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İstanbul'da Bir Ay

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Sadece sırt çantasıyla seyahat eden Smith, İstanbul’a seyahat etme amacını Doğu medeniyetlerini doğrudan gözlemlemek ve güzel vakit geçirmek olduğunu sık sık belirtmektedir. Dini ve siyasi önyargılardan olabildiğince kaçınmaya çalışan Smith eserinde Osmanlı Devleti’nin de bir parçası olduğu uluslararası siyasete değinmeyi ve kendisinden önce bu yerleri gezen ve izlenimlerini süslü anlatımlara başvurarak ifade eden yazarları taklit etmeyi amaçlamadığını özellikle belirtmektedir. Gördüklerinin ve duyduklarının onda uyandırdıklarını olduğu gibi okuyucuya yansıtmayı hedeflemiştir.

Üslup olarak yalın bir dil kullanan yazarın bir mizah ustası ve iyi bir çizer olması kendini eserinde göstermektedir. 1849 yılında yaptığı İstanbul seyahati anılarını anlattığı bu kitapta yer alan ve tamamen kendine ait onlarca resim, eserin değerini daha da arttırmaktadır.

224 pages, Paperback

Published May 1, 2015

10 people want to read

About the author

Albert Smith

359 books1 follower
Albert Richard Smith was born in Chertsey, Surrey, on 24 May 1816, the son of a surgeon.

He studied medicine in London and in Paris, and his first literary effort was an account of his life in Paris, which appeared in 'The Mirror' and he gradually abandoned his medical studies in favour of becoming a writer. Having said that, he was originally predominantly a journalist and was one of the early contributors to 'Punch'.

He was also a regular contributor to Richard Bentley's 'Miscellany', in whose pages his first and arguably his best book, the novel 'The Adventures of Mr Ledbury', appeared in 1842. His other novels were 'The Fortunes of the Scattergood Family' (1845), 'The Marchioness of Brinvilliers: The Poisoner of the Seventeenth Century' (1846), 'The Struggles and Adventures of Christopher Tadpole' (1848), and 'The Pottleton Legacy: A Story of Town and Country' (1849). In addition he wrote a novella 'The Adventures of Jack Holiday, with Something about His Sister' (1844) and a number of comic shorter works in a series of so-called natural histories. The first of these was The Natural History of The Gent' (1847).

In 1842 his first play, 'Blanche Heriot, or The Chertsey Curfew', based on a legend from his home town, was produced at the Surrey Theatre and he went on to adapt for the same theatre Charles Dickens' 'The Cricket on the Hearth' (1845) and 'The Battle of Life' (1846).

In 1849 he went on a tour to Constantinople and the Near East. On his return he published his book 'A Month at Constantinople', and shortly afterwards he appeared at Willis's Rooms in a public entertainment about his travels called 'The Overland Mail'. This proved so popular that after he ascended Mont Blanc in August 1851 he published a book about his adventures, 'The Story of Mont Blanc' (1852), he decided to produce an entertainment about the ascent. He hired the Egyptian Hall and produced an entertainment called 'Mont Blanc', which ran for many performances and became the most popular entertainment of its kind ever known, running for more than 2000 performances over six years. And in May 1854 he gave a performance before Queen Victoria and Prince Albert at Osborne House.

His 'Mont Blanc' entertainment helped to popularize mountain climbing in mid-Victorian Britain and John Ruskin described him as 'the first cockney to ascend Mont Blanc' and he was one of the founder members of the Alpine Club in 1857.

In July 1858 he travelled to Hong Kong. On his return he published his book 'To China and Back' (1859), and in December 1858 he commenced at the Egyptian Hall a third entertainment, called "Mont Blanc to China", which was also extremely popular.

In 1859 he married Mary Lucy Keeley (c1830–1870), who had been an actress and was the elder daughter of the comedian Robert Keeley and his wife the distinguished actress Mary Anne Keeley.

He died from bronchitis on 23 May 1860 in Fulham, London, and was buried in Brompton Cemetery.

During his career he received great help from his brother, Arthur W.W. Smith (1825–1861), who had also been educated in medicine and who managed the entertainments at the Egyptian Hall from 1852 to 1860 and who was also Charles Dickens' reading manager for his first series of readings. He was engaged to play a similar role for a second series, but he died before the tour began.

Gerry Wolstenholme
October 2020

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