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272 pages, Hardcover
Published March 20, 2018
"What’s incontestable is this: we’re spending more of our daylight hours linking up with more people than ever before, and more people are interested in watching us do it. Experientially, this might feel like empathy. Empathy, by some definitions, is being seen."
"Lopes likens empathy to a skill, and the breadth of one’s empathic skill will be limited by the emotions one has experienced oneself. For instance, if you’ve never experienced shattering loneliness, murderous rage, or even ecstatic delight, you won’t be able to empathize with these states in another."
"RESEARCH SHOWS THAT we do, generally, have more empathy for people who we believe share similar values or come from similar backgrounds than we do for people who are unfamiliar."
"Higher-level empathy is, at root, taking on a new perspective. Modern accounts of perspective-taking put it into three camps: A. Self-focused (how would this feel for me to experience your situation?) B. Other-focused (how would this feel for you to experience your situation?) C. A combination of A and B, either sequentially or simultaneously"
"It’s not that psychopaths can’t empathize; it’s that they don’t."
"Fear is what forms a root of recognizing the other as human, a building block of empathy, and it’s what psychopaths don’t feel. Yet fear also forecloses the possibility of understanding and building a kind of moral imagination about the other; it’s our hope and hindrance at once."
"One of the literary empathy studies was designed by social psychologists at the New School in New York, and it showed that after reading literary fiction for three to five minutes (as opposed to popular fiction or science writing), subjects were more likely to immediately decipher the emotions in photographs of eyes or full faces."
"EMPATHY is so inherent to reading, the studies also made me laugh a little. It was as though scientists proved that trees gave shade. Books are one way we imagine other lives; we can inhabit, for a moment, the mind of a psychopath or an adulterer or a nun, when we might never be those things ourselves."
"ToM is a base note for empathy; you have to know that someone’s beliefs, knowledge, or feelings are separate from yours in order to empathize with them. It’s also critical for understanding stories. In the New School study, participants who read literary fiction scored higher on ToM tests than those who read popular fiction because, the authors posit, popular fiction “tends to portray the world and characters as internally consistent and predictable.” Readers don’t need to emotionally stretch to understand a character’s motivations. Literary fiction, by contrast, “uniquely engages the psychological processes needed to gain access to characters’ subjective experiences.” We build fully fleshed-out people from the thin stuff of words; we imagine them before and after the curtain falls on their scenes; we ascribe motivation to gestures and glances."
"Hyper-goal-oriented art isn’t art; it’s propaganda."
"The impulse to create art is often the impulse to understand something, to get inside an idea or a character or a hidden part of oneself and make meaning from that understanding. It’s an empathic impulse."
"In writing, I’ve found, it’s nearly impossible to fully hate the characters you create—even when their behaviors are loathsome on the page. The very act of writing them necessitates a kind of curiosity, which in itself becomes a kind of love, and the more fully fleshed the characters grow, the less capable they are of unidimensional motive."
"The question becomes this: can empathy for an oppressed group actually turn on its head and become another kind of oppression?"
"Morton also argues that the most empathic approach is to ask “how” rather than “why” someone’s come to do the things she’s done, especially when situations are morally charged."
"Empathy, I learned, is impossible when the life you know is threatened."
"In victim-perpetrator encounters, if the perpetrator feels remorse, this caring-for attitude can begin to kick in inside the victim, which in turn opens her to forgiveness."
"Gobodo-Madikizela comes from a staunchly psychoanalytic stance, and she says the problem with nostalgia is that it short-circuits mourning—for what you did, for how others suffered—and if you cannot mourn, you cannot feel the edges of things, cannot hope for any meaningful, empathic reconciliation dialogue."
"When the minister of justice released de Kock, he said it was “in the interests of nation building.” Behind bars, he’s a criminal. Outside, he’s one of us."
"if you don’t reconcile the trauma through some form of transformation, Gobodo-Madikizela says, the trauma is bound to repeat itself."
"Sometimes, when meeting with an enemy—say, someone who killed a family member—you end up wanting your enemy to reclaim his humanity, because then your loved one didn’t die in vain. “It’s that caring dimension of empathy that’s very important and often missed,” she said. “It goes beyond stepping into the other person’s pain; it’s also caring for them.”"
"After all of this research, two of my favorite definitions are these: empathy is an interruption of power, and empathy is mutual vulnerability. Both definitions call upon an aspect of loving, and so I’m not sure which came first, the empathy or the love. I suspect they’re braided together, are mutually reinforced."