There are scores of books available on The Beatles, several of them classics. Multiply that number a thousand-fold and you’re not even close to the amount of articles appearing in periodicals- both from the band’s genesis to their demise, and onward to the present.
Well, “Read the Beatles” may be just another brick in the endless wall that is music criticism- but for beginners and fans alike, Sawyers’ book provides valuable insight into the most famous band in the world. More a compilation than anything else, this book is a clever, well-informed work that approaches the Beatles legacy from a different angle than most.
For one thing, it doesn’t pretend to be exhaustive about the discography or the band’s history. And it isn’t a tell-all. But it does give the newcomer a place to start, and the fan a fresh perspective- and it’s not a bad reference book, either. Look at the structure.
The Foreword is by Astrid Kirchherr, who took extensive photographs of the Beatles during their Hamburg days, and got to know the early band very well.
Next is the seventeen-page Chronology. Beginning in 1933, with the birth of Yoko Ono, it runs through to 2006, the year this book was published, as well as marking Paul McCartney’s 64th birthday. It’s a wealth of information and trivia.
Two maps follow, showing dates and historical sites related to the band’s Liverpool roots.
The author then provides an introduction that lays out the scope and purpose of “Read the Beatles,” explaining, in short form, why the Beatles and their music still matter, over a half-century later.
Then comes the meat of the book, in which articles, essays and interview excerpts are shared. What makes this all the more interesting is that fact that every piece is presented in chronological order. In this way we get a sense of how the band progresses, how opinions of the Beatles’ music changed as their music evolved, and how the songs themselves fit into the industry and culture their music both commented upon, and was influenced by.
While most articles favor the band and its output, there are a few fence-sitters and detractors, said inclusion adding to the book’s objectivity. But this only adds to the book’s multi-dimensional feel. At the halfway point, the editor spends twenty-four pages sharing several musician’s and writer’s opinions about the band’s legacy.
More telling is the second portion of the book, where each member of the band is examined, via their own words and the observations of others. John Lennon’s final interviews; George describing a horrifying home invasion (during which his wife saved his life); Paul’s thoughts about the band- and John, in particular; and Ringo’s place as the perpetual fourth-man.
The final section deals with, and answers, questions about why the Beatles still matter. The book ends with a discography of the group and it’s four members’ solo albums.
“Read the Beatles” is a fine selection of articles about the band, its overview a great starting and ending point, depending on one’s degree of interest in the Boys from Liverpool, and how they changed the pop landscape forever.