Mira a tu alrededor: es la vida real, donde nueve de cada diez personas ¡son gilipollas!
Busca el amor en sitios que no existen con Cy, el chico del ciberespacio; deja que tu mandíbula se descuelgue con los chistes inconvenientes de Girly Girl y con las aventuras emocionales de su pariente Chuckie Boy o sufre con la experiencia de Culodado, el niño gay.
Peter Bagge se dio a conocer con estas historietas publicadas en Neat Stuff, la revista que mantuvo antes de embarcarse en Odio. Herederas del más puro underground norteamericano, estas variadas páginas retratan la majadería humana con una nitidez y una crispación pocas veces vista.
Peter Bagge is an American cartoonist known for his irreverent, kinetic style and his incisive, black-humored portrayals of middle-class American youth. He first gained recognition with Neat Stuff, which introduced characters such as Buddy Bradley, Girly-Girl, and The Bradleys, and followed it with Hate, his best-known work, which ran through the 1990s and later as annuals. Bagge’s comics often exaggerate the frustrations, absurdities, and reduced expectations of ordinary life, combining influences from Warner Brothers cartoons, underground comix, and classic cartoonists like Bob Clampett, Tex Avery, and Robert Crumb. Beyond satire and fiction, Bagge has produced fact-based comics journalism, biographies, and historical comics, contributing to outlets such as suck.com, MAD Magazine, toonlet, Discover, and Reason. His biographical works include Woman Rebel, about Margaret Sanger, Fire!!, on Zora Neale Hurston, and Credo, on Rose Wilder Lane. Bagge has collaborated with major publishers including Fantagraphics, DC Comics, Dark Horse, and Marvel, producing works such as Yeah!, Sweatshop, Apocalypse Nerd, Other Lives, and Reset. He has also worked in animation, creating Flash cartoons and animated commercials, and has been active as a musician in bands such as The Action Suits and Can You Imagine. Bagge’s signature art style is elastic, energetic, and exaggerated, capturing movement and comic expression in a way that amplifies both humor and social commentary. His personal politics are libertarian, frequently reflected in his comics and essays, and he has been a longtime contributor to Reason magazine. Bagge’s work combines biting satire, historical insight, and a relentless visual inventiveness, making him a central figure in American alternative comics for over four decades.
las exageraciones en "mala sangre", al final en "jesusazo...." o "glosario del vomito" genial "girly girl" mi historieta fav, "moon on the moon" la que menos me gusto. si bien el diseño del personaje me trae cmo recuerdos de popeye cada vez que aparecia me daba un poco de lata
me cague de la risa con la aparicion de joe matt en "trebol calamar" jsjsj una rata....