The Good Pilot, Peter Woodhouse by Alexander McCall Smith is a deceptively excellent novel. When I finished it last night, I was thinking of awarding it only two stars. But as I thought about it, I realized it deserved at least four, maybe five stars. On the surface it seems so simple, but it is really highly complex, and the simplicity comes from the gentle way McCall Smith presents the horror of WWII. No deaths actually occur in the novel; they are either presented calmly after the fact (Ubi receives notice of Mike's death (long after the fact) from a commanding officer who is answering Ubi's request for information about how to reach him) or the reader realizes the death has happened (Val and Ilse, who have been friends and pen pals since Ilse's visit to England when her husband was alive, years later tour Europe on a motorcycle together as two widows) or (Val tells her son Tommy that they used to have a dog named Peter Woodhouse) by the lack of that person in the story.
And yet, the absence of death of named characters during the action of the story does not prevent McCall Smith from showing us the horrors faced during the last few years of the war--or even the years afterwards when Berlin was located in the Russian sector. Ubi has to shoot in the air and then throw rocks at Peter Woodhouse to chase him away to a void killing him as required by his commanding officer. Having made it to Berlin to find his family and having learned that both his mother and sister are dead and his sister's son is being taken care of by one of her former friends, Ubi discovers that the coat he bought the boy to keep him warm is sold--apparently to feed the woman who took on the keeping of that boy in spite of not having enough to live on herself. The rubble, the lack of familiar landmarks which have been totally blotted out, the stench of bodies rotting in the ruins let the reader know how awful the situation is without the emotional tug of thinking of characters they have learned to love being hurt themselves.
The complex plot veers back and forth between two couples: Val, an English girl, and her lover Mike, an American airman, who is stationed in England to pilot a reconnaissance plane to photograph areas for others to bomb, but who gets shot down in Holland anyway not knowing that Val is pregnant (and obviously unmarried). The second couple is Ubi, a Nazi Feldwebel (corporal) who not only lets Peter Woodhouse live, but also lets an elderly Dutch couple hide Mike and his navigator in their attic when he discovers they own Peter Woodhouse, and Ilse, a widow who runs an small inn who hires Ubi and then falls in love with him enough to not only marry him but to adopt his nephew Klaus who he brings back from Berlin even though his father was an unknown black American soldier.
Who is the central protagonist? Val and Ilse ride off into the Italian sunset at the end of the novel, but both only help the men they love. Mike continues on with the air force delivering life saving commodities to Berliners long after the war, but he leaves the scene early. Ubi saves not only Peter Woodhouse but also Mike and his navigator in Holland, helps Ilse to retain her inn and even her Motodrom, sneaks into Berlin to find his family and saves his nephew Klaus by sneaking him into Western Germany; he seems the most heroic of the four. The novel is named for Peter Woodhouse, the Border collie who rode the plane with Mike on his missions to Europe, and certainly he cements the two couples together since Ubi saves not only his life, but his owners' life as well, but he actually is more a part of the setting, rather than an actor. Willy is another possibility, even though he is "slow." He is the first person to save Peter Woodhouse from a nasty farmer who beats animals; he takes care of Peter Woodhouse after the war when Mike is helping the Berliners (and apparently is there at his death); he is Tommy's godfather and takes his role so seriously that eventually Val marries him; he is a good person, but then so are all the main characters. The few minor characters who are in any way evil, English farmer Ted Butters who first owned and beat Peter Woodhouse and the German Oberfeldwebel who told Ubi to kill Peter Woodhouse for biting him, have very minor roles--they reveal evil exists but are not dwelt upon.
All the characters are good, decent people (German, British, American, whatever) caught in a maddening nightmare. And nothing terrible happens to them in the confines of the novel--nothing terrible should (Mike is not killed when his plane is shot down; Ubi is not caught for helping the enemy; Val is married when tommy is born; Ilse is able to keep he inn). Even in a WWII setting McCall Smith's world is gentle, humane. This novel can show the realistic horror of WWII and still keep up a belief in the goodness of man. Maybe it takes multiple protagonists to show mankind, not one super individual, is good.
There is nothing simple about it.