The Prophet and the Witch, by James W. George, is the second book in the My Father’s Kingdom series. If you have not been able to read the first book in the series or it has been a while since your reading, George presents a detailed summary of the first book, at the outset of this book. This makes it very easy to just start with this text. These books are set in Puritan, New England, and are generally written in the style of historical fiction. On a continuum of historic fiction where some is much more fictionalized than others, this book is a very detailed, well-researched retelling of historical context with specific events that could have occurred but are indeed fictionalized. George does seem to do a lot of research for his work and I felt that in contrast to other historical fiction, his imagined stories were fairly faithful to the time and setting. The events described within The Prophet and the Witch, cover the little-known time period in American colonial history, known as King Philip's War.
For those unfamiliar with the time period of American history known as King Phillip’s War, the author does provide some good backstory (and some internet searching let me also learn a few more facts). In short, this is a time period of war from June 1675 to April 1678 between the Wampanoag Indians and the colonists. The book seems to accurately highlight many of the historic details regarding the events of the war. When events or characters are altered, George clearly informs his audience of those changes. A few characters are altered or added, where records were sparse and also to make for more emotional and impactful writing. In general, it was interesting to read a text that highlighted such a little-known part of our history and I did learn some new information from the book. I did especially like that George was clear and honest about the lines between fact and fiction, so that I could enjoy a story without getting a false sense of history.
Within the historical context of The Prophet and the Witch, the story is mostly centered on the lives of two fictionalized characters, Israel Brewster and Linto. As we are introduced to them, both characters already know each other from the previous book in the series. Brewster is a former Puritan minister who has turned to drink, while Linto is viewed as a holy man among the Wampanoag tribe. Both characters seemed to experience a sort of Hero's Journey, through the course of the text. Both are unwillingly drawn into the coming war, experience horrific tragedy and trauma, seek atonement for their various sins, and return to an unknown life ahead of them. There is also a broader cast of characters who play a role directly in Brewster and Linto’s lives or in the broader context of the story.
I generally enjoyed this book because it was a character focused story set in an interesting historical context. George is clearly a very detailed writer, who cares a lot about accurately portraying the historical context. That level of detail was both good and bad. Sometimes the writing felt dense and it was not necessarily an “easy” read, meaning it took more focus and attention than some other books read for fun. Another aspect of the book that I struggled with, is the way in which the book jumps from place to place and sometimes from one time period to another. This typically occurred between chapters. It was sometimes a little confusing and I had to re-orient myself to where and when the events were occurring. Also, flashbacks and memories were sometimes used to convey information such as backstory, but it was not always initially clear to me that this information was out of sequence.
Even still, I would strongly recommend this book to anyone interested in historical fiction because the story is so well-researched and fairly accurate to what transpired in King Philip's War, including the missteps, traumas, and dislocations, as well as the victories. If you enjoy a little bit of mystery, you can also challenge yourself to figure out ‘who are the prophet and the witch?’ The answer to this is not necessarily obvious and here George does use some interesting literary devices. Discovering for yourself that bit of information helps to enhance your understanding of the story and in a way the messages/lessons George allows us to take away from this bit of history. One final note for potential readers is that, if you are uncomfortable with descriptions of violence, sexual assault, and trauma, then this book may not be a good fit for you. The style and content makes it suited for mature audiences.