A collection of previously published essays and humor on subjects including gun-toting country music stars, the iconography of Big Things, hair loss, backpacking and firefighting in Central America, and a traveling butcher.
About the Author: Mike Perry was raised on a small farm in northwestern Wisconsin, where he remains a resident of the small town of New Auburn. His work has appeared in numerous publications including Esquire, The New York Times Magazine, Salon, and Cowboy Magazine, and his essays and humor are frequently heard on both Wisconsin and Minnesota public radio. When he's not contributing articles to magazines, Perry contributes humor to the local fire department by being the first volunteer fireman in village history to miss the monthly meeting because of a poetry reading.
Michael Perry is a New York Times bestselling author, humorist and radio show host from New Auburn, Wisconsin.
Perry’s bestselling memoirs include Population 485, Truck: A Love Story, Coop, and Visiting Tom. Raised on a small Midwestern dairy farm, Perry put himself through nursing school while working on a ranch in Wyoming, then wound up writing by happy accident. He lives with his wife and two daughters in rural Wisconsin, where he serves on the local volunteer fire and rescue service and is an amateur pig farmer. He hosts the nationally-syndicated “Tent Show Radio,” performs widely as a humorist, and tours with his band the Long Beds (currently recording their third album for Amble Down Records). He has recorded three live humor albums including Never Stand Behind A Sneezing Cow and The Clodhopper Monologues, is currently finishing his first young adult novel, and can be found online at www.sneezingcow.com.
Perry’s essays and nonfiction have appeared in numerous publications including The New York Times Magazine, Esquire, Backpacker, Outside, Runner’s World, Salon.com, and he is a contributing editor to Men’s Health magazine. His writing assignments have taken him to the top of Mt. Rainier with Iraq War veterans, into the same room as the frozen head of Ted Williams, across the United States with truckers and country music singers, and—once—buck naked into a spray-tan booth.
In the essay collection Off Main Street, Perry wrote of how his nursing education prepared him to become a writer by training him in human assessment, and he credits singer-songwriters like Steve Earle and John Prine with helping him understand that art need not wear fancy clothes. Above all, he gives credit to his parents, of whom he says, “Anything good is because of them, everything else is simply not their fault.” His mother taught him to read and filled the house with books; his father taught him how to clean calf pens, of which Perry has written, “a childhood spent slinging manure – the metaphorical basis for a writing career.”
Perry has recently been involved in several musical collaborations, including as lyricist for Grammy-nominated jazz pianist Geoffrey Keezer, and as co-writer (with Bon Iver frontman Justin Vernon) of the liner notes for the John Prine tribute album “Broken Hearts & Dirty Windows.” Perry also collaborated with Vernon and Flaming Lips lead singer Wayne Coyne on a project that began when Vernon approached Perry and said, “Say, you’re a nurse…” The results were bloody, but then that was the point.
Of all his experiences, Perry says the single most meaningful thing he has ever done is serving 12 years beside his neighbors on the New Auburn Area Fire Department.
Mike says:
If I had to sum up my ‘career’ in one word, it would be gratitude. I get to write and tell stories all around the country, then come home to be with my family and hang out at the local feed mill complaining about the price of feeder hogs. It’s a good life and I’m lucky to have it.
This is one of the few times that I wish there were 1/2 stars, because this isn't Perry's very best work (heck, it's early work, so come on). But it's delicious, and a gem,* and should not be missed. And surprisingly not dated. The man writes in a language that is poetic, universal, and timeless, on such a variety of subjects and in such a variety of tones.... I really should just buy his entire oeuvre and keep rereading them all.
*See, I'm going to claim that's not a mixed metaphor, because I separated them by a comma, instead of writing "a delicious gem." Ok.