"Button Bright" is one of those 80s paperback horrors that has garnered quite a reputation as a hidden classic over the years. It certainly was an enjoyable adventure, and at times was really adorable, cute, and touching. The character of the 11-year-old Button is quite charming and sweet. She is both infantilized and advanced for her age, and as the course of the mystery behind her life unfolds, you begin to understand why.
But from discussions of this book in the horror community, I made an erroneous assumption. I thought this was going to be a more serious study of childhood trauma and its extended impact across communities. In some cases it was. But this ended up being mainly a bizarre roadtrip novel from Vermont to New York, from New York to the Midwest, and from the Midwest to Southern California, with the finale located in a former Indiana State Hospital, likely based off the still active Richmond or Evansville State Hospitals from the descriptions. I was also surprised to find that this was more of a work of science fiction and an imitation of Stephen King's "Firestarter" in many ways, only with incredibly uneven pacing and a lack of a satisfying final showdown.
With only just a few pages left in the book, I was convinced the story was going to end abruptly and set itself up for a sequel. Instead, it wraps everything up as quickly as it can within that short span, leaving the end feeling incredibly rushed and unsatisfying. In fact, one of the major plot points was simply forgotten and never resolved. You can really tell when authors suddenly find themselves up against a deadline after screwing around a bit too much for their publisher's satisfaction, because for almost two whole acts of the book, the author took his time. We have countless scenes of Button sitting around eating pancakes or acting precious while her adult friends are waxing philosophic or telling horrid "dad jokes." This helped established some investment in the characters but went on for too long at the expense of building tension in the reader to be released in a thrilling conclusion. I was reminded of a grumpy and impatient dad reading to his kids:
"...and then the monster reared up and bared his great big ugly teeth and wiggled his sharp claws at the frightened little girl!"
"Ooo, what happened next, Daddy?"
"What? Oh, then they all lived happily ever after, the end. Now shut up and go to bed."
This book deserved to have an epic end, as this was a tale that took place all across America while the bad guy schemes for world domination. You follow Button through some wild stuff as she investigates the death of her parents and her own mysterious origins, and you wanted to see Button kick some serious ass in the end.
But this book was too sweet and lighthearted to go there. The tag line, "Button, Button shining bright, Tell me who you'll kill tonight!" is completely false advertising. And as much as I found the cuteness of our main protagonist and the soft-hearted nature of most of the characters a refreshing change of pace from the oft nihilist literature I've been reading, I'm not so sure fans of 80s paperback horrors would appreciate it, as they might expect higher body counts with more gore, frights, and action in such fair.
In all, I thoroughly enjoyed "Button Bright," but for readers who found this review looking for titillating vintage horror titles, this is not your strongest offering.