I’m genuinely surprised that I can recommend this at all, but the storyline is better than the romance, much of which is barely relevant in some ways.
There’s a paper mill up for sale in a small Louisiana town. There’s some doubt as to who exactly owns the land. Is it the enigmatic Reid Sayers, recently returned home from carrying out the work of an assassin warrior for his government? Or is it Cammie Greenley Hutton, the about-to-be divorced woman upon whom Reid has had a massive crush since they were children. Cammie doesn’t want the mill sold. Its Swedish buyers are bound to expand the operation, and that’s going to be hard on the environment. To make things even more interesting, Cammie’s husband, Keith, suddenly decides he doesn’t want the divorce. That’s because she may own the land on which the current mill sits, and he stands to do nicely financially if he can keep her. But Reid proves to be even more ardent as a lover than he was a trained assassin, and while Cammie can’t trust him, she can’t leave him alone either.
Most of you know that I prefer my sexual descriptions from 30 thousand feet. This book takes you down almost to the molecular level. If you read this and the storyline is so compelling you probably should, you need to become super adroit at skipping sometimes as much as several pages at a time if you prefer your descriptions brief and vague if at all. Those of you who like sizzle won’t likely hover over the skip-forward button I your audio player or rapidly turn pages or however you consume this.
I found that by cruising over the sexual descriptions, I could even more fully enjoy a plot that was more powerful and fascinating than I would have ever believed possible. My initial plan was to fling this one into my did-not-finish pile and move on. But Cammie’s life is in danger right from page one, and the author writes her well enough that you like her immediately and want to see what happens to her.
I played the audio sample available on Goodreads, and Gabriella Cavallero’s performance for NLS is far, far superior. She brings a personalized eloquence to the book that the commercial narrator simply can’t match. I was surprised that this lacks some of the formulaic threadbare stuff of so many romances. Yes, there’s conflict, but it’s not the conflict of misunderstanding as is all too often the case in such books. The plot is a page-turner by every measure, which surprised me to no end, to be honest.