longed for her own life back. During the chapters of 1704, Debbie Rix takes us on a journey through time, an eye-opening one at that, especially when the storyline took us to different countries. Planes weren’t invented then, so how do you think the characters managed to get to those different countries? Imagine the length of time it must have taken them! I was in awe. I adore history. Debbie Rix has incorporated some wonderful historical facts alongside her fictional work – all of which blew me away.
During the chapters of 2017, the main character is Millie, a journalist who’s love life isn’t exactly above-board. That aside, Millie was given the opportunity to write a feature in Italy, exploring the history surrounding silk weaver’s as a whole. Well, she also got to explore a certain local Italian stallion….
I adored watching the past and present come together throughout the storyline, finding out the history behind the silk weaver’s, as well as seeing certain items from the past in the present chapters. Outstanding!
I absolutely LOVED this book! Yes, it was a little heavy in some parts but, due to the nature of the storyline, it just meant that I had to take my time over the storyline. Not really a hardship! Debbie Rix has blown me away with her enchanting and flawless writing style. Honestly, I have never read anything like it before.
Debbie Rix is an outstanding storyteller with such beautiful and iconic writing, which captured my heart and soul. The historical features in The Silk Weaver’s Wife, were written impeccably. The fictional parts of the storyline were written in such a mesmerising, and addictive manner; I was excited to change each page. Put the two parts together, and you have one memorable and alluring novel.
I believe I have found a new favourite author, and a new set of books to buy online. I need more of Debbie Rix on my bookshelf after this.
The Silk Weaver’s Wife is an authentic portrayal of silk weaving history meeting silk weaving present, whilst also being entwined with the authors distinctive and outstanding writing style. Overall, I cannot recommend this book enough, you must read this one!
Thanks Bookouture.
August 22, 2017
When I read historical fiction, what I really, really want is to be completely transported to another time and place. I want rich and evocative description, an epic journey of discovery, awe inspiring battles against adversity and a romance to sweep me away. The Silk Weavers Wife fits the bill pretty damn well!
Switching between past and present, the book tells the story of two women in the midst of a metamorphosis. In the 21st century, Millie is 38 and in the midst of a messy affair with her married boss and her dreams of a family of her own are starting to fade. Rewind four hundred years, and Anastasia has been denied marriage to her true love by her cruel and violent father and forced into a loveless marriage to pay off a debt.
I absolutely adored the sections set in the 1700’s as Debbie Rix brings to life the sights and sounds of early eighteenth century Italy – transporting the reader effortlessly between the rural tranquility of Lake Garda and the bustle and noise of Venice. Anastasia is everything you want in a heroine – brave, passionate and determined to be independent. Given the time and her gender, Anastasia might easily have accepted her fate, but she can not be contained, and inspired by the silk moths she observes while a prisoner in her husbands home, she sets about a metamorphosis into an educated, self sufficient woman of talent, with a strong sense of loyalty.
Millie is somewhat of a contrast. Her trap is of her own making and I found it frustrating that despite being an intelligent woman, she was settling for being the mistress of the unbearably arrogant Max. But whether the prison is enforced or self inflicted, this book is about finding the courage to make changes and transform your own destiny, and ties together nicely the stories of both women.
In both past and present, I found the backdrop of the Italian Silk industry fascinating and absorbing! From the larvae of the silk moth to the exquisite finished pieces of silk, I was intrigued. I can only imagine the dedication and work that went into creating such beautiful material using ancient processes and thoroughly enjoyed learning a little about it.
I enjoyed The Silk weavers Wife, in particular Anastasia’s section, and found myself completely absorbed and enchanted while reading about her life. I also thought the romantic element was done very well, both in past and present, and was enough to sweep the reader up in without overshadowing this gorgeous story. With beautiful descriptions, a brave and inspiring heroine and the fascinating glimpse into the ancient art of silk making, I savoured this book and looked forward to a chance to pick it up again. A winner for me.
Switching between past and present, the book tells the story of two women in the midst of a metamorphosis. In the 21st century, Millie is 38 and in the midst of a messy affair with her married boss and her dreams of a family of her own are starting to fade. Rewind four hundred years, and Anastasia has been denied marriage to her true love by her cruel and violent father and forced into a loveless marriage to pay off a debt.
I absolutely adored the sections set in the 1700’s as Debbie Rix brings to life the sights and sounds of early eighteenth century Italy – transporting the reader effortlessly between the rural tranquility of Lake Garda and the bustle and noise of Venice. Anastasia is everything you want in a heroine – brave, passionate and determined to be independent. Given the time and her gender, Anastasia might easily have accepted her fate, but she can not be contained, and inspired by the silk moths she observes while a prisoner in her husbands home, she sets about a metamorphosis into an educated, self sufficient woman of talent, with a strong sense of loyalty.
Millie is somewhat of a contrast. Her trap is of her own making and I found it frustrating that despite being an intelligent woman, she was settling for being the mistress of the unbearably arrogant Max. But whether the prison is enforced or self inflicted, this book is about finding the courage to make changes and transform your own destiny, and ties together nicely the stories of both women.
In both past and present, I found the backdrop of the Italian Silk industry fascinating and absorbing! From the larvae of the silk moth to the exquisite finished pieces of silk, I was intrigued. I can only imagine the dedication and work that went into creating such beautiful material using ancient processes and thoroughly enjoyed learning a little about it.
I enjoyed The Silk weavers Wife, in particular Anastasia’s section, and found myself completely absorbed and enchanted while reading about her life. I also thought the romantic element was done very well, both in past and present, and was enough to sweep the reader up in without overshadowing this gorgeous story. With beautiful descriptions, a brave and inspiring heroine and the fascinating glimpse into the ancient art of silk making, I savoured this book and looked forward to a chance to pick it up again. A winner for me.
August 15, 2017
The Silk Weavers Wife is a well-written story, set in Italy and which tells of two tales set almost three centuries apart. The story revolves around 2 women, Anastasia and Millie, both strong and well crafted characters, who prove to be an inspiration for all.
Anastasia is brought up to be respectful, proper and do as her father says. Along with her younger sister and mother, they live in constant fear of her Father's moods and hate. He only ever seems to show his love to his dog and the horses. Anastasia develops an interest in art and secretly tries to pursue the same. When she is taken away from the man she loves and is forced to marry someone her father had made a deal with through his gambling, her life takes a turn for the worse. Forced to lead a life she doesn't want, she finds solace in her maid, who helps her find a way to escape the abuse and eventually find her way back to the man she loves. However, even this road is not smooth and is filled with learning and a journey of self-discovery, as well as healing. Anastasia travels across Europe and then to London where she learns to improve her art and then to apply it to the finished product of silk weaving.
Jump ahead to the current day scenario and we meet Millie who has come down to Italy to write a feature on Silk Weaving and how it has evolved over time. Ironically, this trip also proves to be one of self-discovery and developing a sense of respect of oneself. She develops a bond with Lorenzo, the owner of the villa where she is staying and his charming daughter. Millie learns to deal with her failed relationship with her boss, a married man, and as she researches more into the subject of her article, she digs up information pertaining to Anastasia.
As connections are made with the past and parallels are drawn, the author takes the reader on an interesting adventure. In many ways, the journey of the silk worm relates to the journeys led by both women they they finally discover who they are meant to be and learn to be content with their lives. The story moves across time as it unravels, going back and forth to give us a complete picture. The characters are well developed and deep, with the supporting characters playing major roles and contributing to this beautiful tale.
An inspiration, this story brings out the strength of women and how the love and support of those around them, helps them achieve wonders!
Anastasia is brought up to be respectful, proper and do as her father says. Along with her younger sister and mother, they live in constant fear of her Father's moods and hate. He only ever seems to show his love to his dog and the horses. Anastasia develops an interest in art and secretly tries to pursue the same. When she is taken away from the man she loves and is forced to marry someone her father had made a deal with through his gambling, her life takes a turn for the worse. Forced to lead a life she doesn't want, she finds solace in her maid, who helps her find a way to escape the abuse and eventually find her way back to the man she loves. However, even this road is not smooth and is filled with learning and a journey of self-discovery, as well as healing. Anastasia travels across Europe and then to London where she learns to improve her art and then to apply it to the finished product of silk weaving.
Jump ahead to the current day scenario and we meet Millie who has come down to Italy to write a feature on Silk Weaving and how it has evolved over time. Ironically, this trip also proves to be one of self-discovery and developing a sense of respect of oneself. She develops a bond with Lorenzo, the owner of the villa where she is staying and his charming daughter. Millie learns to deal with her failed relationship with her boss, a married man, and as she researches more into the subject of her article, she digs up information pertaining to Anastasia.
As connections are made with the past and parallels are drawn, the author takes the reader on an interesting adventure. In many ways, the journey of the silk worm relates to the journeys led by both women they they finally discover who they are meant to be and learn to be content with their lives. The story moves across time as it unravels, going back and forth to give us a complete picture. The characters are well developed and deep, with the supporting characters playing major roles and contributing to this beautiful tale.
An inspiration, this story brings out the strength of women and how the love and support of those around them, helps them achieve wonders!
July 23, 2017
In her third novel, The Silk Weaver’s Wife, Debbie Rix skilfully weaves the stories of two remarkable women, separated by three centuries, into an enthralling whole. Italy comes alive in this book, surrounding the reader with all the colours, all the historical charm, the sensual essence of the Italian countryside around Lake Garda and the cities of Venice and Verona; Italy wraps its arms around you and folds you in a warm embrace. The dual timeline works well; Debbie’s writing absorbs the reader into the scenery and into the dramatic lives of these two women.
In the 18th century Anastasia, forced into a marriage that is more an imprisonment, finds the courage not only to escape, to travel far away from home, but to discover and develop her gift for designing exquisite silk fabrics. Centuries later, modern day journalist Millie stumbles across the traces of Anastasia’s story, and while trying to listen to her own heart, finds the thread that connects her life to the past.
I could feel Ana’s torment as if I were right there with her, and rejoiced with her as she found the courage to escape her fate and to remake her life. I also loved the contemporary story thread; it made me want to book a flight to Italy right away, enjoy a glass of superb wine with Millie and Lorenzo! This book was a joy to read, evocative as well as enriching and emotionally stirring; I was impressed by the amount of research that had gone into it, and totally absorbed from beginning to end. Truly a tour de force – Debbie has gone from strength to strength.
In the 18th century Anastasia, forced into a marriage that is more an imprisonment, finds the courage not only to escape, to travel far away from home, but to discover and develop her gift for designing exquisite silk fabrics. Centuries later, modern day journalist Millie stumbles across the traces of Anastasia’s story, and while trying to listen to her own heart, finds the thread that connects her life to the past.
I could feel Ana’s torment as if I were right there with her, and rejoiced with her as she found the courage to escape her fate and to remake her life. I also loved the contemporary story thread; it made me want to book a flight to Italy right away, enjoy a glass of superb wine with Millie and Lorenzo! This book was a joy to read, evocative as well as enriching and emotionally stirring; I was impressed by the amount of research that had gone into it, and totally absorbed from beginning to end. Truly a tour de force – Debbie has gone from strength to strength.
Read
December 14, 2017Started but did not finish. Good book but not gripping enough for me.
August 4, 2017
This is my first Debbie Rix novel that I've read but it won't be the last! The author has a wonderful writing style that really transports you to the places she writes about, and the level of detail to historical facts was also really impressive.
It is set over 2 periods in time - now and back in 1704. In 2017, Millie has a successful career but doesn't seem as successful in love as she's having an affair with her married boss. She knows it is wrong, especially as he has children, but she thinks she's in love. When the chance to travel to Italy arises for her to write a piece in Italy she jumps at the chance and is soon in love with more than the country! But Max is still in the background - and this is where I got quite shouty at the character as she couldn't see what was right for her!!
In 1704 we follow the story of Anastasia and her family. Her father is an evil brute and makes them all live in fear. Anastasia plans to run away to marry her love, but soon finds out she is promised to another - and one brute gets replaced by another. Despite the glorious setting of Venice, she is put through an awful time after her wedding and her only thoughts are those of escape.
I loved the two timeline settings - both characters had so much going on in their lives that there was always something happening. The silk weaving/farm side of the story was also fascinating and I loved the mystery of the painting that linked the 2 timelines.
Happily recommend this book to anyone who loves historical fiction.
It is set over 2 periods in time - now and back in 1704. In 2017, Millie has a successful career but doesn't seem as successful in love as she's having an affair with her married boss. She knows it is wrong, especially as he has children, but she thinks she's in love. When the chance to travel to Italy arises for her to write a piece in Italy she jumps at the chance and is soon in love with more than the country! But Max is still in the background - and this is where I got quite shouty at the character as she couldn't see what was right for her!!
In 1704 we follow the story of Anastasia and her family. Her father is an evil brute and makes them all live in fear. Anastasia plans to run away to marry her love, but soon finds out she is promised to another - and one brute gets replaced by another. Despite the glorious setting of Venice, she is put through an awful time after her wedding and her only thoughts are those of escape.
I loved the two timeline settings - both characters had so much going on in their lives that there was always something happening. The silk weaving/farm side of the story was also fascinating and I loved the mystery of the painting that linked the 2 timelines.
Happily recommend this book to anyone who loves historical fiction.
July 18, 2017
4.5*
I've read and enjoyed both Debbie Rix's previous books, so when I was offered an ARC of her newest one 'The Silk Weaver's Wife' by the publisher, I couldn't wait to start reading it.
As in her other books, the author's beautiful, evocative prose and vivid descriptions have swept me off my feet and taken me on a mesmerising unforgettable journey back in time, bringing locations and characters from a bygone era back to life in stunning vivid colour.
Told over two different lifetimes, the story revolves around two women, three centuries apart but bound together by an ancient trade and a land of divine art, architecture, culture and wine... Italy.
"There is no escape for you Anastasia."
Veneto, early 1700s. Young Anastasia Balzarelli is forcibly married by her father to a rich silk weaver against her will. She's taken to his house in Venice and imprisoned in an upstairs bedroom overlooking the magnificent Grand Canal, where she's forced to endure her husband's abuse and cry for her true love, Marco. With no hope of getting out of there and nothing else to do, she spends her long days practicing her talent of painting and drawing. She's trapped inside her room like a silkworm in its cocoon. Will she ever be able to metamorphose like the moths she paints and fly away from her desperate situation?
UK and Italy, present day. Escaping from an unhappy love affair, Millie, a journalist, is sent to Italy to write a report on the regeneration of the silk industry in the Veneto region. There she stays in a beautiful old country villa. Lorenzo, the owner, is a charming widower with a young girl, who's more than happy to show her around the silk farm, explaining the process of silk production and the whole weaving process. There Millie feels at peace and calm. An old portrait at the villa showing a girl in a room overlooking Venice catches Millie's attention and intrigues her. Who was that girl? And what's her connection to the villa? No one knows, but Millie is determined to find out.
Well Debbie Rix has done it again. She has written a beautiful story that I found interesting, intriguing and gut-wrenching at the same time. It is an enchanting journey into the ancient tradition of silk-weaving. A story featuring some real historical characters and in which fiction is exquisitely and intrinsically weaved around true facts. Even though chapters alternate between past and present, the story is never confusing.
All characters are very true to life and the dialogue realistic. I could feel their anguish, pain and terror, but also their hope, love and determination. My heart went out to Anastasia. I really wanted her to be all right and wished she could escape her husband's clutches and live a happy life.
It's evident that a lot of research was required to write this book. Through her characters and storylines, the author gives an in-depth account about the history of the silk industry and the delicate silk-manufacturing process and how it has changed over the centuries. I was so interested that I ended up googling some of the characters and even 'silk-weaving' to learn more.
A couple of years ago I visited Verona, Venice and Lake Garda, the area where this story is set, and reading this book I was transported back to this enchanting part of Italy. Through her prose, the author paints a living, breathing picture of that region as it was in the past and as it is now. It was as if I was there. I could clearly visualise the lake shimmering in the sun, the gondolas and galleons going up and down the Grand Canal in Venice and Villa di Bozzolo with its outbuildings and vineyards stretching far into the distance.
Art, nature, history and love are the main pillars of this brilliant story. If you, like me, love good, well-balanced historical fiction novels based on true facts, then I highly recommend 'The Silk Weaver's Wife'.
With thanks to Bookouture for approving my request to read and review this book through Netgalley.
I've read and enjoyed both Debbie Rix's previous books, so when I was offered an ARC of her newest one 'The Silk Weaver's Wife' by the publisher, I couldn't wait to start reading it.
As in her other books, the author's beautiful, evocative prose and vivid descriptions have swept me off my feet and taken me on a mesmerising unforgettable journey back in time, bringing locations and characters from a bygone era back to life in stunning vivid colour.
Told over two different lifetimes, the story revolves around two women, three centuries apart but bound together by an ancient trade and a land of divine art, architecture, culture and wine... Italy.
"There is no escape for you Anastasia."
Veneto, early 1700s. Young Anastasia Balzarelli is forcibly married by her father to a rich silk weaver against her will. She's taken to his house in Venice and imprisoned in an upstairs bedroom overlooking the magnificent Grand Canal, where she's forced to endure her husband's abuse and cry for her true love, Marco. With no hope of getting out of there and nothing else to do, she spends her long days practicing her talent of painting and drawing. She's trapped inside her room like a silkworm in its cocoon. Will she ever be able to metamorphose like the moths she paints and fly away from her desperate situation?
UK and Italy, present day. Escaping from an unhappy love affair, Millie, a journalist, is sent to Italy to write a report on the regeneration of the silk industry in the Veneto region. There she stays in a beautiful old country villa. Lorenzo, the owner, is a charming widower with a young girl, who's more than happy to show her around the silk farm, explaining the process of silk production and the whole weaving process. There Millie feels at peace and calm. An old portrait at the villa showing a girl in a room overlooking Venice catches Millie's attention and intrigues her. Who was that girl? And what's her connection to the villa? No one knows, but Millie is determined to find out.
Well Debbie Rix has done it again. She has written a beautiful story that I found interesting, intriguing and gut-wrenching at the same time. It is an enchanting journey into the ancient tradition of silk-weaving. A story featuring some real historical characters and in which fiction is exquisitely and intrinsically weaved around true facts. Even though chapters alternate between past and present, the story is never confusing.
All characters are very true to life and the dialogue realistic. I could feel their anguish, pain and terror, but also their hope, love and determination. My heart went out to Anastasia. I really wanted her to be all right and wished she could escape her husband's clutches and live a happy life.
It's evident that a lot of research was required to write this book. Through her characters and storylines, the author gives an in-depth account about the history of the silk industry and the delicate silk-manufacturing process and how it has changed over the centuries. I was so interested that I ended up googling some of the characters and even 'silk-weaving' to learn more.
A couple of years ago I visited Verona, Venice and Lake Garda, the area where this story is set, and reading this book I was transported back to this enchanting part of Italy. Through her prose, the author paints a living, breathing picture of that region as it was in the past and as it is now. It was as if I was there. I could clearly visualise the lake shimmering in the sun, the gondolas and galleons going up and down the Grand Canal in Venice and Villa di Bozzolo with its outbuildings and vineyards stretching far into the distance.
Art, nature, history and love are the main pillars of this brilliant story. If you, like me, love good, well-balanced historical fiction novels based on true facts, then I highly recommend 'The Silk Weaver's Wife'.
With thanks to Bookouture for approving my request to read and review this book through Netgalley.
August 12, 2017
I downloaded The Silk Weaver's Wife a little unsure about whether I would really enjoy it. I love historical fiction but tend to be drawn to darker novels. However, the dual narrative in this tempted me to give it a try and I'm very glad I did. This is a beautifully evocative novel, the two stories complementing each other as the connection between them is touchingly revealed as the book progresses.
The 2017 setting features Millie, an award winning journalist whose career success isn't matched in her personal life. A long affair with a married man has left her with little more than 'soulless white china.' When she is asked to go to Italy to write a feature on an initiative to reinvigorate the silk industry there she doesn't only uncover a mystery about an unknown woman in a portrait, she also discovers what it is she really wants from life. If this book was just about Millie I possibly wouldn't have picked it up, I'm not really a big reader of romantic fiction. That said, it is a lovely, emotional story. There aren't any big surprises but then romantic novels aren't about big, dramatic twists, they're about wanting a couple to fall in love and enjoying the journey to the perhaps inevitable but no less satisfactory conclusion. And The Silk Weaver's Wife does that very well. Millie is a believable, relatable character. She may be the other woman in an affair, but she is self-aware and likeable and it's not difficult to hope she ends up with the right man.
For me though, the real strength of The Silk Weaver's Wife is Anastasia's story. I was gripped from the start by the chapters set in the early 1700s. Anastasia's father is a vicious, brutal man and it's thanks to his horrific actions that she finds herself trapped in a controlling, abusive marriage. Anastasia's treatment in the early chapters mean this part of the book isn't an easy read, nevertheless it is compelling. I was willing her to escape, there are scenes here of genuine nail-biting tension. Anastasia is a character with a tenacious spirit, readers will be desperately hoping she eventually has the life she deserves.
The Silk Weaver's Wife is divided into three, the name of these parts mirror the arcs both Anastasia and Millie experience; the Silken Thread of Part I applicable both to Anastasia's obvious entrapment but also to Millie's affair with Max, which has seen her trapped in what has become a stagnant relationship; the Metamorphosis of Part II sees them both having to learn to accept the changes in their life leading to their Regeneration in Part III when they eventually realise what it is they want from their lives. Their progress from beginning to end is sometimes frustrating, often moving and ultimately a touching, absorbing read. Debbie Rix has interwoven an emotional story of love and loss with fascinating historical details. I doubt I'm the only one who will be moved to want to learn more about Italy's silk history. I particularly enjoyed the inclusion of some real life historical figures which really added to the novel's authenticity. The book is a love letter to Italy too, this beautiful, romantic country is brought vividly to life. I can definitely see The Silk Weaver's Wife being a popular holiday read this summer, the warmth of the Italian sun is matched by this captivating and heartwarming novel.
My grateful thanks to the publishers for inviting me to read a copy through Netgalley.
The 2017 setting features Millie, an award winning journalist whose career success isn't matched in her personal life. A long affair with a married man has left her with little more than 'soulless white china.' When she is asked to go to Italy to write a feature on an initiative to reinvigorate the silk industry there she doesn't only uncover a mystery about an unknown woman in a portrait, she also discovers what it is she really wants from life. If this book was just about Millie I possibly wouldn't have picked it up, I'm not really a big reader of romantic fiction. That said, it is a lovely, emotional story. There aren't any big surprises but then romantic novels aren't about big, dramatic twists, they're about wanting a couple to fall in love and enjoying the journey to the perhaps inevitable but no less satisfactory conclusion. And The Silk Weaver's Wife does that very well. Millie is a believable, relatable character. She may be the other woman in an affair, but she is self-aware and likeable and it's not difficult to hope she ends up with the right man.
For me though, the real strength of The Silk Weaver's Wife is Anastasia's story. I was gripped from the start by the chapters set in the early 1700s. Anastasia's father is a vicious, brutal man and it's thanks to his horrific actions that she finds herself trapped in a controlling, abusive marriage. Anastasia's treatment in the early chapters mean this part of the book isn't an easy read, nevertheless it is compelling. I was willing her to escape, there are scenes here of genuine nail-biting tension. Anastasia is a character with a tenacious spirit, readers will be desperately hoping she eventually has the life she deserves.
The Silk Weaver's Wife is divided into three, the name of these parts mirror the arcs both Anastasia and Millie experience; the Silken Thread of Part I applicable both to Anastasia's obvious entrapment but also to Millie's affair with Max, which has seen her trapped in what has become a stagnant relationship; the Metamorphosis of Part II sees them both having to learn to accept the changes in their life leading to their Regeneration in Part III when they eventually realise what it is they want from their lives. Their progress from beginning to end is sometimes frustrating, often moving and ultimately a touching, absorbing read. Debbie Rix has interwoven an emotional story of love and loss with fascinating historical details. I doubt I'm the only one who will be moved to want to learn more about Italy's silk history. I particularly enjoyed the inclusion of some real life historical figures which really added to the novel's authenticity. The book is a love letter to Italy too, this beautiful, romantic country is brought vividly to life. I can definitely see The Silk Weaver's Wife being a popular holiday read this summer, the warmth of the Italian sun is matched by this captivating and heartwarming novel.
My grateful thanks to the publishers for inviting me to read a copy through Netgalley.
August 8, 2017
In the year 1704, Anastasia is planning to marry her sweetheart in secret in an attempt to escape her violent father. After her attempt is thwarted, however, she is forced to marry an older silk weaver and begin a new life, against her wishes, in Venice. Not content with swapping one abusive life for another, she plots her escape. In 2017, another woman, Millie, is also experiencing relationship problems. When her affair with married boss Max is abruptly ended, she is happy to travel to Italy to write an article for work, where she meets, and falls in love, with Lorenzo. She soon becomes fascinated by the silk making process and is determined to identify the mysterious woman in a portrait she has seen.
I admit that I did not know what to expect when I started to read this book as romantic fiction is a genre out of my comfort zone. I do enjoy dual time-frame books, however, and I was intrigued by the mystery concerning the subject of the painting. When I began to read, I started to have reservations as Millie’s story did not really grab me. A soon as Anastasia’s story kicked in, though, I found myself reading at a much quicker pace, desperate to know how she would escape from her husband. As the book progressed, and there began to be cross-overs between the two time-frames, I started to enjoy Millie’s story much more and was keen to know how their respective stories would end.
Of the two main characters, Anastasia was, by far, my favourite: a strong woman who overcame her fears and tragedies to achieve a fulfilling and rewarding life. Millie, on the other hand, I wanted to shake at times for allowing Max to railroad her into decisions that she did not really want to make. I found it interesting that the more independent woman was the one from the eighteenth century, a time when women had fewer rights than their twenty-first century counterparts.
It is obvious that the author has done a tremendous amount of research to merge fact with fiction, providing a fantastic historical account of the silk trade in eighteenth century Italy. Debbie Rix has painted an evocative picture of the book’s locations, whether it be Venice, Amsterdam or Spitalfields and truly transports you back to the eighteenth century.
For any fans of historical fiction or, indeed, any Italophiles, The Silk Weaver’s Wife is a great read.
With thanks to Bookouture and Net Galley for my copy.
I admit that I did not know what to expect when I started to read this book as romantic fiction is a genre out of my comfort zone. I do enjoy dual time-frame books, however, and I was intrigued by the mystery concerning the subject of the painting. When I began to read, I started to have reservations as Millie’s story did not really grab me. A soon as Anastasia’s story kicked in, though, I found myself reading at a much quicker pace, desperate to know how she would escape from her husband. As the book progressed, and there began to be cross-overs between the two time-frames, I started to enjoy Millie’s story much more and was keen to know how their respective stories would end.
Of the two main characters, Anastasia was, by far, my favourite: a strong woman who overcame her fears and tragedies to achieve a fulfilling and rewarding life. Millie, on the other hand, I wanted to shake at times for allowing Max to railroad her into decisions that she did not really want to make. I found it interesting that the more independent woman was the one from the eighteenth century, a time when women had fewer rights than their twenty-first century counterparts.
It is obvious that the author has done a tremendous amount of research to merge fact with fiction, providing a fantastic historical account of the silk trade in eighteenth century Italy. Debbie Rix has painted an evocative picture of the book’s locations, whether it be Venice, Amsterdam or Spitalfields and truly transports you back to the eighteenth century.
For any fans of historical fiction or, indeed, any Italophiles, The Silk Weaver’s Wife is a great read.
With thanks to Bookouture and Net Galley for my copy.
August 10, 2017
All reviews can be found on my blog at https:// bookblog.gjmccarthy.co.uk/
Thank you, Bookouture, for inviting me to read this fabulous book: The Silk Weaver’s Wife by Debbie Rix.
I really enjoyed this authentic portrayal of silk weaving history meeting silk weaving present. The author does an amazing job of interweaving the related stories to make this an emotional and entertaining read.
I highly recommend that you take a moment and read this wonderful book, which transported me to the past and then brought me back to the present in a thought provoking and memorable way.
The Silk Weaver’s Wife is set in two different time periods – silk weaving in 1704 and 2017.
Anastasia is the main character in 1704 and her family is headed by a very difficult father with a gambling problem. She has fallen in love with Marco but it appears that her father has different plans for her and forces her to marry someone else, who treats her very badly. Her story is absolutely devastating but attests to her strength of character. The author incorporated lots of fascinating historical facts relating to travel, silk weaving, and fabric design as well as art, which lends interest to the chapters relating to 1704.
The chapters of 2017 speak of Millie, who is the main character. She is a journalist, who finds herself in an unsatisfactory romantic relationship with her married boss. She is given the opportunity to write a feature in Italy, exploring the silk weaving history of a particular area. A little romance wouldn’t go amiss either…
Debbie Rix is skilled at interfacing the past with the present throughout this storyline and I really enjoyed waiting for the stories to unfold chapter by chapter. I was sorry when the story came to an end as I was enthralled from start to finish.
This is an extremely well written, emotive, fascinating and authentic historical read, which I’m sure that you’ll enjoy as much as I did. I LOVED this book!
I’ve definitely found a new favourite author! Thank you, Debbie Rix and Bookouture for introducing me to this great author!
This fantastic book deserves 4.5 stars.
Thank you, Bookouture, for inviting me to read this fabulous book: The Silk Weaver’s Wife by Debbie Rix.
I really enjoyed this authentic portrayal of silk weaving history meeting silk weaving present. The author does an amazing job of interweaving the related stories to make this an emotional and entertaining read.
I highly recommend that you take a moment and read this wonderful book, which transported me to the past and then brought me back to the present in a thought provoking and memorable way.
The Silk Weaver’s Wife is set in two different time periods – silk weaving in 1704 and 2017.
Anastasia is the main character in 1704 and her family is headed by a very difficult father with a gambling problem. She has fallen in love with Marco but it appears that her father has different plans for her and forces her to marry someone else, who treats her very badly. Her story is absolutely devastating but attests to her strength of character. The author incorporated lots of fascinating historical facts relating to travel, silk weaving, and fabric design as well as art, which lends interest to the chapters relating to 1704.
The chapters of 2017 speak of Millie, who is the main character. She is a journalist, who finds herself in an unsatisfactory romantic relationship with her married boss. She is given the opportunity to write a feature in Italy, exploring the silk weaving history of a particular area. A little romance wouldn’t go amiss either…
Debbie Rix is skilled at interfacing the past with the present throughout this storyline and I really enjoyed waiting for the stories to unfold chapter by chapter. I was sorry when the story came to an end as I was enthralled from start to finish.
This is an extremely well written, emotive, fascinating and authentic historical read, which I’m sure that you’ll enjoy as much as I did. I LOVED this book!
I’ve definitely found a new favourite author! Thank you, Debbie Rix and Bookouture for introducing me to this great author!
This fantastic book deserves 4.5 stars.
September 19, 2017
I thoroughly enjoyed this enchanting book.
Such a refreshing change from the diet of crime fiction books I’ve been reading lately.
Bloody fantastic in fact! (Sometimes a superlative isn’t enough)
The fiction taken from fact in this historical drama taught me a lot about art history in the 18th Century plus the history of the silk industry during that time. All included in the story in a relevant and fascinating way so that the reader absorbs the facts rather than have them presented in a dry way.
The narrative moves seamlessly between two time periods, the present day where Milly, one of the protagonists, is embroiled in a difficult relationship with a married man and back to the 1700’s where a young girl Anastasia is trying to escape from the clutches of a violent controlling mill owner father in Italy.
Milly visits Italy to research the newly resurgent silk industry in there for a magazine article and meets the handsome Lorenzo, part owner of an old mill, now used as a B&B. There’s a mysterious painting of a young woman.
Milly’s time in Italy researching the facts for her article and trying to find out more about the painting results in her finding an historical tie-in to Lorenzo and events in Anastasia’s life and to the woman herself.
I wasn’t overly fond of the Milly character and wanted to give her a good shake at times, but l can understand why she was relevant to the story and the part she played.
Full of tension, mystery, danger and heartache. I quickly turned the pages to find out what happened to Anastasia and really invested in her character.
The story moves all over Europe between Venice, Verona, Lake Garda, France, Amsterdam and Spitalfields London.
There is a helpful glossary at the back giving the reader information on who was a real historical character and who wasn’t. The real artist Maria Sibylla Merian (1647–1717) appears in the book and sounds so fascinating I must read more about her.
Now I want to read all Debbie Rix books!
Thanks to the publisher Bookouture for my ARC copy via NetGalley that I chose to review
Such a refreshing change from the diet of crime fiction books I’ve been reading lately.
Bloody fantastic in fact! (Sometimes a superlative isn’t enough)
The fiction taken from fact in this historical drama taught me a lot about art history in the 18th Century plus the history of the silk industry during that time. All included in the story in a relevant and fascinating way so that the reader absorbs the facts rather than have them presented in a dry way.
The narrative moves seamlessly between two time periods, the present day where Milly, one of the protagonists, is embroiled in a difficult relationship with a married man and back to the 1700’s where a young girl Anastasia is trying to escape from the clutches of a violent controlling mill owner father in Italy.
Milly visits Italy to research the newly resurgent silk industry in there for a magazine article and meets the handsome Lorenzo, part owner of an old mill, now used as a B&B. There’s a mysterious painting of a young woman.
Milly’s time in Italy researching the facts for her article and trying to find out more about the painting results in her finding an historical tie-in to Lorenzo and events in Anastasia’s life and to the woman herself.
I wasn’t overly fond of the Milly character and wanted to give her a good shake at times, but l can understand why she was relevant to the story and the part she played.
Full of tension, mystery, danger and heartache. I quickly turned the pages to find out what happened to Anastasia and really invested in her character.
The story moves all over Europe between Venice, Verona, Lake Garda, France, Amsterdam and Spitalfields London.
There is a helpful glossary at the back giving the reader information on who was a real historical character and who wasn’t. The real artist Maria Sibylla Merian (1647–1717) appears in the book and sounds so fascinating I must read more about her.
Now I want to read all Debbie Rix books!
Thanks to the publisher Bookouture for my ARC copy via NetGalley that I chose to review
August 11, 2017
Anastasia is the silk Weaver's wife. This is her story weaved and connected with that of Millie's, while Ana lived in the 1700's, Millie, in 2017, traces Anastasia's roots for her story on the revival of Italian silk industry.
Back in the 1700s Ana is a strong, determined young woman who is way ahead of her times. She is an artist, a lover, a loyal daughter and sister. She faces, endures, breaks and rises again from her father's cruelties. What sustains our artist is her deep love for Marco and her art which provides solace, hope and way back to the living, loving world around her.
Millie is in a passionate illusion of a love affair. Her trip to Italy for the silk weaver's story brings her close to Lorenzo, the handsome Italian. Lorenzo, who helps Mille with her article by sharing his family's B&B Villa, silk and wine business details. On the way they unravel Ana's connection to the B&B Villa, Lorenzo's family connection to Ana, who was a famous silk designer back in the day. All the time spent togehter in the beautiful sunny Italian Villa tracing the silk business brings our reporter and handsome Italian closer. Their Love reminds us of Ana and Marco's love back in the day.
The past and present are beautifully connected in this story. It brings out the similarities between the two yet keeping it relevant. That's One of the reasons I love historical fiction, it's how it brings past and present closer and proves all over again that history repeats itself. While that may sound scary to some, if you only think if history or past as bad but there's also good and your regular emotions that tend to prove how humans inherit their traits from their ancestors. That's exactly what makes me love this story, the sense of adventure, courage and love that triumphs the adversities the characters face be it Ana in 1700s or Millie in the modern day. They are bonded by the same places, emotions and the stunning, colorful world of Italian silk weaving industry.
Back in the 1700s Ana is a strong, determined young woman who is way ahead of her times. She is an artist, a lover, a loyal daughter and sister. She faces, endures, breaks and rises again from her father's cruelties. What sustains our artist is her deep love for Marco and her art which provides solace, hope and way back to the living, loving world around her.
Millie is in a passionate illusion of a love affair. Her trip to Italy for the silk weaver's story brings her close to Lorenzo, the handsome Italian. Lorenzo, who helps Mille with her article by sharing his family's B&B Villa, silk and wine business details. On the way they unravel Ana's connection to the B&B Villa, Lorenzo's family connection to Ana, who was a famous silk designer back in the day. All the time spent togehter in the beautiful sunny Italian Villa tracing the silk business brings our reporter and handsome Italian closer. Their Love reminds us of Ana and Marco's love back in the day.
The past and present are beautifully connected in this story. It brings out the similarities between the two yet keeping it relevant. That's One of the reasons I love historical fiction, it's how it brings past and present closer and proves all over again that history repeats itself. While that may sound scary to some, if you only think if history or past as bad but there's also good and your regular emotions that tend to prove how humans inherit their traits from their ancestors. That's exactly what makes me love this story, the sense of adventure, courage and love that triumphs the adversities the characters face be it Ana in 1700s or Millie in the modern day. They are bonded by the same places, emotions and the stunning, colorful world of Italian silk weaving industry.
October 25, 2017
I like historical fiction and usually read it when I need a break from the usual crime fiction. Whilst this is definitely a historical novel I would also categorise it as romantic fiction and this is a genre that I don’t usually read.
The two narrators are Anastasia in the 1700s and Millie in modern-day. It was Anastasia whose tale I enjoyed the most. She didn’t have the happiest childhood, her father ruled by tyranny, regularly beating his wife and children. When he loses everything gambling he offers Anastasia as an alternative to his business. It doesn’t take her long to realise that her new life is just as bad as her old. But she is clever and has people who are willing to help.
Millie is a journalist who is in Italy to research a storyline regarding silk. She has recently broken up with her partner and soon gets close to Lorenzo and his daughter Bella. Whilst most of the novel concerns Anastasia, Millie is also important to the storyline, it is her who first becomes aware of Anastasia was.
I thought Anastasia was an amazing character. Very independent, and after what she goes through she is determined to put herself first. But she is also loyal to friends and family and those who helped her when she needed them. I liked Anastasia’s desire to succeed as an artist and use her skill to help her family prosper. Considering the time it is set she must have been strong-willed. A lesser character, Veronica, was also one that I liked. She was somebody who was prepared to lose everything to do the right thing.
I struggled to like Millie as much. I felt I needed to know more about her than her relationship with her ex Max, and her feelings for Lorenzo. I would have liked to see her connect Anastasia to Lorenzo but that is probably due to my interest in genealogy.
The section at the back of the book that listed the characters who were real and who were fictionalised was helpful. I had no idea that some of them were real people. Italy sounds an amazing place, especially Venice. I could picture the grandeur in all areas of the novel.
I always enjoy reading about the past, and even though this book wasn’t entirely how I expected it to be I did enjoy it. It’s rare that I read romance novels but maybe I do need to broaden my choice of reading.
With thanks to the publisher for the copy received.
The two narrators are Anastasia in the 1700s and Millie in modern-day. It was Anastasia whose tale I enjoyed the most. She didn’t have the happiest childhood, her father ruled by tyranny, regularly beating his wife and children. When he loses everything gambling he offers Anastasia as an alternative to his business. It doesn’t take her long to realise that her new life is just as bad as her old. But she is clever and has people who are willing to help.
Millie is a journalist who is in Italy to research a storyline regarding silk. She has recently broken up with her partner and soon gets close to Lorenzo and his daughter Bella. Whilst most of the novel concerns Anastasia, Millie is also important to the storyline, it is her who first becomes aware of Anastasia was.
I thought Anastasia was an amazing character. Very independent, and after what she goes through she is determined to put herself first. But she is also loyal to friends and family and those who helped her when she needed them. I liked Anastasia’s desire to succeed as an artist and use her skill to help her family prosper. Considering the time it is set she must have been strong-willed. A lesser character, Veronica, was also one that I liked. She was somebody who was prepared to lose everything to do the right thing.
I struggled to like Millie as much. I felt I needed to know more about her than her relationship with her ex Max, and her feelings for Lorenzo. I would have liked to see her connect Anastasia to Lorenzo but that is probably due to my interest in genealogy.
The section at the back of the book that listed the characters who were real and who were fictionalised was helpful. I had no idea that some of them were real people. Italy sounds an amazing place, especially Venice. I could picture the grandeur in all areas of the novel.
I always enjoy reading about the past, and even though this book wasn’t entirely how I expected it to be I did enjoy it. It’s rare that I read romance novels but maybe I do need to broaden my choice of reading.
With thanks to the publisher for the copy received.
July 8, 2017
I have to say, I adored the preface with the history of silk and I absolutely loved the opening paragraph in Chapter One of The Silk Weaver's Wife. Yes, the carved headboard, beeswax polish and linen did it for me. Right away, my mind drifted to an image of Frances Mayes bed at her villa in Cortona. And yes, it is true. I have seen the movie, "Under the Tuscan Sun", a gazillion times.
Anyway, I have thought about the easiest way to summarize this plot which is reminiscent of a fairytale.
We follow, a present day, Millie. She's a 38 year old English Journalist. Her Editor, and lover, Max, just informed her he is ending their 6 year affair. After all this time, he has decided to make his marriage work. Millie can hardly believe it. But, she welcomes being sent on assignment to Venro Italy. There, she will meet Lorenzo, to talk about the revitalization of the silk industry.
And, we also follow, a 1700's, Anastasia. She plans to secretely run away and marry Marco. However, her overbearing and abusive father, has lost her in a card game. And, she will wed another.
I understand. One might think this makes for a confusing storyline. But, it actually works. And, works well! While, the perspective of these storylines could be disconcerting, if you reflect on Part 1 of the book, it shows readers everything is going to work out with the quote; “Do not be afraid; our fate Cannot be taken from us; it is a gift.” ― Dante Alighieri, Inferno.
The author creatively takes both Millie and Anatasia on a journey that gives each character more depth. And, as readers expect, Italy is the quintessential place for romantic interests. When you mix companionship in a villa, with silk weaving, art, wine tasting, gondola rides and family history, you have a quick read... where fate triumphs.
Anyway, I have thought about the easiest way to summarize this plot which is reminiscent of a fairytale.
We follow, a present day, Millie. She's a 38 year old English Journalist. Her Editor, and lover, Max, just informed her he is ending their 6 year affair. After all this time, he has decided to make his marriage work. Millie can hardly believe it. But, she welcomes being sent on assignment to Venro Italy. There, she will meet Lorenzo, to talk about the revitalization of the silk industry.
And, we also follow, a 1700's, Anastasia. She plans to secretely run away and marry Marco. However, her overbearing and abusive father, has lost her in a card game. And, she will wed another.
I understand. One might think this makes for a confusing storyline. But, it actually works. And, works well! While, the perspective of these storylines could be disconcerting, if you reflect on Part 1 of the book, it shows readers everything is going to work out with the quote; “Do not be afraid; our fate Cannot be taken from us; it is a gift.” ― Dante Alighieri, Inferno.
The author creatively takes both Millie and Anatasia on a journey that gives each character more depth. And, as readers expect, Italy is the quintessential place for romantic interests. When you mix companionship in a villa, with silk weaving, art, wine tasting, gondola rides and family history, you have a quick read... where fate triumphs.
This entire review has been hidden because of spoilers.
October 2, 2017
Perfect read to curl up warm and snug with, a brew to hand and get swept away into a beautiful story.
I love this type of book, dual layer stories in different time spans and this book didn’t disappoint 🙂
Set in 2017 and 1704 and centers around 2 women, Milly and Anastasia. Decades apart and yet their paths cross in a stunning way.
1704 Anastasia was planning to elope with the love of her life and escape her abusive father, the owner of a mill and has set up an arranged marriage to a wealthy silk weaver in exchange for wiping his gambling debts. Her forced marriage takes her to a villa in Venice where she discovers her husband is possibly worse than her father. She is kept locked up in a bedroom for months and each night her husband forces himself upon her in hopes of siring an heir.
2017 Milly has been in a relationship with a married man, who just happens to be her boss as well. When he decides he wants to end things with Milly she jumps at the opportunity to travel to Italy to research the silk weaving business for an article in a magazine.
There she meets Lorenzo, owner of the beautiful country villa near Venice where she is staying. She finds herself drawn to a painting of a beautiful young woman and sets out to find out who the woman was and how she came to be on Lorenzo’s wall. She also finds herself drawn to the handsome Italian himself.
This book is a voyage of discovery for both women as they struggle to find away to heal themselves and gain their independence.
The story takes us from Spitalfields in London through France, Amsterdam, Verona, Lake Garda to Venice on a journey of discovery full of passion, love, heartbreak and self-discovery.
Beautifully written blending fact with fiction and the lives and times of the two women immersing you into their worlds.
I love this type of book, dual layer stories in different time spans and this book didn’t disappoint 🙂
Set in 2017 and 1704 and centers around 2 women, Milly and Anastasia. Decades apart and yet their paths cross in a stunning way.
1704 Anastasia was planning to elope with the love of her life and escape her abusive father, the owner of a mill and has set up an arranged marriage to a wealthy silk weaver in exchange for wiping his gambling debts. Her forced marriage takes her to a villa in Venice where she discovers her husband is possibly worse than her father. She is kept locked up in a bedroom for months and each night her husband forces himself upon her in hopes of siring an heir.
2017 Milly has been in a relationship with a married man, who just happens to be her boss as well. When he decides he wants to end things with Milly she jumps at the opportunity to travel to Italy to research the silk weaving business for an article in a magazine.
There she meets Lorenzo, owner of the beautiful country villa near Venice where she is staying. She finds herself drawn to a painting of a beautiful young woman and sets out to find out who the woman was and how she came to be on Lorenzo’s wall. She also finds herself drawn to the handsome Italian himself.
This book is a voyage of discovery for both women as they struggle to find away to heal themselves and gain their independence.
The story takes us from Spitalfields in London through France, Amsterdam, Verona, Lake Garda to Venice on a journey of discovery full of passion, love, heartbreak and self-discovery.
Beautifully written blending fact with fiction and the lives and times of the two women immersing you into their worlds.
August 15, 2017
Rix tells a good tale as usual and allows the reader to fully immerse themselves in different time periods and the warm, hypnotising atmosphere of Italy once again. This time the story follows two women, 300 years apart, both enduring their own dilemmas and the highs and lows of love and life - Anastasia in the early 1700s and Millie in 2017. The characterisation is good and encourages the reader to empathise with both women, though there is a definite pull more towards Anastasia, who shows herself to be a woman of substance, strength and passion, one who has a real battle on her hands to establish herself in a new industry, that of silk designer, whilst also battling what it is to be a woman in the face of love and marriage. Her fight to find herself and overcome real difficulties ensures she wins the respect of the reader - more so than the modern heroine of the novel, Millie, who sometimes comes across a little in the guise of a Mills and Boon character who swoons in the arms of each handsome man that comes her way and then, typically, falls instantly in love with the 'handsome Italian' - there is less to admire in her through this as the true hardships never seem to come to the fore.
This is an enjoyable summer read, one with some excellent historical and technical detail, particularly in the area of the silk and weaving trade, and the atmospheric descriptions of Verona, Venice, etc., will lull the reader into a wonderful feeling of peace and tranquility, making us all yearn to be there...
The two narratives are woven well together and the pace is jaunty, without causing any undue hardship for the reader - this is a novel that runs along apace and keeps the reader immersed in two engaging stories, telling the story of love and triumph in two very different times.
This is an enjoyable summer read, one with some excellent historical and technical detail, particularly in the area of the silk and weaving trade, and the atmospheric descriptions of Verona, Venice, etc., will lull the reader into a wonderful feeling of peace and tranquility, making us all yearn to be there...
The two narratives are woven well together and the pace is jaunty, without causing any undue hardship for the reader - this is a novel that runs along apace and keeps the reader immersed in two engaging stories, telling the story of love and triumph in two very different times.
September 13, 2017
This book sets itself quite a task- to tell the story of two women, both 300 years apart. There is so much content within its pages and the details about the silk weaving industry never jar but are an intrinsic part of the stories and the characters. The narrative spans both centuries and locations, taking in Lake Garda, Venice, Amsterdam, London, and the writing beautifully evokes life there.
Usually when I read a book which features two plotlines and sets of characters, I find myself drawn more to one than the other, but in this case, I found both equally interesting. I think that the gradually evolving connections between the two helps. I have to admire how the author has kept a tight hold on the plot. You really feel you are in safe hands.
Both women start off in unequal relationships. Anastasia's situation is heart breaking as you find her trapped into marriage by her controlling father. Some characters show development and change, none more so than Anastasia who discovers a talent within herself and sets out to nurture and perfect new skills. The victim at first, we see her gradually change and gain independence. The modern day Millie undergoes some changes too, as she steps away from a situation where she has to hide her relationship with her boss and just as Anastasia did, travels away in order to discover new opportunities.
In short: historical fact meets fiction- full of sparkling detail and rounded characters.
Thanks to Debbie Rix and bookoutre for a copy of the book
Usually when I read a book which features two plotlines and sets of characters, I find myself drawn more to one than the other, but in this case, I found both equally interesting. I think that the gradually evolving connections between the two helps. I have to admire how the author has kept a tight hold on the plot. You really feel you are in safe hands.
Both women start off in unequal relationships. Anastasia's situation is heart breaking as you find her trapped into marriage by her controlling father. Some characters show development and change, none more so than Anastasia who discovers a talent within herself and sets out to nurture and perfect new skills. The victim at first, we see her gradually change and gain independence. The modern day Millie undergoes some changes too, as she steps away from a situation where she has to hide her relationship with her boss and just as Anastasia did, travels away in order to discover new opportunities.
In short: historical fact meets fiction- full of sparkling detail and rounded characters.
Thanks to Debbie Rix and bookoutre for a copy of the book
September 14, 2017
The Silk Weaver's Wife by Debbie Rix is a novel about two women who lived 300 years apart in Venice.
In 1700 Veneto, Anastasia Balzarelli's father forces her to abandon Marco. the man she attempted to elope with in order to wed a wealthy man in the silk industry. He takes her to his home in Venice and locks her up an upper bedroom for months. Each night he rapes her, hoping to beget a child. Deprived of her freedom, she spends long hours each day drawing insects.
In contemporary times, Millie is a journalist in love with a married man who has just dumped her to return to his wife. Heartbroken she is sent from her home in the UK to Italy to report on the country's silk industry. She is booked into a beautiful country villa near Venice and is escorted about by the handsome owner, Lorenzo. Millie finds joy and contentment - that is until her ex-lover shows up repentant and ready to lay claim to her again. An old portrait of a beautiful young woman haunts Millie and she sets off to discover who she was and how her portrait came to hang in Lorenzo's villas.
Both of the women's stories kept me enthralled and turning pages. The novel is rich with plot twists, secrets, and ever evolving characters who intrigued me. Author Debbie Rix has done a great job in researching the Veneto region (my family's own roots) with accurate descriptions that lent a great deal of atmosphere to the story's setting. Definitely a must read!
In 1700 Veneto, Anastasia Balzarelli's father forces her to abandon Marco. the man she attempted to elope with in order to wed a wealthy man in the silk industry. He takes her to his home in Venice and locks her up an upper bedroom for months. Each night he rapes her, hoping to beget a child. Deprived of her freedom, she spends long hours each day drawing insects.
In contemporary times, Millie is a journalist in love with a married man who has just dumped her to return to his wife. Heartbroken she is sent from her home in the UK to Italy to report on the country's silk industry. She is booked into a beautiful country villa near Venice and is escorted about by the handsome owner, Lorenzo. Millie finds joy and contentment - that is until her ex-lover shows up repentant and ready to lay claim to her again. An old portrait of a beautiful young woman haunts Millie and she sets off to discover who she was and how her portrait came to hang in Lorenzo's villas.
Both of the women's stories kept me enthralled and turning pages. The novel is rich with plot twists, secrets, and ever evolving characters who intrigued me. Author Debbie Rix has done a great job in researching the Veneto region (my family's own roots) with accurate descriptions that lent a great deal of atmosphere to the story's setting. Definitely a must read!
January 6, 2018
I love books that are more than just simple boy meets girl romance and this one is way more than that. It involves history, a beautiful setting and characters that are heart warming and captivate the imagination. I fell in love with various aspects of this book and loved both the past and the present portions of the novel equally.
This is the kind of book where you end up feeling like you know the characters personally. You laugh when they laugh, hurt when they hurt and get absorbed into the story and take it all personally as if it were happening to you. I don't find books like this often enough that I connect with on such a deep level.
I really enjoyed learning about the silk trade and especially the differences between Chinese and Italian silk thread. This book was educational as well as entertaining and I found myself thinking about it after I had finished it.
I am happy to recommend this book to anyone that wants a heartwarming book that will stay with you long after you finish reading it.
This review is based on a complimentary copy from the publisher, provided through Netgalley. All opinions are my own.
This is the kind of book where you end up feeling like you know the characters personally. You laugh when they laugh, hurt when they hurt and get absorbed into the story and take it all personally as if it were happening to you. I don't find books like this often enough that I connect with on such a deep level.
I really enjoyed learning about the silk trade and especially the differences between Chinese and Italian silk thread. This book was educational as well as entertaining and I found myself thinking about it after I had finished it.
I am happy to recommend this book to anyone that wants a heartwarming book that will stay with you long after you finish reading it.
This review is based on a complimentary copy from the publisher, provided through Netgalley. All opinions are my own.
August 23, 2017
In 2017 Millie has just split up with her lover Max, a married man who is also her boss, and so when offered she jumps a the chance of writing an article on the silk trade in Italy, and as her host is the handsome Lorenzo who knows what will happen.
In 1704 Anastasia is trying to escape her horrible father - she is in love with Marco and plans to elope with him against her father's wishes. Her father however, a violent man who promised her to a silk merchant in exchange for his gambling debts, is determined to bring her back to carry out his contract. Forced into the marriage she is kept locked in one room and her husband forces himself on her every day so how will she ever be able to escape this prison?
A great story with fascinating details about the life in Italy and the silk trade, there were plenty of twists to keep you interested and the dual time line worked well - highly recommended
In 1704 Anastasia is trying to escape her horrible father - she is in love with Marco and plans to elope with him against her father's wishes. Her father however, a violent man who promised her to a silk merchant in exchange for his gambling debts, is determined to bring her back to carry out his contract. Forced into the marriage she is kept locked in one room and her husband forces himself on her every day so how will she ever be able to escape this prison?
A great story with fascinating details about the life in Italy and the silk trade, there were plenty of twists to keep you interested and the dual time line worked well - highly recommended
July 24, 2017
I love historical fiction and so enjoy reading when I have overloaded with other genre's. This is a stunning book. So amazingly researched and took me to an era I was not familiar with along with an education on a fascinating industry that still thrives. Set in both the 1700's and today the story follows two women - one with a horrific start to her young adulthood and the other getting over a breakup. Both stories are based in Italy along with other European destinations. This had made me feel I would like to visit Italy very soon and experience some of these locations - some which will have not changed too much over the hundreds of years. A beautifully written story with wonderful characters - fictional interwoven with real historical people. I shall be looking at Debbie Rix's previous books to read based on this book.
August 14, 2017
I absolutely adore this book! It's a genuine tale of love, tragedy, and the search for self-identity.
Both women--although, separated by three centuries--struggle to find themselves despite tragic and sordid pasts. Ana's abusive and controlling father offered her up to pay his debts, which, while it caused her tremendous suffering and heartbreak, sent her down a path of self-discovery. More than 300 years later, Millie, an English Journalist trying to pave her own way, suffers from the fact that her family cares little for her until she brings honor to them. She makes many mistakes, but eventually follows her own instincts to fulfill her destiny in Italy.
I'll definitely be sharing this story with others, and I hope that I see it on the big screen one day!
Both women--although, separated by three centuries--struggle to find themselves despite tragic and sordid pasts. Ana's abusive and controlling father offered her up to pay his debts, which, while it caused her tremendous suffering and heartbreak, sent her down a path of self-discovery. More than 300 years later, Millie, an English Journalist trying to pave her own way, suffers from the fact that her family cares little for her until she brings honor to them. She makes many mistakes, but eventually follows her own instincts to fulfill her destiny in Italy.
I'll definitely be sharing this story with others, and I hope that I see it on the big screen one day!
September 6, 2017
I've loved all Debbie's novels and The Silk Weaver's Wife is no exception.
Recounted through narratives alternating between two different time periods, we meet our two main protagonists, Anastasia in Italy in 1704 and Millie in London and Italy 2017.
Debbie manages flawlessly to capture the essence of both periods with vivid images and richly detailed descriptions of landscapes, atmosphere, events, sights and sounds and of the people and the customs and lives of those involved in the silk weaving trade both in the past and present day.
Like the strands of a woven tapestry, by combining historical fact with fiction, it all comes together to make one incredibly evocative and mesmerizing story.
I loved it and can't wait to read more from Debbie in the future.
Recounted through narratives alternating between two different time periods, we meet our two main protagonists, Anastasia in Italy in 1704 and Millie in London and Italy 2017.
Debbie manages flawlessly to capture the essence of both periods with vivid images and richly detailed descriptions of landscapes, atmosphere, events, sights and sounds and of the people and the customs and lives of those involved in the silk weaving trade both in the past and present day.
Like the strands of a woven tapestry, by combining historical fact with fiction, it all comes together to make one incredibly evocative and mesmerizing story.
I loved it and can't wait to read more from Debbie in the future.
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