Just when I was despairing of ever again finding new HR releases to my taste, along comes Mimi Matthews. New to me, she has written a lovely little, sweet Victorian romance. Granted it has more romance tropes/devices/cliches in it than you can shake a Kindle at, so let's get those out of the way first.
(1) Heroine, formerly of the peerage, is left impecunious when her reckless and selfish gambling father, a baronet, commits suicide after losing an insurmountable amount, a debt he could never repay. So she is shunned by former upper-class friends and forced to earn her living as a governess in a merchant's household.
(2) Soldier hero, now an earl after the deaths of both father and older brother, returns from India badly disfigured in battle there. He hides out from the world, refuses to see anyone. He's in pain both emotionally and physically, is unbearable and grouchy and grumpy, unfriendly and touchy, barely tolerating the visits of his younger married sister to his hidey-hole estate.
(3) Three years earlier, the heroine and hero had met at ton gatherings and had started to fall in love but declarations were not forthcoming because the hero had to return to India. The two sent each other myriad letters but these never got to the intended recipient and so each believed the worst of the other. Now they know nothing of each other. until the intervention of said younger sister of the H.
(4) Lesser device has H and h accidentally meeting late at night in the house library, with the h, of course, wearing a revealing nightgown and with her glorious tresses flowing about her shoulders. Amazing how many HRs have those contrived library encounters. Really handy way for a hero to see his heroine corset-less and with "wanton" hair.
(5) In addition to that Big Elephant Miscommunication of the letters going astray and each coming to the wrong conclusions about the other, we have, nearing the end of the story just when we think all will finally be well, that dreaded M confusion. (Does he want her for Marriage or for Mistress?)
There are probably more cliched happenings that I've forgotten, but you're getting the idea, right? Yet those old familiar tropes did not annoy me here as much as they should because Matthews knows how to present them well. Her writing is much better than the majority of HR authors; the editing of the book is good (with the exception of a couple of past tense "lie/lay" problems and a "taught" that should have been a "taut"); her characters are very well drawn; the romance is lovely and romantic without the need for any sex, just a few heated kisses; there are poignant and angsty scenes, in particular those involving that one important first lost letter; the Victorian setting is well done and is a nice change from the more common Regency one. I especially enjoyed the fact that her characters, in particular the merchant's wife that the heroine worked for, could have been caricatures, but Matthews developed them deeply enough to avoid that. Even the hero, who tended towards boorishness and intransigence at times, had his reasons and did not annoy me the way he would have if written by a less skillful author.
Nicely done. I'm looking forward to more books by this author.