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Painted
If art can capture a soul, what happens when one of those souls escapes?
When art appraiser Anita Cassatt is sent to catalogue the extensive collection of reclusive artist Leo Kubin, it isn’t only the chilly atmosphere of the secluded house making her shiver.
Upon entering the house, Anita stands before a silent audience of portraits clustered on every wall. Every painted eye is watching her, including those of the unfinished portrait on the artist’s easel. A portrait with an eerie familiarity.
Kubin’s lawyer didn’t share the detailed instructions regarding the handling of the art, and Anita and her team start work in ignorance of the very instructions designed to keep them safe.
Disturbed, a man eases himself out of his portrait and stretches. Free at last from the confines of his canvas, he has no intention of ever returning. He has a painting to finish…
Perfect for horror lovers of early Stephen King, and Willow Rose.
When art appraiser Anita Cassatt is sent to catalogue the extensive collection of reclusive artist Leo Kubin, it isn’t only the chilly atmosphere of the secluded house making her shiver.
Upon entering the house, Anita stands before a silent audience of portraits clustered on every wall. Every painted eye is watching her, including those of the unfinished portrait on the artist’s easel. A portrait with an eerie familiarity.
Kubin’s lawyer didn’t share the detailed instructions regarding the handling of the art, and Anita and her team start work in ignorance of the very instructions designed to keep them safe.
Disturbed, a man eases himself out of his portrait and stretches. Free at last from the confines of his canvas, he has no intention of ever returning. He has a painting to finish…
Perfect for horror lovers of early Stephen King, and Willow Rose.
294 pages, Kindle Edition
First published June 30, 2017
55 people are currently reading
815 people want to read
About the author
Kirsten McKenzie
17 books276 followersKirsten McKenzie fought international crime for fourteen years as a Customs Officer in both England and New Zealand, before leaving to work in the family antique store. Now a full time author, she lives in New Zealand with her family and alternates between writing time travel trilogies and polishing her next thriller. Her spare time is spent organising author events and appearing on literary panels at festivals around the world.
Her work has appeared in anthologies in New Zealand and the United Kingdom, including the NHS fundraiser - Noir From The Bar. She has had non-fiction pieces appear in The Spinoff, and in other New Zealand publications.
In 2024, her short story "The Watchman," part of the anthology Remains To Be Told: Dark Tales of Aotearoa, was shortlisted for the 2024 Sir Julius Vogel Award for Best Short Story. Remains To Be Told: Dark Tales of Aotearoa won the 2024 Sir Julius Vogel Award for Best Collected Work. Kirsten’s time travel novel, Ithaca Bound, was shortlisted for the 2023 Sir Julius Vogel Award for Best Novel. In 2021, her historical thriller, The Forger and the Thief, was longlisted for the Sir Julius Vogel Award for Best Novel. Her short story "Paperwork," part of the anthology Noir From The Bar, was also longlisted that same year for the Sir Julius Vogel Award for Best Short Story. Her paranormal thriller, Painted, was longlisted for the 2018 Sir Julius Vogel Award for Best Novel.
Kirsten’s current project is a collaboration with best selling time travel author Shawn Inmon, where she is writing time travel stories in his Middle Falls world, but shifting the story over the pond to Northumberland, to the fictional town of Cheviot Hills. The first book in the series is The Deadly Life of Diana Penn, with the second book in the collaboration due February 2026.
You can sign up for her sporadic newsletter at: https://www.kirstenmckenzie.com/newsl...
You can also find her on Facebook, Instagram, Pinterest and TikTok.
Her work has appeared in anthologies in New Zealand and the United Kingdom, including the NHS fundraiser - Noir From The Bar. She has had non-fiction pieces appear in The Spinoff, and in other New Zealand publications.
In 2024, her short story "The Watchman," part of the anthology Remains To Be Told: Dark Tales of Aotearoa, was shortlisted for the 2024 Sir Julius Vogel Award for Best Short Story. Remains To Be Told: Dark Tales of Aotearoa won the 2024 Sir Julius Vogel Award for Best Collected Work. Kirsten’s time travel novel, Ithaca Bound, was shortlisted for the 2023 Sir Julius Vogel Award for Best Novel. In 2021, her historical thriller, The Forger and the Thief, was longlisted for the Sir Julius Vogel Award for Best Novel. Her short story "Paperwork," part of the anthology Noir From The Bar, was also longlisted that same year for the Sir Julius Vogel Award for Best Short Story. Her paranormal thriller, Painted, was longlisted for the 2018 Sir Julius Vogel Award for Best Novel.
Kirsten’s current project is a collaboration with best selling time travel author Shawn Inmon, where she is writing time travel stories in his Middle Falls world, but shifting the story over the pond to Northumberland, to the fictional town of Cheviot Hills. The first book in the series is The Deadly Life of Diana Penn, with the second book in the collaboration due February 2026.
You can sign up for her sporadic newsletter at: https://www.kirstenmckenzie.com/newsl...
You can also find her on Facebook, Instagram, Pinterest and TikTok.
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Displaying 1 - 30 of 78 reviews
June 19, 2018
I've discovered a new author that I love. This book is a hidden gem amongst many. A very unique, addictive and creepy horror tale with a difference. Bravo!, Kirsten for such a fantastic book idea!
I was totally enthralled with this book from very early on and eagerly came back to it whenever I could over a few busy days. It's one of those books where you just need to knowwhat's going to happen next. Where is this story taking me?
The author builds a backdrop in this creepy old house where Anita goes to stay that gives you that delectable chilling tension. Anita is appraising an enormous collection of portraits for the form she works for and waiting on other colleagues to arrive so they can appraise their own areas of speciality.
This is no ordinary house and these are no ordinary portraits. The plot is sensationally addictive and the creepy factor kept me alert page after page. The author teases you with a story that reveals its secrets slowly, bit by bit - mesmerising.
The writing is sublime. Kirsten's writing style is unique and beautifully descriptive without ever going over board. She has a way with words that made this book really stand out for me. I found the writing beautiful despite the dark theme of the book.
Anita is alone in this huge old house with the eyes of each portrait watching her every move. Something wicked this way comes. When you are given the full reveal of the story it's just a great moment. I felt like a very satisfied reader.
This is not extreme horror, it's not graphic nor gory. It would appeal to many. It's moody, full of tense moments, ghostly and creepy. It would make a stunning movie. It should be a modern horror classic.
I do hope the author continues to write in this genre. It's her first horror story and she has written 2 books prior that I'm keen to dabble into. I really liked this book a lot and I read hundreds every year.
It's found a place in my long list of Top 17 Reads of 2017. No easy feat. Much competition for these places. This one deserves to be there. 5 delicious stars for a book that I enjoyed for so many good reasons. Very highly recommended dear book lovers.
You may think twice when you look at a portrait after reading this one.
I requested a copy of this book to read from the author when it was offered in a Goodreads group Im part of. I'm so glad I did! All review opinions are my own and totally unbiased.
I was totally enthralled with this book from very early on and eagerly came back to it whenever I could over a few busy days. It's one of those books where you just need to knowwhat's going to happen next. Where is this story taking me?
The author builds a backdrop in this creepy old house where Anita goes to stay that gives you that delectable chilling tension. Anita is appraising an enormous collection of portraits for the form she works for and waiting on other colleagues to arrive so they can appraise their own areas of speciality.
This is no ordinary house and these are no ordinary portraits. The plot is sensationally addictive and the creepy factor kept me alert page after page. The author teases you with a story that reveals its secrets slowly, bit by bit - mesmerising.
The writing is sublime. Kirsten's writing style is unique and beautifully descriptive without ever going over board. She has a way with words that made this book really stand out for me. I found the writing beautiful despite the dark theme of the book.
Anita is alone in this huge old house with the eyes of each portrait watching her every move. Something wicked this way comes. When you are given the full reveal of the story it's just a great moment. I felt like a very satisfied reader.
This is not extreme horror, it's not graphic nor gory. It would appeal to many. It's moody, full of tense moments, ghostly and creepy. It would make a stunning movie. It should be a modern horror classic.
I do hope the author continues to write in this genre. It's her first horror story and she has written 2 books prior that I'm keen to dabble into. I really liked this book a lot and I read hundreds every year.
It's found a place in my long list of Top 17 Reads of 2017. No easy feat. Much competition for these places. This one deserves to be there. 5 delicious stars for a book that I enjoyed for so many good reasons. Very highly recommended dear book lovers.
You may think twice when you look at a portrait after reading this one.
I requested a copy of this book to read from the author when it was offered in a Goodreads group Im part of. I'm so glad I did! All review opinions are my own and totally unbiased.
July 27, 2017
PAINTED is not only the first novel I've read from author Kirsten McKenzie, but also her first foray into the horror genre. There have long been sayings regarding 'the eyes being a window to the soul', and the way that McKenzie choses to utilize this idea to shape her book gives it an incredibly fresh outlook.
When Leo Kubin, an extremely reclusive artist, sends over very specific instructions as to how his vast art collection is to be handled--to the law firm he'd always dealt with--he had no idea about the recent changes there. Mainly, the gentleman who always dealt with his clients in a supportive and protective manner, has died. Unfortunately for the firm's elderly clients, his son--Alan Gates Jr.--is nothing like his father. Concerned only with the bottom-dollar line for himself, this arrogant, lecherous man disregards Mr. Kubin's explicit instructions as a senile old man's nonsense, and more importantly to him, a waste of extra time and money. Therefore, it is without the benefit of these "safety measures" that the company hired to itemize and catalog for auction the contents of the late Mr. Kubin's vast estate are sent to begin their jobs. Art appraiser, Anita Cassat arrives at the out of the way mansion days before her colleagues, as it is expected that the sheer number of paintings assembled there will take much longer to appraise.
Once there, Anita is instantly filled with a fear that she is being watched, despite being the only human present.
"An audience of eyes, immortalized in portraits clustered on every wall . . . "
McKenzie does an incredible job in the characterization of the people in her novel. With each and every one, I came away with the feeling that I knew them--down to even the secrets they kept hidden from each other. When one of them startles, you can practically see the physical shiver and changes that affect them. These are complete individuals--even the ones that have ceased to exist, as we know it.
". . . Their eyes the brightest part of every portrait, capturing the essence of their humanity . . . more than the subjects thought they would ever reveal to anyone . . ."
When Anita begins handling the portraits, the uneasy atmosphere in the story begins to ramp up incredibly. The tension remains so thick, that I found it difficult to find a place to stop reading for a time, reluctant to leave the world that was unfolding before me. The portraits are--at first--the primary source of Anita's apprehension, and plant the seed that something is "off" about this job. As she handled one particular picture, she noted: ". . . The edges were indistinct, and the eyes smudged beyond recognition as if someone had tried to gouge them out . . . "
". . . It was easy to ignore the known. It was the unknown which made her mouth dry and her pulse race."
Some elements of the sinister atmosphere the old estate had festered are provided by the few thoughts and comments from an elderly farmer, who'd lived next to it his entire life.
". . . the house had a reputation . . . Most threw themselves off the cliff and were swallowed by the sea . . . "
There was so much complex mystery twined in this tale, that just when I thought I figured out something, a new element would present itself to decipher and add to the confusion.
". . . This wasn't a life he wanted to lead. It wasn't his life either. That was over."
Eventually Anita is joined by her colleagues, each specializing in a different area of appraisement. Even here, McKenzie's skills shine through as we get to intimately know the new arrivals. The tension--even with the additional bodies--continues to maintain and even increase its presence, until all around harbor a silent fear of . . . something, yet intangible, to them.
". . . You're next, you're next, you're next."
This novel literally took my breath away in places. Some of the prose took on dual meanings when faced with an unknown threat. Even the secrets that were revealed remained cloaked in a thin layer of mystery that we, perhaps, weren't meant to ever unravel.
"Twilight is the master of disguise. The champion of falsehoods and fiction. The eye wasn't designed for twilight . . . "
While there were moments in the story where the action slowed considerably, overall I felt this novel was a fascinating read, full of explicitly presented atmosphere, realistic characters, and a supernatural force that hadn't been overdone in other novels. The ideas were shown with a "fresh" approach to the subject matter, leaving behind a shred of mystery for readers to ponder over after they finished.
". . . Hindsight is a terrible gift when you realize you've destroyed more beauty than you created."
I am greatly looking forward to reading Kirsten McKenzie's next horror-themed novel.
Highly recommended!
When Leo Kubin, an extremely reclusive artist, sends over very specific instructions as to how his vast art collection is to be handled--to the law firm he'd always dealt with--he had no idea about the recent changes there. Mainly, the gentleman who always dealt with his clients in a supportive and protective manner, has died. Unfortunately for the firm's elderly clients, his son--Alan Gates Jr.--is nothing like his father. Concerned only with the bottom-dollar line for himself, this arrogant, lecherous man disregards Mr. Kubin's explicit instructions as a senile old man's nonsense, and more importantly to him, a waste of extra time and money. Therefore, it is without the benefit of these "safety measures" that the company hired to itemize and catalog for auction the contents of the late Mr. Kubin's vast estate are sent to begin their jobs. Art appraiser, Anita Cassat arrives at the out of the way mansion days before her colleagues, as it is expected that the sheer number of paintings assembled there will take much longer to appraise.
Once there, Anita is instantly filled with a fear that she is being watched, despite being the only human present.
"An audience of eyes, immortalized in portraits clustered on every wall . . . "
McKenzie does an incredible job in the characterization of the people in her novel. With each and every one, I came away with the feeling that I knew them--down to even the secrets they kept hidden from each other. When one of them startles, you can practically see the physical shiver and changes that affect them. These are complete individuals--even the ones that have ceased to exist, as we know it.
". . . Their eyes the brightest part of every portrait, capturing the essence of their humanity . . . more than the subjects thought they would ever reveal to anyone . . ."
When Anita begins handling the portraits, the uneasy atmosphere in the story begins to ramp up incredibly. The tension remains so thick, that I found it difficult to find a place to stop reading for a time, reluctant to leave the world that was unfolding before me. The portraits are--at first--the primary source of Anita's apprehension, and plant the seed that something is "off" about this job. As she handled one particular picture, she noted: ". . . The edges were indistinct, and the eyes smudged beyond recognition as if someone had tried to gouge them out . . . "
". . . It was easy to ignore the known. It was the unknown which made her mouth dry and her pulse race."
Some elements of the sinister atmosphere the old estate had festered are provided by the few thoughts and comments from an elderly farmer, who'd lived next to it his entire life.
". . . the house had a reputation . . . Most threw themselves off the cliff and were swallowed by the sea . . . "
There was so much complex mystery twined in this tale, that just when I thought I figured out something, a new element would present itself to decipher and add to the confusion.
". . . This wasn't a life he wanted to lead. It wasn't his life either. That was over."
Eventually Anita is joined by her colleagues, each specializing in a different area of appraisement. Even here, McKenzie's skills shine through as we get to intimately know the new arrivals. The tension--even with the additional bodies--continues to maintain and even increase its presence, until all around harbor a silent fear of . . . something, yet intangible, to them.
". . . You're next, you're next, you're next."
This novel literally took my breath away in places. Some of the prose took on dual meanings when faced with an unknown threat. Even the secrets that were revealed remained cloaked in a thin layer of mystery that we, perhaps, weren't meant to ever unravel.
"Twilight is the master of disguise. The champion of falsehoods and fiction. The eye wasn't designed for twilight . . . "
While there were moments in the story where the action slowed considerably, overall I felt this novel was a fascinating read, full of explicitly presented atmosphere, realistic characters, and a supernatural force that hadn't been overdone in other novels. The ideas were shown with a "fresh" approach to the subject matter, leaving behind a shred of mystery for readers to ponder over after they finished.
". . . Hindsight is a terrible gift when you realize you've destroyed more beauty than you created."
I am greatly looking forward to reading Kirsten McKenzie's next horror-themed novel.
Highly recommended!
March 8, 2021
When i went back to read this book again, i loved the detail and it was going great. I wish there were more great descriptions of art out there in with spooky stories bc what a rich story ground! Art has the essence of the artist and i can see it having some very creepy qualities. This was about a whole collection and i loved the idea. Art history is one of my favorite things. Reading the main char's thoughts was like hanging out with a kindred spirit!
I’m going to try this book again. Second chances ! Maybe it was just me, right ? And the author saw my comments (from the first try) and I hate feeling like a horrible person.
I’m going to try this book again. Second chances ! Maybe it was just me, right ? And the author saw my comments (from the first try) and I hate feeling like a horrible person.
August 5, 2017
I've discovered a new author that I love. This book is a hidden gem amongst many. A very unique, addictive and creepy horror tale with a difference. Bravo!, Kirsten for such a fantastic book idea!
I was totally enthralled with this book from very early on and eagerly came back to it whenever I could over a few busy days. It's one of those books where you just need to knowwhat's going to happen next. Where is this story taking me?
The author builds a backdrop in this creepy old house where Anita goes to stay that gives you that delectable chilling tension. Anita is appraising an enormous collection of portraits for the form she works for and waiting on other colleagues to arrive so they can appraise their own areas of speciality.
This is no ordinary house and these are no ordinary portraits. The plot is sensationally addictive and the creepy factor kept me alert page after page. The author teases you with a story that reveals its secrets slowly, bit by bit - mesmerising.
The writing is sublime. Kirsten's writing style is unique and beautifully descriptive without ever going over board. She has a way with words that made this book really stand out for me. I found the writing beautiful despite the dark theme of the book.
Anita is alone in this huge old house with the eyes of each portrait watching her every move. Something wicked this way comes. When you are given the full reveal of the story it's just a great moment. I felt like a very satisfied reader.
This is not extreme horror, it's not graphic nor gory. It would appeal to many. It's moody, full of tense moments, ghostly and creepy. It would make a stunning movie. It should be a modern horror classic.
I do hope the author continues to write in this genre. It's her first horror story and she has written 2 books prior that I'm keen to dabble into. I really liked this book a lot and I read hundreds every year.
It's found a place in my long list of Top 17 Reads of 2017. No easy feat. Much competition for these places. This one deserves to be there. 5 delicious stars for a book that I enjoyed for so many good reasons. Very highly recommended dear book lovers.
You may think twice when you look at a portrait after reading this one.
I requested a copy of this book to read from the author when it was offered in a Goodreads group Im part of. I'm so glad I did! All review opinions are my own and totally unbiased.
I was totally enthralled with this book from very early on and eagerly came back to it whenever I could over a few busy days. It's one of those books where you just need to knowwhat's going to happen next. Where is this story taking me?
The author builds a backdrop in this creepy old house where Anita goes to stay that gives you that delectable chilling tension. Anita is appraising an enormous collection of portraits for the form she works for and waiting on other colleagues to arrive so they can appraise their own areas of speciality.
This is no ordinary house and these are no ordinary portraits. The plot is sensationally addictive and the creepy factor kept me alert page after page. The author teases you with a story that reveals its secrets slowly, bit by bit - mesmerising.
The writing is sublime. Kirsten's writing style is unique and beautifully descriptive without ever going over board. She has a way with words that made this book really stand out for me. I found the writing beautiful despite the dark theme of the book.
Anita is alone in this huge old house with the eyes of each portrait watching her every move. Something wicked this way comes. When you are given the full reveal of the story it's just a great moment. I felt like a very satisfied reader.
This is not extreme horror, it's not graphic nor gory. It would appeal to many. It's moody, full of tense moments, ghostly and creepy. It would make a stunning movie. It should be a modern horror classic.
I do hope the author continues to write in this genre. It's her first horror story and she has written 2 books prior that I'm keen to dabble into. I really liked this book a lot and I read hundreds every year.
It's found a place in my long list of Top 17 Reads of 2017. No easy feat. Much competition for these places. This one deserves to be there. 5 delicious stars for a book that I enjoyed for so many good reasons. Very highly recommended dear book lovers.
You may think twice when you look at a portrait after reading this one.
I requested a copy of this book to read from the author when it was offered in a Goodreads group Im part of. I'm so glad I did! All review opinions are my own and totally unbiased.
December 2, 2019
When art appraiser Anita Cassatt arrives at the mansion of the late Leo Kubin, a reclusive painter and art collector, she finds paintings on every wall of nearly every room.
Undaunted, she begins cataloguing, alone, until her associates arrive in a few days.
But there are a few things she doesn't know about this seemingly straightforward assignment.
Leo Kubin left very specific instructions concerning how the paintings are to be handled with his attorney....who has passed away, leaving his law offices in the hands of his son. Who has higher aspirations than the final wishes of senile old recluses. He dismisses the instructions as a waste of money and time, never informing Anita.
Who may not actually be alone in that house....
Kirsten McKenzie has written an atmospheric tale that feeds off that unsettling feeling many get when surrounded by portraits....that sense of being watched, and delivers a solid modern Gothic ghost story. Definitely an author to watch.
This was an e-ARC from Netgalley.
Undaunted, she begins cataloguing, alone, until her associates arrive in a few days.
But there are a few things she doesn't know about this seemingly straightforward assignment.
Leo Kubin left very specific instructions concerning how the paintings are to be handled with his attorney....who has passed away, leaving his law offices in the hands of his son. Who has higher aspirations than the final wishes of senile old recluses. He dismisses the instructions as a waste of money and time, never informing Anita.
Who may not actually be alone in that house....
Kirsten McKenzie has written an atmospheric tale that feeds off that unsettling feeling many get when surrounded by portraits....that sense of being watched, and delivers a solid modern Gothic ghost story. Definitely an author to watch.
This was an e-ARC from Netgalley.
June 27, 2017
I am not usually a reader of horror novels. I came to know McKenzie's writing through her historical fiction novels which display her love and knowledge of antiques. Painted continues her love of antiques with descriptions of the amazing rooms in this novel. Room by room, character by character and painting by painting the author delivers a page turning, gripping novel of a house that is haunted - if only they had listened to the owner who left specific instructions in his will.
June 23, 2017
When I saw that fellow New Zealand author, Kirsten McKenzie had written a horror, I jumped at the chance to read it! I’m a sucker for anything that will have me on the edge of my seat, and this book did that.
First of all, I’d just like to touch on the wonderful writing style of Kirsten. This book was so beautifully written, with such attention to detail, you couldn’t help but feel as though you were right there with the characters. She painted such an eerie picture of the house and its surroundings, and don’t get me started on the creepy artwork.
What I loved about this book was how it played out almost like a movie, where small things would happen but go unnoticed by the characters in the beginning. The fleeting shadows behind them, the objects shifting, the paintings… well, you’ll just have to read to see what happens with the paintings.
There seem to be twists and turns everywhere in this book, and I love that! The ending was something I didn’t see coming either, which doesn’t often happen for me, but this was not predictable at all. I don’t think I’ve ever read anything quite like this before, and it makes such a nice change. I will definitely be looking out for more books by Kirsten McKenzie!
First of all, I’d just like to touch on the wonderful writing style of Kirsten. This book was so beautifully written, with such attention to detail, you couldn’t help but feel as though you were right there with the characters. She painted such an eerie picture of the house and its surroundings, and don’t get me started on the creepy artwork.
What I loved about this book was how it played out almost like a movie, where small things would happen but go unnoticed by the characters in the beginning. The fleeting shadows behind them, the objects shifting, the paintings… well, you’ll just have to read to see what happens with the paintings.
There seem to be twists and turns everywhere in this book, and I love that! The ending was something I didn’t see coming either, which doesn’t often happen for me, but this was not predictable at all. I don’t think I’ve ever read anything quite like this before, and it makes such a nice change. I will definitely be looking out for more books by Kirsten McKenzie!
August 27, 2019
Not usually a big fan of hardcore paranormal or horror, preferring both to be more on the gentle side. This was sort of in the middle, but certainly got my attention very early in the book and had me turning pages rapidly as I sat on the edge of the seat. When I absolutely had to put it down, I couldn't wait to get back to see what was happening. One of those books were you feel it is carrying on without you and you'll be missing something vital!
I already knew the author's work through her first books using her antiques knowledge which she extended on here weaving a wonderful mystery with visitors to the creepy mansion experiencing strange happenings and seemingly vanishing. Who, what is behind this, and how is it happening?
Highly recommended.
I already knew the author's work through her first books using her antiques knowledge which she extended on here weaving a wonderful mystery with visitors to the creepy mansion experiencing strange happenings and seemingly vanishing. Who, what is behind this, and how is it happening?
Highly recommended.
June 26, 2017
Leo Kubin is dead and he has left the law firm headed by Alan Gates, some very specific instructions on how to dispose of his art collection. All paintings must be taken from the wall and immediately crated. Under no circumstances must they be leant against the wall or left on a table or crated with other items. Alan has no patience with such frivolities and arranges for a team from Nickleby's to visit the house and assess the artwork and other treasures in the hope that there might be a valuable asset hidden there.
Anita Cassett, junior assessor, and hiding a secret, is hoping to make a good name for herself by properly assessing the artwork. She arrives at the house ahead of the team to make a start with the paintings and totally unaware of the instructions for the crating of the paintings. She ignores the spookiness of the house but when Alan Gates arrives at the house to check on her progress, her uneasiness grows.
Kirstin McKenzie has done a fantastic job with this book. Her first step into the supernatural she has created some very strong characters and her descriptions of the house and its contents are beautifully described and sent shivers down my spine. Painted is the spookiest book I have read in years. The chapters when Anita is alone in the house freaked me out in a way that I haven't been since the early novels of Stephen King. I really hope that Kirstin continues writing books in this genre as I think the has a real talent for it.
Anita Cassett, junior assessor, and hiding a secret, is hoping to make a good name for herself by properly assessing the artwork. She arrives at the house ahead of the team to make a start with the paintings and totally unaware of the instructions for the crating of the paintings. She ignores the spookiness of the house but when Alan Gates arrives at the house to check on her progress, her uneasiness grows.
Kirstin McKenzie has done a fantastic job with this book. Her first step into the supernatural she has created some very strong characters and her descriptions of the house and its contents are beautifully described and sent shivers down my spine. Painted is the spookiest book I have read in years. The chapters when Anita is alone in the house freaked me out in a way that I haven't been since the early novels of Stephen King. I really hope that Kirstin continues writing books in this genre as I think the has a real talent for it.
December 27, 2017
**Actual Rating 3.5 stars**
Characters
This was probably the biggest drawback to this book. When I started reading this Anita was a pretty well formed but blah character. After the rest of the group shows up I just couldn't stand her! She kept making the same stupid choices but then so did all of them. I felt like they were all the typical horror movie characters. I was almost rooting for the villain! (The ghost not the other evil one). Almost none of them have any sense of self-preservation. Downside the author does a ridiculous amount of head hoping instead of going full narration. Also the lawyer is so over the top that it was a little painful to read at times—pretty sure he didn't have a single good trait.
Plot
This is a horror based ghost story. It does an excellent job building the tension and is without a doubt super creepy. The ancient house, the moving portraits, and the hapless heroine. It had all the elements of a horror story and was super gripping. Downside it was such a cliche! I struggled through the idiotic characters and almost repetitive decision making.
I did appreciate two major points of this book. There was a plot within a plot and the author didn't play it safe with the ending. Those were what took me from despising this book to sort of blinking in surprise at the last page. I don't want to give anything away but it was refreshing!
Overall
I have a love hate relationship with this book. There were aspects of it I just loved and there were aspects I just hated! I liked the start of the book with Anita but after others arrive starting with the lawyer, all of the characters take a nose dive and never really recover. Mostly because of their completely illogical decision making that seemed only to exist to shock or drive the plot in a very specific direction. While the nail biting plot had me hooked and I just had to know the ending. Although I did see aspects of it coming, I was utterly surprised at the way the author ended it. That aspect is what really hit home as being a good book.
Rating
3.5 stars (one up and one down)
It doesn't deserve 3 stars because it was better than that, but it wasn't a solid 4 star book in my mind. A tense book that has all of the hallmarks of a good horror just not good characters!
This is a voluntary review. More reviews at creatingworldswithwords.wordpress.com.
Characters
This was probably the biggest drawback to this book. When I started reading this Anita was a pretty well formed but blah character. After the rest of the group shows up I just couldn't stand her! She kept making the same stupid choices but then so did all of them. I felt like they were all the typical horror movie characters. I was almost rooting for the villain! (The ghost not the other evil one). Almost none of them have any sense of self-preservation. Downside the author does a ridiculous amount of head hoping instead of going full narration. Also the lawyer is so over the top that it was a little painful to read at times—pretty sure he didn't have a single good trait.
Plot
This is a horror based ghost story. It does an excellent job building the tension and is without a doubt super creepy. The ancient house, the moving portraits, and the hapless heroine. It had all the elements of a horror story and was super gripping. Downside it was such a cliche! I struggled through the idiotic characters and almost repetitive decision making.
I did appreciate two major points of this book. There was a plot within a plot and the author didn't play it safe with the ending. Those were what took me from despising this book to sort of blinking in surprise at the last page. I don't want to give anything away but it was refreshing!
Overall
I have a love hate relationship with this book. There were aspects of it I just loved and there were aspects I just hated! I liked the start of the book with Anita but after others arrive starting with the lawyer, all of the characters take a nose dive and never really recover. Mostly because of their completely illogical decision making that seemed only to exist to shock or drive the plot in a very specific direction. While the nail biting plot had me hooked and I just had to know the ending. Although I did see aspects of it coming, I was utterly surprised at the way the author ended it. That aspect is what really hit home as being a good book.
Rating
3.5 stars (one up and one down)
It doesn't deserve 3 stars because it was better than that, but it wasn't a solid 4 star book in my mind. A tense book that has all of the hallmarks of a good horror just not good characters!
This is a voluntary review. More reviews at creatingworldswithwords.wordpress.com.
January 5, 2019
This is a story of one man’s cruse and another man’s greed. When artist Leo Kubin dies his isolated home’s contents have to be catalogued so that the paintings and other items of value can be sold. The task is given to Anita Cassatt to go to the house to catalogue the collection before it is taken away to be auctioned. What isn’t given to her is the explicit instructions which must be followed but a greedy partner in the firm of solicitors is prepared to cut corners to increase profits.
This is one eerie and creepy read that gets under your skin to raise those goose bumps! From the moment that Anita enters the house the whole tone of the atmosphere changes. For one thing, there is far more art work than was first thought and for another every person in every picture seemed to be watching her. Talk about the atmosphere changing, every page seemed darker as she was forced to face her own instability of past mental health issues. She was far from the right person for a job as she was questioning her own sanity with the strange happenings in the house.
There are some brilliant descriptions of the paintings and house which became more intense when nature seemed to be joining forces with much darker elements, making it an isolated house of gothic terror. There is also a feeling of less means more as there are only a handful of charters in the story, each one richly described both physically and by their thoughts.
This is an intriguing story, loved the end. I wish to thank the author for an e-copy of this book which I have honestly reviewed.
This is one eerie and creepy read that gets under your skin to raise those goose bumps! From the moment that Anita enters the house the whole tone of the atmosphere changes. For one thing, there is far more art work than was first thought and for another every person in every picture seemed to be watching her. Talk about the atmosphere changing, every page seemed darker as she was forced to face her own instability of past mental health issues. She was far from the right person for a job as she was questioning her own sanity with the strange happenings in the house.
There are some brilliant descriptions of the paintings and house which became more intense when nature seemed to be joining forces with much darker elements, making it an isolated house of gothic terror. There is also a feeling of less means more as there are only a handful of charters in the story, each one richly described both physically and by their thoughts.
This is an intriguing story, loved the end. I wish to thank the author for an e-copy of this book which I have honestly reviewed.
October 3, 2017
This is a story dripping in atmosphere. I loved the creepy feeling that permeated every page. Let’s face it portraits are creepy, I’ve always felt watched by them, then again, I watch a lot of horror, and that’s what they do, so that may just be me.
Talk about a clear message, follow instructions! The descriptive narrative gave me a clear image of the house, paintings, and people with a subtly and balance that was impressive. The plot of this was a beautiful slow burn that built on the opening dread until the unexpected conclusion. I absolutely love the end.
I’m not sure if I was supposed to or not, but I connected with Ruth as well as Anita, and that really added to the mounting tension. If you are looking for a Gothic horror, something that could easily sit alongside a classic in the genre, then you’ll want to read this.
Talk about a clear message, follow instructions! The descriptive narrative gave me a clear image of the house, paintings, and people with a subtly and balance that was impressive. The plot of this was a beautiful slow burn that built on the opening dread until the unexpected conclusion. I absolutely love the end.
I’m not sure if I was supposed to or not, but I connected with Ruth as well as Anita, and that really added to the mounting tension. If you are looking for a Gothic horror, something that could easily sit alongside a classic in the genre, then you’ll want to read this.
February 24, 2019
I quite liked this story. It had all the right ingredients; young woman left alone in a spooky house with some very weird things happening. I think this was a nod to The Picture of Dorian Gray by Oscar Wilde and I found it just as creepy. I liked Anita and was rooting for her. I must admit the ending surprised me and I found it a mite disappointing, but only because I like the baddie to get his just desserts. A good story for someone who likes spooky horror.
June 12, 2018
Horror is difficult and very few writers who attempt it get it right. Alas! This is yet another wearisome effort: confused; clichéd and - in its essential conceit - rather silly. In the hands of a Susan Hill, this might have raised a shiver but, as it is, the story cannot even muster a sense of unease.
July 26, 2017
Anita is an inexperienced, young art appraiser who jumps at the opportunity to catalog an artist’s collection following his death. The reclusive artist painted abundantly. He left such an extensive collection that Anita has to spend several days at his remote coastal home. There is no phone service or WiFi. It’s a daunting task to stay in the portrait filled old house alone.
The author brings us a classic haunted house vibe. The aging building is all creaks and groans. To begin with, mysterious little things happen as the tension and the notion that all is not right builds. The atmosphere is fueled by the portraits and their sadness as presented in oils. Anita cannot feel relaxed for a moment, as she has the feeling that the eyes in the portraits are watching. You feel the sense of isolation in the house, with just Anita and the paintings and the cold, creaky house. Anita’s situation is made more complicated by a past traumatic experience that also haunts her.
A foreboding messenger arrives, coming in out of the rain to warn against staying in the house. Despite this being a familiar trope, it is naturally blended into the story so it doesn’t feel cliched, and the character does return during various points of the book. Following her initial few days alone, Anita is joined by the lawyer for the estate and then by other members of her valuation team from the auction house. The introduction of these characters changes the dynamic. The subtle haunting gathers pace and the new arrivals provide victims for the evil that is present in the house. People start disappearing, nerves become fraught, and paranoia envelops the rest of the group.
Painted is an effective haunted house book, favoring tension and subtlety over outright violence and kills. As such, this may appeal to a broader audience, both in terms of age and those who are not fans of overt gore. The truth behind the haunting is slowly revealed, along with how it ties into the many paintings in the house. In Painted, we see that the eyes are the windows to the soul, and in this case the eyes are on canvas.
The author brings us a classic haunted house vibe. The aging building is all creaks and groans. To begin with, mysterious little things happen as the tension and the notion that all is not right builds. The atmosphere is fueled by the portraits and their sadness as presented in oils. Anita cannot feel relaxed for a moment, as she has the feeling that the eyes in the portraits are watching. You feel the sense of isolation in the house, with just Anita and the paintings and the cold, creaky house. Anita’s situation is made more complicated by a past traumatic experience that also haunts her.
A foreboding messenger arrives, coming in out of the rain to warn against staying in the house. Despite this being a familiar trope, it is naturally blended into the story so it doesn’t feel cliched, and the character does return during various points of the book. Following her initial few days alone, Anita is joined by the lawyer for the estate and then by other members of her valuation team from the auction house. The introduction of these characters changes the dynamic. The subtle haunting gathers pace and the new arrivals provide victims for the evil that is present in the house. People start disappearing, nerves become fraught, and paranoia envelops the rest of the group.
Painted is an effective haunted house book, favoring tension and subtlety over outright violence and kills. As such, this may appeal to a broader audience, both in terms of age and those who are not fans of overt gore. The truth behind the haunting is slowly revealed, along with how it ties into the many paintings in the house. In Painted, we see that the eyes are the windows to the soul, and in this case the eyes are on canvas.
September 27, 2017
I am the lucky winner of a goodreads giveaway copy of this title, thank you Ms. McKenzie! I was sucked into the unusual story from the beginning and just couldn't stop reading. 'Painted' expertly combines elements of a ghost story with those of a thriller. There was one main plot twist towards the end which at first I thought would ruin it all because it seemed such a convenient coincidence, but turned out it worked pretty well and the ending put a mean little smile on my face...
The writing was a flawless and hypnotizing treat on its own, and I wonder why I haven't heard or read anything from this gifted author before. Highly recommended!
The writing was a flawless and hypnotizing treat on its own, and I wonder why I haven't heard or read anything from this gifted author before. Highly recommended!
March 3, 2019
I bought this book at a book festival #rotoruanoir, mainly because everyone was talking about the ending without giving anything away.
The book is really very good. Reclusive artist Leo Kubin has died and young Anita is sent to catalogue his work which is numerous. His home is large and unwelcoming and right from the start you get a feeling of creepy and unease. Instructions were sent to the art house on how to go about cataloging the paintings and other art but these weren’t heeded and they were the very instructions needed to keep them all safe.
This is such a good read, so well written and scary as hell!......Oh and that ending!!
The book is really very good. Reclusive artist Leo Kubin has died and young Anita is sent to catalogue his work which is numerous. His home is large and unwelcoming and right from the start you get a feeling of creepy and unease. Instructions were sent to the art house on how to go about cataloging the paintings and other art but these weren’t heeded and they were the very instructions needed to keep them all safe.
This is such a good read, so well written and scary as hell!......Oh and that ending!!
December 25, 2023
I wanted to like this - a quick and interesting paranormal thriller. There is a huge focus on rape as motivator for behaviour, both predatory and to explain why a rape survivor was acting a fool. It has such promise and then is so simple and leans so hard on the sexual assault stuff, its a shame.
December 25, 2018
A Different Ending!
I enjoyed reading this book but I would’ve enjoyed it more if it had a different ending. I don’t like the bad guy winning.
I enjoyed reading this book but I would’ve enjoyed it more if it had a different ending. I don’t like the bad guy winning.
This entire review has been hidden because of spoilers.
August 3, 2017
Painted is one of the most engrossing reads I've ever come across. I nailed it in record time; I just couldn't stop turning the pages!
Kirsten "painted" an impeccable image with her words and writing style in my mind - of which I was captivated from the opening line.
The story was so haunting and descriptive. There is no way I want to be left alone in a creepy old house full of paintings!!
I feel so proud to be a fellow New Zealander after reading this novel, as Kirsten truly has something special on her hands here - something that lets the world know there are some world class authors hiding out down-under.
I would absolutely recommend this to anyone who enjoys reading, and that applies to people of all genre-preference.
5 stars!!
Kirsten "painted" an impeccable image with her words and writing style in my mind - of which I was captivated from the opening line.
The story was so haunting and descriptive. There is no way I want to be left alone in a creepy old house full of paintings!!
I feel so proud to be a fellow New Zealander after reading this novel, as Kirsten truly has something special on her hands here - something that lets the world know there are some world class authors hiding out down-under.
I would absolutely recommend this to anyone who enjoys reading, and that applies to people of all genre-preference.
5 stars!!
July 16, 2017
Most horror being written nowadays is of the 'splattergore', more-is-better school of thought, so it was refreshing to encounter this subtle, delicate narrative where horror peeps slyly out from picture frames and the reader's palate is never overwhelmed with an excess of foulness. Admirable restraint and a real gift for story combine to produce an unforgettable experience.
Worthy of note is McKenzie's treatment of her female protagonist. Unlike most in this genre, the woman is neither a feisty, indomitable kick-arse heroine nor a wilting violet. I found it intriguing to see both of these tired old tropes nicely avoided, and the book is the richer for it. All around a pleasantly creepy read.
Worthy of note is McKenzie's treatment of her female protagonist. Unlike most in this genre, the woman is neither a feisty, indomitable kick-arse heroine nor a wilting violet. I found it intriguing to see both of these tired old tropes nicely avoided, and the book is the richer for it. All around a pleasantly creepy read.
October 29, 2021
Explosive 24hr read. Beautiful descriptive language and imagery draws you through the first few chapters, by which time you are hooked by the plot. Believable characters with complex plot twists which keep you captivated.
Kirsten McKenzie is a sensational storyteller and Painted is reminiscent of the classic horror tales I fell in love with as a teen. Highly recommend this book.
Kirsten McKenzie is a sensational storyteller and Painted is reminiscent of the classic horror tales I fell in love with as a teen. Highly recommend this book.
August 28, 2024
Despite an entire slew of errors, I really enjoyed this story. The character twist was excellent, and the ending seemed very appropriate to the plot. My only complaints were the numerous errors (all seeming to be located in the first half of the book), and some of the odder character behavior that just didn’t quite fit. If you can look past those two things, the story is quite good.
September 6, 2017
an odd but well done book. There were some parts that felt a little overly wordy, but otherwise a great, fast read.
I really enjoyed The pace and the real terror that you feel as you go along. I only docked 1 star cause the ending wasn't exactly to my liking. But still, you should read this book.
I really enjoyed The pace and the real terror that you feel as you go along. I only docked 1 star cause the ending wasn't exactly to my liking. But still, you should read this book.
September 18, 2017
"Painted" by Kirsten McKenzie was a fantastic read. It reminded me of layers of fear the PS4 game but with some great twists.
Not your typical haunted house story type thing and would highly recommend.
8/10
Not your typical haunted house story type thing and would highly recommend.
8/10
July 17, 2017
3.5
Review to come
Review to come
July 30, 2017
More Gothic than horror. But well-written and enjoyable.
November 10, 2021
I really enjoyed this. A great horror story!
August 28, 2019
Horrors are not my genre of choice so I had to read this one in daylight hours with my back against the wall!
Painted was creepy and unnerving, but I had to see what happened. The story took some unexpected twists, which were great. A real I-didn't-see-that-coming type of book. Her way with words, knowledge of art and antiques, and the industry are exceptional. Once I finished the book I felt educated and as though I could possibly read another horror. This is the mark of true talent - taking a chicken like me and convincing me in one novel that the horror genre is pretty damn good!
Painted was creepy and unnerving, but I had to see what happened. The story took some unexpected twists, which were great. A real I-didn't-see-that-coming type of book. Her way with words, knowledge of art and antiques, and the industry are exceptional. Once I finished the book I felt educated and as though I could possibly read another horror. This is the mark of true talent - taking a chicken like me and convincing me in one novel that the horror genre is pretty damn good!
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