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Destination: or, Memoirs of a Private Family; VOL. II

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Nineteenth Century Collections European Literature, 1790-1840: The Corvey Collection includes the full-text of more than 9,500 English, French and German titles. The collection is sourced from the remarkable library of Victor Amadeus, whose Castle Corvey collection was one of the most spectacular discoveries of the late 1970s. The Corvey Collection comprises one of the most important collections of Romantic era writing in existence anywhere -- including fiction, short prose, dramatic works, poetry, and more -- with a focus on especially difficult-to-find works by lesser-known, historically neglected writers. The Corvey library was built during the last half of the 19th century by Victor and his wife Elise, both bibliophiles with varied interests. The collection thus contains everything from novels and short stories to belles lettres and more populist works, and includes many exceedingly rare works not available in any other collection from the period. These invaluable, sometimes previously unknown works are of particular interest to scholars and researchers. European Literature, 1790-1840: The Corvey Collection * Novels and Gothic Novels
* Short Stories
* Belles-Lettres
* Short Prose Forms
* Dramatic Works
* Poetry
* Anthologies
* And more Selected with the guidance of an international team of expert advisors, these primary sources are invaluable for a wide range of academic disciplines and areas of study, providing never before possible research opportunities for one of the most studied historical periods. Additional Metadata Primary B0063102
PSM NCCOF0063-C00000-B0063102
DVI Collection NCCOC0062
Bibliographic NCCO001073
104
4UVC
Original Printed for T. N. Longman and O. Rees
Original Publication 1799
Original Publication London

Variant Titles Memoirs of a private family
Subjects English fiction -- Early works to 1800.

220 pages, Hardcover

Published July 19, 2017

About the author

Clara Reeve

163 books19 followers
Reeve was born in Ipswich, England, one of the eight children of Reverend Willian Reeve, M.A., Rector of Freston and of Kreson in Suffolk, and perpetual curate of St Nicholas. Her mother's maiden name was Smithies, daughter of a Smithies, a goldsmith and jeweller to King George I. In a letter to one of her friends Reeve said the following of her father and her early life:

My father was an old Whig; from him I have learned all that I know; he was my oracle; he used to make me read the Parliamentary debates, while he smoked his pipe after supper. I gaped and yawned over them at the time, but, unawares to myself, they fixed my principles once and for all. He made me read Rapin's History of England; the information it gave made amends for its dryness. I read Cato's Letters by Trenchard and Gordon; I read the Greek and Roman histories, and Plutarch's Lives: all these at an age when few people of either sex can read their names.

After the death of her father, she lived with her mother and sisters in Colchester. It was here that she first became an author, publishing a translation of a work by Barclay under the title of The Phoenix (1772).

She was the author of several novels, of which only one is remembered: The Champion of Virtue, later known as The Old English Baron (1777), written in imitation of, or rivalry with, the Castle of Otranto by Horace Walpole, 4th Earl of Orford, with which it has often been printed.

The first edition under the title of The Old English Baron was dedicated to the daughter of Samuel Richardson, who is said to have helped Reeve revise and correct the novel.

Her novel noticeably influenced Mary Shelley's Frankenstein. She also wrote the epistolatory novel The School for Widows (1791). Her innovative history of prose fiction, The Progress of Romance (1785), can be regarded generally as a precursor to modern histories of the novel and specifically as upholding the tradition of female literary history heralded by Elizabeth Rowe (1674–1737) and Susannah Dobson, d. 1795. One of the stories in this work, "The History of Charoba, Queen of Egypt", was the inspiration for Walter Savage Landor's first major work Gebir.

Reeve led a retired life, leaving very little biographical material. She died at Ipswitch, and was buried by her own direction in the churchyard of St. Stephens, next to her friend the Reverend Derby.

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