In the fourth entry in the urban fantasy Reminiscent Exile series, Lost Grace, Joe Ducie upends his traditional narrative style and weaves the reader through, what is essentially, two interlocked novels. True to the nature of a series about universes spun out of fiction and books, one narrative is told as a story in the other: using a story-within-a-story formula that has been mishandled in other works, but ends up bringing fresh focus to Lost Grace.
While a part of me has always lamented how short these Reminiscent Exile books feel at times, each one, and especially this tale, are tightly-woven, consistently high quality, and stunningly well-choreographed. Joe executes his scenes with flair and an aesthetic eye, but most importantly, he does it with logical precision. It takes real talent to express the beginning, middle, and end of a fight in a manner that is accurate, accessible, and entertaining. In this, his style is reminiscent of Jim Butcher, with a high-octane slant of Lee Child.
Ducie moves his characters around like chess pieces on a board in this story, playing move against countermove, feints leading to ripostes, and culminating in an explosive (literally explosive) confrontation that is unexpectedly emotional and unexpected. Annie Brie, one of Ducie’s best developed characters, shows further growth. As we delve deeper into the mythos of the universe Joe created, Annie serves as our stand-in down the rabbit hole, and so she is just as deeply entrenched in the wonder and chaos of the absurd. And yes, this gets absurd, but always in the best ways.
While overall, this was a great read, given the title of the story, I had hoped to see more of a certain character whose interactions with the protagonist, while few, were probably the highlight of the early parts of the novel. It would have produced a smoother flow in the Atlantis story to have that fleshed out and extended. If Broken Quill had the best arc, this was hands-down Joe’s best climax. Fourth time’s the charm.