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The Complete Novels
Here you will find the complete novels of George Eliot in the chronological order of their original publication.
- Adam Bede
- The Mill on the Floss
- Silas Marner: The Weaver of Raveloe
- Romola
- Felix Holt the Radical
- Middlemarch: a study of provincial life
- Daniel Deronda
- Adam Bede
- The Mill on the Floss
- Silas Marner: The Weaver of Raveloe
- Romola
- Felix Holt the Radical
- Middlemarch: a study of provincial life
- Daniel Deronda
- GenresCollectionsFiction
4966 pages, Kindle Edition
Published June 15, 2017
118 people are currently reading
72 people want to read
About the author
George Eliot
3,132 books4,936 followersMary Ann Evans, known by her pen name George Eliot, was an English novelist, poet, journalist, translator, and one of the leading writers of the Victorian era. She wrote seven novels: Adam Bede (1859), The Mill on the Floss (1860), Silas Marner (1861), Romola (1862–1863), Felix Holt, the Radical (1866), Middlemarch (1871–1872) and Daniel Deronda (1876). Like Charles Dickens and Thomas Hardy, she emerged from provincial England; most of her works are set there. Her works are known for their realism, psychological insight, sense of place and detailed depiction of the countryside.
Middlemarch was described by the novelist Virginia Woolf as "one of the few English novels written for grown-up people" and by Martin Amis and Julian Barnes as the greatest novel in the English language.
Middlemarch was described by the novelist Virginia Woolf as "one of the few English novels written for grown-up people" and by Martin Amis and Julian Barnes as the greatest novel in the English language.
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Displaying 1 - 3 of 3 reviews
July 14, 2021
................................................................................................
................................................................................................
The Complete Novels of George Eliot,
by George Eliot.
................................................................................................
................................................................................................
George Eliot — An Extensive Biography
............
............
Adam Bede
A bit of a tough going for those not quite facile with old dialects of northern country England, especially from a century or so ago, this starts slow and takes time to grip one, what with the extensive description of religion and Methodists of the fledgling times. Then before one quite knows the characters grip one, with a familiar tale of temptation and lack of resolution and foresight made more than worth reading and in fact a must due to the excellent descriptions of characters and variety thereof.
As to the story, surprises await one around every corner, almost. And before one knows there is the wolf in the woods dressed up in a deceptively attractive form. (The wolf is only the temptation leading to disaster, though, and not presented here quite as a personified human as another author would present it.) And before one knows one is deep into one third, then half, and then two thirds of the tale, all the while wondering why Eliot has not been allowed the same high pedestal as Austen, Hardy, and so on. Adam Bede has the same character of a story where little happens page after page and yet one is unable to leave it behind, most of the time.
The explanation comes soon enough with the - as Maugham described it of the most popular Tolstoy work of literature - barely or not even barely disguised nature of the moral lesson presented as a story. Hardy's Tess, Tolstoy's Anna Karenina and then Eliot's poor Hetty Sorrel who is a barely mid-teen country girl with no knowledge and experience to keep her out of danger that presents itself disguised as love of a beautiful man, the lord of the land, all are innocent women that suffer consequences of their being unprotected as Tess was or not well guided as Hetty or falling in love as Anna Karenina does, and one is left to wonder if the author or the readers of those days were quite aware that these women, indeed very young women at that, were only human. They are punished, every one of them, with ruin of life and love, and death coming as the only escape for their ruined lives. Meanwhile Tess's rapist or seducer must be murdered by her as the only possible punishment he could find in the social set up, and the various other men of the stories depend on the authors for their just due, with Anna's brother habitually straying and nevertheless maintaining a social respectable position, and Arthur Donnithorne suffering on par with Hetty Sorrel (although not physically or socially but only at heart and less so socially) since Eliot would not let the guilty male go scot free.
As an aside, Eliot is rather less realistic about the time frames - Hetty's travails seem to be sprung on not only the reader but all of her family and other people as a complete surprise all of a sudden, and at that the reader is better prepared with a couple of hints but then lulled into comfort with the passing of time until the troubles suddenly pile up (a bit like the several miles long pile up of the vehicles on highway some years ago in Virginia due to paper mill and fog). This confusion of time factor leads one to wonder if Eliot is quite unaware of facts of life or was dressing those days so very aiding and abetting in hiding them from people - but no, even then, the women around Hetty being unaware for so long of the state she is in is inexplicable. And this must be the reason for the otherwise excellent work being not so very popular or held high in esteem in comparison with works of Austen.
March 6, 2011.
............
............
The Mill on the Floss
Human nature, the author's era, and in particular a corner of the veil over caste system of Europe lifted with the casual reference to the separate churches or chapels for the poor and the gentry - all in all, good.
Friday, February 11, 2011.
............
Amazingly this is one of the few works of literature where a film or a television serial gives more, not less, than the original work in some ways. The social contexts of the time and the general setup is described in the book by the author as much as the author saw necessary, but times change and perhaps social set up across the world in another land, another time is different. At any rate, what comes across as a very personal story of a young woman in particular and her family in general, with the society as the frame thereof, changes when one takes into account the context of the time and the society, which is brought to view far more clearly on film in the film or television series.
The central character Maggie is very endearing in her persona full of life and aspiring for a life of mind and spirit while in turmoil of heart and conscience. Eliot seems to be a follower of Aquinas, and at any rate finds it necessary to make the poor young girl give up her one chance of finding life of happiness when she and a young man are inexorably drawn in spite of all obstacles, with little quarter given to his very valid arguments about the others they are engaged to being merely cheated if these two pretended no love existed between them.
The author seems to make little of the young woman's quest for independence by on one hand making her insist she won't depend on her relatives if she can make her own living and on the other hand give far more importance to the claims of various relatives and others when weighed in against her own mind and heart.
As for others, the society then clearly had its caste system with money and power playing top roles (which one doubts has changed much) and more, society including most women (author mentions them towards the end as the wives whom the rector cannot bring to see reason or truth where a poor young woman without powerful connections when compared to others is concerned - what else is new? -) consider a young woman as not quite proper except as someone belonging to, property of, under protection of a relative with some money, prestige, power, preferably male. If the male is merely a slightly older brother, nevertheless he has the power of righteous indignation and wrath if the young woman has any emotions much less actions or thoughts that are not explicitly approved prior to having them by the said male, and same is true of other relatives. The young man in question gets far more latitude in comparison.
In short the life and society of Europe was not that different regarding the feudal structure especially regarding women from what is now protested about as the restricted version in lands other than those of richer western nations (which is not a geographical term, since it includes Australia and NZ generally) with lifestyles of plenty and so forth.
One wishes the author had made Maggie's society see common sense and have a heart and allow her and Stephen Guest to be happy, but Eliot seems to think it is necessary to go tragic to deprive Maggie of everything that can possibly be taken from her including life, merely for the sin of having a young man of rich class fallen in love with her - he has been courting her cousin, but is really not bound by promise to her - and the only relief in all this is that the four young people concerned, the two in love and the other two who thought they belonged to them, understand all perfectly with no rancour. Which makes it all the more senseless that the tragedy is forced merely for sake of punishing a flouting of conventional bindings due to truth of hearts.
But then again, the author is a prisoner of her times, and perhaps she meant to bring about change in social attitudes by forcing this tragedy to attention of her readers and making them see sense.
July 27, 2012.
............
............
Silas Marner: The Weaver of Raveloe
The story of two men, and a little girl, and rectitude and values, ethics and right choices, loss and redemption, love and caring and the joy they bring to life.
The wealthy young man married in what moment of temptation is left unsaid, but he did wish to not only keep his family hidden for fear of his society, he was in love with a good young woman, and did not wish to lose her. When the wife turned up in the village and was found dead - due to starvation and cold, having been neglected by the husband - he took the opportunity to say nothing about his connection.
The little child had wandered into the home of a stranger to the village society who had left a traumatic past behind him in the city, where he was persecuted due to his epileptic fits being mislabeled as dealings with devil and he had been thrown out of his work and his life. He had lived for years in the village, but connected with humanity only when he found the child in his home shortly after being robbed of all his money, all his saving, and insisted the child was his to protect and care for.
The father of the child let that be - and so lost the only child he was ever going to have, as it turned out.
Silas Marner gained a life by his act, his choice and his heart's truth in giving love and care to an orphan as he thought the child was. The father of the child lost all but his wealth by deliberately not acclaiming the child he knew was his, and while he married the good woman he loved, he knew he was not good enough for either her or her love, since he was an untruthful unworthy man by virtue of having denied his wife and his child, having neglected one until she died of starvation and cold, and having not claimed the child so she was taken and raised as an orphan by another man, who found the whole village gather round him in the process.
One of the most touching tales about human relationships, mistakes and redemption, crime and sin, fate and choices.
Silas Marner found life, and love of a daughter, with the little girl wandering in and falling asleep at his hearth; it was not his duty but a choice he made to keep the little one he could ill afford. Meanwhile her natural and legal father has refrained from admitting his family, falsified his identity in relation to the family he would not own, for sake of the good young woman he loved, and he lost much in the process of fall from rectitude.
March 6, 2011.
............
............
Romola
............
............
Felix Holt the Radical
............
............
Middlemarch: A Study of Provincial Life
............
............
Daniel Deronda
............
............
............
............
............
............
............
............
............
............
Table of Contents (from book):-
George Eliot — An Extensive Biography
Adam Bede
The Mill on the Floss
Silas Marner: The Weaver of Raveloe
Romola
Felix Holt the Radical
Middlemarch: A Study of Provincial Life
Daniel Deronda
................................................
................................................
June 1970 - February , 2021.
2017 © Book House Publishing
................................................
................................................
................................................................................................
The Complete Novels of George Eliot,
by George Eliot.
................................................................................................
................................................................................................
George Eliot — An Extensive Biography
............
............
Adam Bede
A bit of a tough going for those not quite facile with old dialects of northern country England, especially from a century or so ago, this starts slow and takes time to grip one, what with the extensive description of religion and Methodists of the fledgling times. Then before one quite knows the characters grip one, with a familiar tale of temptation and lack of resolution and foresight made more than worth reading and in fact a must due to the excellent descriptions of characters and variety thereof.
As to the story, surprises await one around every corner, almost. And before one knows there is the wolf in the woods dressed up in a deceptively attractive form. (The wolf is only the temptation leading to disaster, though, and not presented here quite as a personified human as another author would present it.) And before one knows one is deep into one third, then half, and then two thirds of the tale, all the while wondering why Eliot has not been allowed the same high pedestal as Austen, Hardy, and so on. Adam Bede has the same character of a story where little happens page after page and yet one is unable to leave it behind, most of the time.
The explanation comes soon enough with the - as Maugham described it of the most popular Tolstoy work of literature - barely or not even barely disguised nature of the moral lesson presented as a story. Hardy's Tess, Tolstoy's Anna Karenina and then Eliot's poor Hetty Sorrel who is a barely mid-teen country girl with no knowledge and experience to keep her out of danger that presents itself disguised as love of a beautiful man, the lord of the land, all are innocent women that suffer consequences of their being unprotected as Tess was or not well guided as Hetty or falling in love as Anna Karenina does, and one is left to wonder if the author or the readers of those days were quite aware that these women, indeed very young women at that, were only human. They are punished, every one of them, with ruin of life and love, and death coming as the only escape for their ruined lives. Meanwhile Tess's rapist or seducer must be murdered by her as the only possible punishment he could find in the social set up, and the various other men of the stories depend on the authors for their just due, with Anna's brother habitually straying and nevertheless maintaining a social respectable position, and Arthur Donnithorne suffering on par with Hetty Sorrel (although not physically or socially but only at heart and less so socially) since Eliot would not let the guilty male go scot free.
As an aside, Eliot is rather less realistic about the time frames - Hetty's travails seem to be sprung on not only the reader but all of her family and other people as a complete surprise all of a sudden, and at that the reader is better prepared with a couple of hints but then lulled into comfort with the passing of time until the troubles suddenly pile up (a bit like the several miles long pile up of the vehicles on highway some years ago in Virginia due to paper mill and fog). This confusion of time factor leads one to wonder if Eliot is quite unaware of facts of life or was dressing those days so very aiding and abetting in hiding them from people - but no, even then, the women around Hetty being unaware for so long of the state she is in is inexplicable. And this must be the reason for the otherwise excellent work being not so very popular or held high in esteem in comparison with works of Austen.
March 6, 2011.
............
............
The Mill on the Floss
Human nature, the author's era, and in particular a corner of the veil over caste system of Europe lifted with the casual reference to the separate churches or chapels for the poor and the gentry - all in all, good.
Friday, February 11, 2011.
............
Amazingly this is one of the few works of literature where a film or a television serial gives more, not less, than the original work in some ways. The social contexts of the time and the general setup is described in the book by the author as much as the author saw necessary, but times change and perhaps social set up across the world in another land, another time is different. At any rate, what comes across as a very personal story of a young woman in particular and her family in general, with the society as the frame thereof, changes when one takes into account the context of the time and the society, which is brought to view far more clearly on film in the film or television series.
The central character Maggie is very endearing in her persona full of life and aspiring for a life of mind and spirit while in turmoil of heart and conscience. Eliot seems to be a follower of Aquinas, and at any rate finds it necessary to make the poor young girl give up her one chance of finding life of happiness when she and a young man are inexorably drawn in spite of all obstacles, with little quarter given to his very valid arguments about the others they are engaged to being merely cheated if these two pretended no love existed between them.
The author seems to make little of the young woman's quest for independence by on one hand making her insist she won't depend on her relatives if she can make her own living and on the other hand give far more importance to the claims of various relatives and others when weighed in against her own mind and heart.
As for others, the society then clearly had its caste system with money and power playing top roles (which one doubts has changed much) and more, society including most women (author mentions them towards the end as the wives whom the rector cannot bring to see reason or truth where a poor young woman without powerful connections when compared to others is concerned - what else is new? -) consider a young woman as not quite proper except as someone belonging to, property of, under protection of a relative with some money, prestige, power, preferably male. If the male is merely a slightly older brother, nevertheless he has the power of righteous indignation and wrath if the young woman has any emotions much less actions or thoughts that are not explicitly approved prior to having them by the said male, and same is true of other relatives. The young man in question gets far more latitude in comparison.
In short the life and society of Europe was not that different regarding the feudal structure especially regarding women from what is now protested about as the restricted version in lands other than those of richer western nations (which is not a geographical term, since it includes Australia and NZ generally) with lifestyles of plenty and so forth.
One wishes the author had made Maggie's society see common sense and have a heart and allow her and Stephen Guest to be happy, but Eliot seems to think it is necessary to go tragic to deprive Maggie of everything that can possibly be taken from her including life, merely for the sin of having a young man of rich class fallen in love with her - he has been courting her cousin, but is really not bound by promise to her - and the only relief in all this is that the four young people concerned, the two in love and the other two who thought they belonged to them, understand all perfectly with no rancour. Which makes it all the more senseless that the tragedy is forced merely for sake of punishing a flouting of conventional bindings due to truth of hearts.
But then again, the author is a prisoner of her times, and perhaps she meant to bring about change in social attitudes by forcing this tragedy to attention of her readers and making them see sense.
July 27, 2012.
............
............
Silas Marner: The Weaver of Raveloe
The story of two men, and a little girl, and rectitude and values, ethics and right choices, loss and redemption, love and caring and the joy they bring to life.
The wealthy young man married in what moment of temptation is left unsaid, but he did wish to not only keep his family hidden for fear of his society, he was in love with a good young woman, and did not wish to lose her. When the wife turned up in the village and was found dead - due to starvation and cold, having been neglected by the husband - he took the opportunity to say nothing about his connection.
The little child had wandered into the home of a stranger to the village society who had left a traumatic past behind him in the city, where he was persecuted due to his epileptic fits being mislabeled as dealings with devil and he had been thrown out of his work and his life. He had lived for years in the village, but connected with humanity only when he found the child in his home shortly after being robbed of all his money, all his saving, and insisted the child was his to protect and care for.
The father of the child let that be - and so lost the only child he was ever going to have, as it turned out.
Silas Marner gained a life by his act, his choice and his heart's truth in giving love and care to an orphan as he thought the child was. The father of the child lost all but his wealth by deliberately not acclaiming the child he knew was his, and while he married the good woman he loved, he knew he was not good enough for either her or her love, since he was an untruthful unworthy man by virtue of having denied his wife and his child, having neglected one until she died of starvation and cold, and having not claimed the child so she was taken and raised as an orphan by another man, who found the whole village gather round him in the process.
One of the most touching tales about human relationships, mistakes and redemption, crime and sin, fate and choices.
Silas Marner found life, and love of a daughter, with the little girl wandering in and falling asleep at his hearth; it was not his duty but a choice he made to keep the little one he could ill afford. Meanwhile her natural and legal father has refrained from admitting his family, falsified his identity in relation to the family he would not own, for sake of the good young woman he loved, and he lost much in the process of fall from rectitude.
March 6, 2011.
............
............
Romola
............
............
Felix Holt the Radical
............
............
Middlemarch: A Study of Provincial Life
............
............
Daniel Deronda
............
............
............
............
............
............
............
............
............
............
Table of Contents (from book):-
George Eliot — An Extensive Biography
Adam Bede
The Mill on the Floss
Silas Marner: The Weaver of Raveloe
Romola
Felix Holt the Radical
Middlemarch: A Study of Provincial Life
Daniel Deronda
................................................
................................................
June 1970 - February , 2021.
2017 © Book House Publishing
................................................
................................................
June 20, 2019
As much as I tried to get through any of the novels included in the collection, I just couldn't muster the energy/commitment. Her sentences are so long and complex that by the time I finally got to the period, I forgot what the subject was! At intervals, I was very interested in her characters, but then my interest dropped to nothing with all the detail and complexity. I realize it's a style from the past and I generally enjoy the challenge and frequent joy in reading older authors but I fear I must give up on Ms George Eliot. Wish it had turned out differently ....
July 20, 2017
Beautiful
Insightful and very very very lol long b it worth the hours and endless complications. It is unforgettable and psychologically interesting
Insightful and very very very lol long b it worth the hours and endless complications. It is unforgettable and psychologically interesting
Displaying 1 - 3 of 3 reviews