DEPOSED is an imaginative tale that starts in 68 AD, when the 31-year-old emperor Nero is secretly kidnapped, blinded, and imprisoned, and continues through his return to Rome in 79 seeking revenge, disguised as a wealthy foreigner named Ulpius. During this decade, after several usurpers’ short-lived reigns, Vespasian has become emperor.
The author switches back and forth, showing us how Nero—whom the world believes to have killed himself—survives with the help of a young slave named Marcus and a few loyal retainers. The Rome they return to is vividly portrayed as a snakepit of treachery and murder. While Nero and his allies pursue those who betrayed him, they become aware of bloody conspiracies targeting Vespasian. Alternating chapter by chapter among different characters’ accounts of the past and present, the author kept me turning pages to witness Nero’s retribution and learn the identity of the mastermind(s) behind the plots.
DEPOSED’s dust jacket points out, “This isn’t [Nero’s] story.” But it’s impossible for him not to be the central character, given the MacGuffin of his falsified death and disguised return. What was he like before his sudden fall from the highest height? How did becoming a crippled non-person affect him? Nero himself sums up late in the book: “I was spoilt, unfair, vengeful, lazy. I was profligate . . . . I was selfish, mean, close-minded, cynical. I was a tyrant . . . .” As we see him, though, he’s patient, sagacious, self-confident, and generous almost from the start of his captivity. Maybe his self-description was too harsh, or his personality changed quickly. In any case, the pace and ingenuity of the plot twists are what matter in this tale.
I liked the author’s fluent style, minimally marred by a few errors along the lines of “College of Augers” and “Temple of Caster.” As for the comment that this isn’t Nero’s story, Mr. Barbaree hints that the slaveboy Marcus, now known by the assumed family name of Ulpius Traianus, is likely to be heard from in the future. Hmm, I wonder . . . .