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Kosatec
Sedmnáct povídek v této sbírce představuje průřez autorovy tvorby od jeho prvotiny Mlok z roku 1923 až po Kosatec z poválečného období.
392 pages, Hardcover
Published January 1, 2000
18 people want to read
About the author
Masuji Ibuse
65 books85 followersMasuji Ibuse (井伏 鱒二) was a Japanese novelist.
At Waseda University, Ibuse was greatly influenced by the works of Shakespeare and Basho; he was also an avid reader of French fiction and poetry. Ibuse went as far as to pawn a watch to try to understand the necessities of writers.
In 1918 Ibuse met naturalist writer Iwano Homei. Homei's literature was appealing to Ibuse and would later influence some of Ibuse's literary works. Ibuse befriended student Aoki Nampachi in Waseda, Aoki was a mentor and a great influence in the writings of Ibuse, Aoki's influence can be found in The Carp, where Ibuse ideolizes Aoki's friendship and represents his feelings towards this friendship in a carp. Ibuse started writing his first essays in 1922, shortly after the death of Aoki. Ibuse often found inspiration in his loneliness and in his encounters with geishas, his first literary works where in the style of prose, he had severed ties with Waseda University and started writing for small magazines.
One of Ibuse's first contributions was for the magazine Seiki, it was originally written for Aoki in 1919 and titled The Salamander, in 1923 it was renamed Confinement.
Ibuse was known and appreciated for most of his career, although it wasn't until after the war that he became famous. In 1966 he published his most well known work, Black Rain, which won him international acclaim and several awards including the Noma Prize and the Order of Cultural Merit, the highest honor that can be bestowed upon a Japanese author. The novel draws its material from the bombing of Hiroshima with the title referring to the nuclear fallout. Ibuse was not present at the time of the bombing, but uses the diaries of survivors to construct his narrative. His earlier story Kakitsubata (The Crazy Iris, first published in 1951) deals with similar themes.
(from Wikipedia)
At Waseda University, Ibuse was greatly influenced by the works of Shakespeare and Basho; he was also an avid reader of French fiction and poetry. Ibuse went as far as to pawn a watch to try to understand the necessities of writers.
In 1918 Ibuse met naturalist writer Iwano Homei. Homei's literature was appealing to Ibuse and would later influence some of Ibuse's literary works. Ibuse befriended student Aoki Nampachi in Waseda, Aoki was a mentor and a great influence in the writings of Ibuse, Aoki's influence can be found in The Carp, where Ibuse ideolizes Aoki's friendship and represents his feelings towards this friendship in a carp. Ibuse started writing his first essays in 1922, shortly after the death of Aoki. Ibuse often found inspiration in his loneliness and in his encounters with geishas, his first literary works where in the style of prose, he had severed ties with Waseda University and started writing for small magazines.
One of Ibuse's first contributions was for the magazine Seiki, it was originally written for Aoki in 1919 and titled The Salamander, in 1923 it was renamed Confinement.
Ibuse was known and appreciated for most of his career, although it wasn't until after the war that he became famous. In 1966 he published his most well known work, Black Rain, which won him international acclaim and several awards including the Noma Prize and the Order of Cultural Merit, the highest honor that can be bestowed upon a Japanese author. The novel draws its material from the bombing of Hiroshima with the title referring to the nuclear fallout. Ibuse was not present at the time of the bombing, but uses the diaries of survivors to construct his narrative. His earlier story Kakitsubata (The Crazy Iris, first published in 1951) deals with similar themes.
(from Wikipedia)
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Displaying 1 of 1 review
December 5, 2017
Povídky ve sbírce Kosatec jsou na různé náměty a tak uspokojí čtenáře téměř všech zájmů. Možná ale právě tím záběrem můžem nohé čtenáře odradit, jsou povídky, které danou osobu vůbec neosloví.
Ve sbírce se ale hodně projevuje válečná a poválečná doba, ve které Ibuse Masudži žil a kritizoval, takže je výbornou příležitostí seznámit se s autorovými skutečnými názory na situaci, i když jsou často skryté za metafory.
Osobně preferuji povídku Savan na střeše, ale i mnohé další umí oslovit. Někdy je ale potřeba se nad nimi hodně zamyslet.
Ve sbírce se ale hodně projevuje válečná a poválečná doba, ve které Ibuse Masudži žil a kritizoval, takže je výbornou příležitostí seznámit se s autorovými skutečnými názory na situaci, i když jsou často skryté za metafory.
Osobně preferuji povídku Savan na střeše, ale i mnohé další umí oslovit. Někdy je ale potřeba se nad nimi hodně zamyslet.
Displaying 1 of 1 review