The author of “New York Station,” Lawrence Dudley, writes much of his book in italics that represent the thought processes of Roy Hawkins, the protagonist. That’s not an easy thing to do as many writers have discovered. A person’s seat of consciousness is neither linear nor organized and when a writer attempts to portray it, the reader will probably not interpret it correctly, resulting in frustration and eventually some annoyance. Unfortunately this novel’s appeal, at least for me, was adversely affected by this technique. I found the story hard to follow.
Hawkins, a man purportedly an M16 Anglo American espionage agent is abruptly sent to New York City from Paris, a move he strongly dislikes. He is to keep his eyes on a group of Germans and their sympathizers, reporting on their activities to US and other authorities. Several alphabet agencies get mentioned, including foreign ones, so the reader is hard pressed to keep them straight. There are bad foreigners, reputable intelligence agents (well, some of them), glamorous women, wealthy gentlemen with selfish motives, celebrities, and one character known as W.
There are strong-arm incidents, mild torture scenes, light-hearted killings, secret messages; all the elements of a good international thriller. There’s information about Nazi activity in the United States before the start of World War II of which I wasn’t aware. There’s a romance with a wealthy woman and a plot to rig an American election. I would have enjoyed it better without the attempts at portraying Hawkins’ thought process.
I suggest you read this book if you appreciate good writing and want details of little known subversive action in the United States before Pearl Harbor. Be prepared for a little effort at maintaining your concentration.