Lucifer is called the Morningstar for a reason. Metaphorically speaking, it is the dark evening when the war on Heaven commences, and the enemies of the Devil think they finally get the upper hand. What they forget is the obvious fact that lamplighters shine brightest in the dark…
Morningstar, the tenth volume of the Lightbringer’s chronicles, is for me one of the best installments of this series. The tome zeroes in on “The Day of Reckoning”. The Lilim and a new breed of angel host join forces with the Norse wolf Fenris, their scheme centering on the annihilation of the Primum Mobile or God’s throne. Christopher Rudd launches an assault both on Heaven and Lilith’s army, in hopes of seeking a system of justice that uses no man’s soul for currency; Lucifer Morningstar, with his powers seemingly leeched because of the departure of the Divine Word, makes his haste move to protect Heaven. Meanwhile, God arranges a talk with Michael and Fenris about the destiny of the Creation, but Elaine Belloc and Lilith arrive in their stead.
I love this volume immensely. What makes it so exceptional and heartrending is that it has lots of philosophical and emotional apexes juxtaposed with the peaks of brutal action scenes. The compelling imagery—both in words and art—make it so that it reminds me of the mental images I had when I first read John Milton’s Paradise Lost for the first time. There are so many scenes that tug hard at the heartstrings, one of them being an epiphany concerning the fate of Elaine Belloc. She finally learns what she will be, and she feels a little betrayed by the Morningstar because he knows it all along; in fact this is what he is preparing her for. I feel for her, and I can almost see the looming bunch of responsibilities descending on her shoulders.
At first I think three Creations make this series a tad too crowded, but clearly Carey doesn’t like waste. That’s a clue in itself already and I will tell no more than that. :P
There are a couple of stand-alone stories here as well. The first is “The Wheels of God”, featuring the hardboiled private investigator Solomon as he formulates an equation for justice. This story brings us back the characters of Jayesh, the homosexual kid bashed in The Devil in the Gateway; and Karl, one of the guys who bashed Jayesh as induced by peer pressure and his mixed feelings of love and hate for the latter. Here, they are depicted as living together. The main point is to prove that justice can be cruel almost to a fault, but the tale also has the strong undercurrent of true love. I find this story poignant. Solomon gives Karl a mission in exchange for a truth that Jayesh has no memory of: that Karl is one of the bashers, even if in the end he calls the ambulance just in time to save Jayesh’s life. He agrees with Solomon but due to some miscalculations, the mission goes awry. When he goes home, he finds a note that says Jayesh remembers every single detail of the bashing from day one…that the boy just doesn’t see the need to hold grudges because Karl loves him anyway. The last panel of their story is heartbreaking in a quiet way.
The second short, "The Beast Can't Take Your Call Right Now,” lies in the opposite side of the spectrum as it features the fallen cherubim Gaudium and Spera in a funny, be-careful-what-you-wish-for tale. An old man tries to strike a bargain with Lucifer and summons “the most powerful demon in hell”. But because of the fight taking place in Heaven at that time, Hell is almost empty—except for Gaudium, so he's the one who lands in the old man's way. He agrees to deal with the old man with the help of the goddess Eriti. It seems that everything is going well for the old man, until his wishes go out of hand and completely brings him his doomed fate.
Overall, this is an astonishingly good volume. I’d hate to say goodbye to this series because I’ve just learned to love it, but we all come to that stage. I just wish the last installment—or the epilogue, rather—is as good as this one! Five stars!