The island of Lume is small. Boring. Nothing but old ruins and a lake surrounded by salty sea foam and even more old houses; not entertaining in the least for Jessica, the reluctant new inhabitant of the Big House. Her parents, enthusiastic for starting a new chapter in life, are far too excited about this. They insist on dragging her along on hikes and pestering her to get out and enjoy this new house, but all she wants is to meet with her friends and put those homeschooling books away for good. But then she finds the cottage.
It’s old, half hidden; Jessica swears it almost feels like there’s something alive about it. Most concerning about it though are the riddles. Riddles that concern her and her mother. Dangerous clues pointing to something going back through time, but they all say that unless Jess acts fast, she will lose her mother forever. That's a lot for a teenager to take in, and that's not even counting Epsilon, the strange spirit guiding her, leaving clues for her to solve and never quite answering a question. But when villains smile and the truth is wrapped in riddles, Jess has her work cut out for her.
Christine Morton-Shaw’s The Riddles of Epsilon is deeply engrossing, grabbing you and keeping you in its thrall until you've finished half the book. It's an engaging read for lovers of puzzles, adventure, and timeless things. The descriptions are beautiful, and, told from the pages of Jessica's own journal, readers will sink right into the narrative. They learn alongside Jess as she uncovers each piece of the riddle, clues appearing in the pages of the book as she writes them in her journal.
Morton-Shaw uses this somewhat uncommon literary device of narrative-through-journaling to excellent effect. Though the choice to use an external device such as a journal or letters can potentially limit or remove the readers from the story world, The Riddles of Epsilon keeps the action close at hand. If anything, the narrative is enhanced by this device. Instead of being locked within Jessica's mind or being unable to reach her through first or third person, readers see her thoughts and reactions as she processes them. This is literally her story, as she herself has penned it. The novel's narrative is shaped by her perceptions. Morton-Shaw also uses differences in font to showcase whether it is Jess's writing or not, and adds maps, symbols, patterns, and additional letters and notes that Jess finds along the way, pulling the readers deeper as the story world opens around them.
There are some instances where one might argue that the wording felt a bit lofty or advanced for a teenager to use, but I don't feel that it impedes the story at all, and it would fit for Jess’s character to have a skill with words. The journaling device is not one that I think I could employ to any degree of success long-term myself, but the use of letters, visual maps, and other journal entries are such a fantastic way to give a story life and color, and something I certainly intend to explore. If there was a sequel I would read it without a moment's hesitation, but, then again, a sequel would be hard pressed to top the wonder of the original novel.