”My time of shame began in glory.”
Lilli de Jong is a 23 year-old teacher, a Quaker whose mother’s death a year ago, in 1882, has changed her, her family. Her mother, a woman whose faith was strong, whose words were wise, whose life was built on the tenet of compassion. Lilli can’t help but wonder what her mother would think of her situation as she sits with her roommate in the room with the birthing table at the Philadelphia Haven for Women and Infants. Had she remained home, she would have been shunned by the members, but would her mother have shown her the compassion she extended to others?
Johan, a friend of her brother Peter, is often in and out of their home, sees her grieving. In an effort to comfort Lilli, he offers to accompany her skating, and it is on that day that Johan becomes ”the pinpoint of light by which I charted my path. It may be that the explanation for my unwise surrender to him lies herein, that I couldn’t perceive my own guiding star, or find it in the Light everlasting.”
”When all else fell away, one shelter remained. I’ll call it now the house of Johan. I entered it gladly in spring last year, on a Fifth Month evening.”
He’s promised himself to her, and she to him, as well, but he is going away in the morning, along with her brother Peter to Pittsburgh, both looking for a life with a future that looks nothing like the one they have there. That evening they seal their betrothal with an act of intimacy reserved for those properly married in the eyes of God, and in the morning he is gone.
Months pass. No letters from Johan. She’s thrown out of her home when her body no longer hides the truth of the child she is carrying.
This is the story of Lilli de Jong, and her infant, and Lilli’s struggle for them to survive against all odds. She will do almost anything in order for her baby to survive, but in an era where almost every option to provide a life for a family was closed to her, she had very few options. Those that she did have were, for the most part, dangerous, disagreeable, and despicable. You’ll feel it all, the dirt and grime of Philadelphia, the self-loathing that is mitigated by looking into her baby’s eyes, and knowing that whatever act she’s just committed has brought her one day closer to a way out. Life lived one day at a time with eyes kept on that indefatigable hope she still manages to hold onto. The city, the people, the way outsiders look at her with disgust. The shame, but there is also a fierce self of preservation, she will stop at nothing to protect her child. Most of all, there is an abundant amount of love.
”To love is to risk. To risk is to suffer.”
Told through the pages of her journal, you’ll be privy to her thoughts and struggles with giving up her newborn, her thoughts on her faith and how that plays into some of the decisions she makes, her regrets and hopes for their future. All of her thoughts that go into her decision to keep her child.
Janet Benton’s debut is a remarkable and heartrending debut, a riveting view at the lack of prospects for unwed mothers in this place and time. It isn’t always a pretty picture, but Benton’s lovely writing and her mesmerizing story makes wish I were still inside these pages.
“The doctor cut the fleshly cord that connected us, but an invisible one has taken its place. I begin to suspect that this one can be neither cut nor broken.”
“As you wander through this troubled world
In search of all things beautiful
You can close your eyes when you're miles away
And hear my voice like a serenade
How long do you want to be loved?
Is forever enough, is forever enough?
How long do you want to be loved?
Is forever enough?
'Cause I'm never, never giving you up
Is forever enough?
'Cause I'm never, never giving you up”
Dixie Chicks – “Lullaby” written by Daniel Wilson, Martie Maguire, Emily Robinson, Natalie Maines
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