The Dregs #4

The Dregs

by Zac Thompson, Lonnie Nadler, Eric Zawadzki (Artist)

An archetype lost in architecture. This is how the story ends whether you like it or not.

Unknown Binding

First published June 28, 2017

About the author

Zac Thompson is a writer born and raised on Prince Edward Island, Canada. He's written titles like Marvelous X-Men, Cable, and X-Men: Black for Marvel Comics. Along with indie books such as Her Infernal Descent, Relay, and The Replacer.

In 2019, Zac became the showrunner of the Age of X-Man universe at Marvel Comics. His critically acclaimed miniseries, Come Into Me, was called the best horror comic of 2018 by HorrorDNA. His debut comic series, The Dregs, was called "lowbrow brilliant" by New York Magazine. His novel, Weaponized, was the winner of the 2016 CryptTV horror fiction contest.

Reviews

[Quirkyreader · Rating 5 out of 5]

The end of this story is a mind blower.

[Francesca Giardiello · Rating 1 out of 5]

Cosa ho letto? Non ne ho idea.

Troppa carne al fuoco e quella che poteva essere un'interessante storia, è diventata un macello di cose mal unite insieme: noir, visioni di fantasmi, droga, cannibalismo, anti-eroi. Troppe cose in troppo poco spazio.

[Laïni · Rating 3 out of 5]

Okay. It was nice. I liked the art a lot, the storytelling was just more difficult to follow as time went on.

[Flow Chi Minh · Rating 2 out of 5]

Alas, I was really disappointed with the close to a series which had such a unique perspective on the hard boiled detective genre. The Dregs builds up to an ending which we saw coming in issue one, lending readers the feeling there is some kind of huge twist coming only to not deliver. I still applaud the creators for giving us such a refreshing take but I can't get behind this last issue.