Holds a certain importance within Serbian/Croatian/Bosnian literature as the only - or, at least, earliest - ex-Yugoslavian beat book ("Balkan beat book" would be simply too much) done in a true, geographically correct, strictly beatnik manner, somewhere in-between On The Road and gonzo FILMMAKING. Mika's hands-on homage to the Beat Generation does include, for example, an interview with Ferlinghetti, who delivered to him advice against ardently following journeys long finished / realities dispersed by a premonition of the country's transmutation, or Ginsberg looking for truth at a Hell's Angels gathering lost in some anti-individualist western philosophy, while at the same time acting out a very, very American manifestation, yet CA. BLUES becomes much more than a fanboy's exercise in beat writing by the mere experience from which it has sprouted.
True to the Beat tradition, the book includes a bunch of adults acting like selfish, spoiled, annoying kids.