Robert James "Bob" Ellis (10 May 1942 – 3 April 2016[1]) was an Australian writer, journalist, filmmaker and political commentator. He was a student at the University of Sydney at the same time as other notable Australians including Clive James, Germaine Greer, Les Murray, John Bell, Ken Horler and Mungo McCallum. He lived in Sydney with the author and screenwriter Anne Brooksbank; they had three children.
Plays
The Legend of King O'Malley (1970) with Michael Boddy Big Brother Dragon (1971) with Michael Boddy Duke of Edinburgh Assassinated or The Vindication of Henry Parkes (1971) with Dick Hall The Francis James Dossier (1973) – later The James Dossier (1975) – musical about Francis James Whitlam Days (1975) Down Under (1976) with Anne Brooksbank A Very Good Year (1980) Man, the musical (1990s) book and lyrics with Denny Lawrence, music by Chris Neal A Local Man: A Play about Ben Chifley (2004) with Robin McLachlan Shakespeare in Italy (2012) with Denny Lawrence Intimate Strangers (unproduced) with Denny Lawrence
Screenplays
Newsfront (1978) with Anne Brooksbank Fatty Finn (1980) Maybe This Time (1980) with Anne Brooksbank Goodbye Paradise (1983) with Denny Lawrence Man of Flowers (1983) with Paul Cox The Winds of Jarrah (1983) My First Wife (1984) with Paul Cox Unfinished Business (1985) – also directed Top Kid (1985) (TV) with John Hepworth The Paper Boy (1985) (TV) with John Hepworth Cactus (1986) with Paul Cox The Gilles Republic (1986) (TV) Bullseye (1987) Perhaps Love (1987) (TV) True Believers (1988) (TV) Warm Nights on a Slow Moving Train (1988) – also directed Gilles and Company (1992) (TV) Dreaming of Lords (1993) with Ernie Dingo – also directed The Nostradamus Kid (1993) – also directed Ebbtide (1994) Wildside (1998) Episode 24 Bastards from the Bush, A Journey with Bob Ellis and Les Murray (1998) – documentary Infamous Victory: Ben Chifley's Battle for Coal (2008) – documentary
Novels
Mad Dog Morgan (1976) – novelisation of film with Anne Brooksbank Fatty Finn (1980) – based on his film script Top Kid (1985) – novelisation with John Hepworth of his script The Paper Boy (1985) -novelisation with John Hepworth of his script The Hewson tapes : a secret history, perhaps, of our times (1993) – fictionalised diary of John Hewson The Season (1996) – with Roy Masters
Non-fiction
The Things We Did Last Summer: An Election Journal – account of the Australian federal election, 1983 Two weeks in another country : a journal of the 1983 British election – account of the United Kingdom general election, 1983 Letters to the Future (1987) – collection of writings from 1969–87 The Inessential Ellis (1992) – collection of writings Goodbye Jerusalem : night thoughts of a Labor outsider (1997) – writings centred on the history of the Australian Labor Party up to the Australian federal election, 1996 First abolish the customer: 202 arguments against economic rationalism (1998) So it goes : essays, broadcasts, speeches 1987–1999 (1999) Goodbye Babylon : further journeys in time and politics (2002) Night thoughts in time of war (2004) And so it went: night thoughts in a year of change (2009) – events around the Australian federal election, 2007 The capitalism delusion : how global economics wrecked everything and what to do about it (2009) One hundred days of summer : how we got to where we are (2010) Suddenly, last winter : an election diary (2010) – diary of the Australian federal election, 2010
Acting
I Own the Racecourse (1985) – film The Human Behan (1995–96) – play Waiting for Godot (2000) – play
A very interesting and informative read filled with good humour and insight. Bob Ellis is no doubt a significant figure in Australian politics, and his contributions to it have and will always be important to how we interpret all that occurs in our political system and history, especially in elections.
I did struggle with this book however. It is very distorted, as its stories overlap and bounce around throughout, with little coherence between the books’ chapters. Although it’s one entire book, it’s actually a combination of 8 smaller books, none of which are really distinct from one another. On that note, it is quite repetitive, and far too centric. I understand this book specifically covers the 1997-2002 era of Australia’s millennium, but it lacked depth and didn’t go far beyond what appeared on a political hack’s surface, simply because of reiteration.
On a positive note, however, the satirical attacks and poetry intertwined throughout the book was enjoyable and relevant, despite, like I mentioned, the struggle of coherence.