Sometimes I read a book that balances awkwardly between literary genres. That can sometimes be great news, when written skilfully and in an original manner, though more often than not it’s a sign of a narrative that has escaped the author’s control. The Sixth Gate, by K.T. Munson, has no such dilemmas to combat as, I am happy to tell fantasy-fiction fans, it’s as pure fantasy as one can expect.
Part Assassin’s Creed, part Lovecraft, part Final Fantasy (there are even characters called Riku, Yuna, and Tidus! I wonder if Ki is short for Kimahri…) , the novel creates a complex but sense-making literary world with very atmospheric descriptions that offer a lot of added value. Skilful use of the fantasy generic conventions will make fans of the genre feel immediately welcome.
In terms of plot, there are quite a few things happening, fact which makes the novel more interesting, yet also harder to “lock on” as a reader. Perhaps what could be considered the main narrative focus (what I preferred to focus on anyway) is the attempt of an assassin to execute his mission against an… uncooperative target. What makes the case interesting is that the target needs to be killed in a specific way, with a special blade. The assassin ends up actually protecting his target, lest she should die of other causes. Interesting plot device, which is explored adequately.
The novel features a plethora of characters, fact which increases complexity even further, perhaps slightly beyond the grip of the intended audience. These elements make for an entertaining narrative, albeit one becoming sometimes thin in terms of relatability. It is also precisely the thinness of some characters that causes some scenes to fit awkwardly with their surroundings – the discussion between a reformed demon and his adopted child is a typical example, as the reader is offered too little background, too rapidly, to be able to digest the enveloping happenings without dismissing them as odd. Happenings such as this aren’t detrimental to the overall quality, though it does occasionally feel as if the narrative could have offered even more in terms of introspection and below-the-surface substance.
A typical example is a scene where some characters discuss the purpose of a weapon called “Sin Eater”, designed to kill sinners. “There is one question I have, what constitutes a sin?” one character asks. Despite the subsequent short discussion that ensues, the narrative doesn’t seem too eager to explore the issue. Of course, it must be emphasized, extended or too philosophical explorations of such subjects probably would not be fully compatible with the generic expectations involved in such a novel. Moreover, the narrative “settles” after the middle point, acquiring a sharper focus. The conclusion of the novel is, generally speaking, respectful to the reader and I would expect most fantasy-fiction fans to find it “just right” – explaining enough, yet leaving room for what is to come in the subsequent volume of the series.
The language is on high levels, descriptive without being overbearing. All in all, the pace is well balanced, albeit in a staccato, somewhat disconnected way, as a result of the vast number of characters and settings. It remains entertaining and gripping, still.
Ultimately, and to partly counter some of the criticism above, The Sixth Gate is a great specimen of its genre, that is, fantasy fiction. Indeed, it is precisely its fantastic world-building that assigns it its qualities – as well as (perhaps ironically) their side-effects. Readers looking for a literally otherworldly story will really appreciate the novel.