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Tranen over Kashmir
Augusta Falls, Georgia, 1939. De twaalfjarige Joseph Vaughan hoort dat een meisje uit zijn klas op brute wijze is vermoord. Het blijkt de eerste in een reeks van tien moorden op jonge meisjes te zijn die het kleine dorp gedurende een decennium in de greep zullen houden.
Joseph voelt zich moreel verplicht iets te doen, en richt The Guardians op, een groep kinderen die vastbesloten is om de inwoners van Augusta Falls te beschermen tegen het kwaad dat hun kleine gemeenschap is binnengedrongen. Maar de moordenaar wordt niet gevonden en machteloos moeten ze toezien hoe het ene slachtoffertje na het andere uit hun midden wordt weggerukt.
Het dorp is gebroken van verdriet, en zelfs nadat het moorden is gestopt trekt de schaduw die over Josephs leven geworpen is niet op. Pas vijftig jaar na de eerste moord volgt er een ontknoping, wanneer Joseph de confrontatie aangaat met datgene wat hem zijn hele leven achtervolgd heeft.
Een magistrale, sfeervolle roman over een vervlogen tijd en de verwoeste onschuld van een kleine jongen een met recht literaire thriller.
Een indrukwekkend boek. de Volkskrant, vijf sterren
Buitengewoon elegant, krachtig en weemoedig proza. Een onweerstaanbare thriller van de allerhoogste orde. The Guardian
Een schitterend, betoverend boek. Een krachttoer van R.J. Ellory. bestsellerauteur Michael Connelly
R.J. Ellory (1965) werd geboren in Birmingham, Groot-Brittannië. Van zijn hand verschenen al verschillende romans, waarvan Een stil geloof in engelen de eerste grote internationale bestseller werd.
'
Joseph voelt zich moreel verplicht iets te doen, en richt The Guardians op, een groep kinderen die vastbesloten is om de inwoners van Augusta Falls te beschermen tegen het kwaad dat hun kleine gemeenschap is binnengedrongen. Maar de moordenaar wordt niet gevonden en machteloos moeten ze toezien hoe het ene slachtoffertje na het andere uit hun midden wordt weggerukt.
Het dorp is gebroken van verdriet, en zelfs nadat het moorden is gestopt trekt de schaduw die over Josephs leven geworpen is niet op. Pas vijftig jaar na de eerste moord volgt er een ontknoping, wanneer Joseph de confrontatie aangaat met datgene wat hem zijn hele leven achtervolgd heeft.
Een magistrale, sfeervolle roman over een vervlogen tijd en de verwoeste onschuld van een kleine jongen een met recht literaire thriller.
Een indrukwekkend boek. de Volkskrant, vijf sterren
Buitengewoon elegant, krachtig en weemoedig proza. Een onweerstaanbare thriller van de allerhoogste orde. The Guardian
Een schitterend, betoverend boek. Een krachttoer van R.J. Ellory. bestsellerauteur Michael Connelly
R.J. Ellory (1965) werd geboren in Birmingham, Groot-Brittannië. Van zijn hand verschenen al verschillende romans, waarvan Een stil geloof in engelen de eerste grote internationale bestseller werd.
'
448 pages, Kindle Edition
First published January 1, 2009
13 people are currently reading
316 people want to read
About the author
George Mastras
3 books25 followersGeorge Mastras has worked as a criminal investigator for the public defender service, a counselor at a maximum security juvenile correctional facility, and a litigator in New York and Los Angeles. After ten years of practicing law, he quit his job, sold his belongings, and spent several years backpacking around the globe and trekking in the Himalayas, Karakorams, and Hindu Kush. Aside from writing fiction, he works as a screenwriter and has written and directed for the Emmy Award-winning drama Breaking Bad, for which he won an Emmy Award. He has also been awarded several Writers' Guild Awards, won the Pen USA Literary Award, and has been nominated for an Edgar. Born in Boston, he is a graduate of Yale, UCLA Law, and Outward Bound. He was awarded the competitive Disney-ABC Writing Fellowship for Television Drama in 2005. He lives in Los Angeles. His hobbies include film, the Himalayas, and traveling to remote places without maps.
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Displaying 1 - 30 of 54 reviews
January 5, 2009
A terrific, taut, and timely tale. While the novel approaches the pace of a thriller and solves all its mysteries, it is much more than a mere whodunit, defying easy categorization. While it is thoroughly entertaining as an adventure story, you will take away from it and carry with you a new lens through which to view the ideological conflicts of our times and perhaps your own struggles as well.
With awesome descriptive and emotive power--and nary a wasted word--Mastras takes us to the top of the world for an explosive culture clash and journey of self-discovery largely devoid of cliché. Tragedy and atrocity abound, yet the protagonist (and reader) emerges from the carnage renewed, and sensing the basic capacity for kindness within even the most flawed individuals.
Mastras clearly knows the region and its peoples, evoking the landscape with vivid detail, and presenting sensitive and unbiased renderings of the local cultures and beliefs--including many nuances--without slouching in a stance of moral equivalence.
This is a tremendous debut. I hope there is more to come from this author.
With awesome descriptive and emotive power--and nary a wasted word--Mastras takes us to the top of the world for an explosive culture clash and journey of self-discovery largely devoid of cliché. Tragedy and atrocity abound, yet the protagonist (and reader) emerges from the carnage renewed, and sensing the basic capacity for kindness within even the most flawed individuals.
Mastras clearly knows the region and its peoples, evoking the landscape with vivid detail, and presenting sensitive and unbiased renderings of the local cultures and beliefs--including many nuances--without slouching in a stance of moral equivalence.
This is a tremendous debut. I hope there is more to come from this author.
January 4, 2009
Is it possible that this richly textured literary tour de force is the author's first novel?
George Mastras breathes life into his characters and settings, creating a work of fiction that contains a considerable amount of truth. He spent several years traveling the Himalayas, Karakorams, and Hindu Kush, and brings a firsthand familiarity with the Pakistan/India borderlands in which he sets his novel. The complex characters are deeply human, with unique strengths and weaknesses, quirks and backgrounds, motivations and challenges.
Nick Sunder, the protagonist, is backpacking through Asia in an attempt to escape guilt related to his former American law practice. Drugs, cigarettes, and even pretty girls haven't succeeded in driving away his demons, however--and in fact, these lead to his topple into the abyss. Hauled into a Pakistani jail on suspicion of having murdered his female traveling companion, Nick loses his American passport to the Pakistani police. When he later flees during a temporary release, he loses his remaining money and identification, leaving him as completely destitute as any other refugee. When even this situation takes a turn for the worse, Nick has reason to fear that even an American embassy would return him to the Pakistani authorities rather than help him regain his freedom. Alone, with no supplies, he is ready to die in the harsh climate, when he is rescued by two simple Muslim men who become his close companions and mentors. Nick has confronted other human forces, struggled with the unforgiving nighttime cold and daytime blazing heat of the local desertlands, and now finds himself face-to-face with the worst demons of all: those within himself.
The rest of the story unfolds through the actions of all the major players in Kashmir's politics: the simple mountain families whose villages were long untouched by religious conflict, the children influenced by madrassa education, the mujahideen, the Indian soldiers, a Muslim woman who is a trained physician and treats men as well as women, a Hindu politician, and more. As the reader is drawn into the stories of these people and this land, it becomes clear that none of these people can be explained in a few simple words. From the "Moslem terrorist" who can't bring himself to harm civilians and is forced to choose between the woman he loves and the religion he practices, to the protagonist himself, motivations are complex and open to examination.
In a time when Americans are too ready to lump all Muslim people into one frightening mix, the distinctions of belief, internal disputes, and differences in religious practice Mastras reveals are particularly important. In this book, some Muslim people are filled with hate, convinced that utter cultural destruction is the only way to achieve "freedom" for their faith. Others live lives of love and generosity, helping even infidel strangers without reservation and at great personal risk. Still others participate in the fighting while longing for a different way to proceed, or continue farming while maintaining friendships with infidels, or live their faith in any of a hundred different ways. They are not painted with one religious brush, not all fanatics, not all even devout.
I'd be posting spoilers to explore one intriguing aspect of Fidali's Way, so won't do so in any detail here. But, I'm fascinated by Mastras' portrayal of one particular Muslim character as distinctly Christlike.
The simple message of love for one another can originate in a variety of places, and sometimes we have to confront the Abyss before we can find ourselves. Ghulam, Nick's primary mentor in the story, explains why he believes that Islam existed before Mohammed, why the "greater jihad" takes place within oneself, and why "There is no God but Allah" can be understood to embrace all paths of spiritual growth. This work examines the meaning of sacrifice and acquisition, the longing for freedom and the ways of seeking it that eliminate hope of its gain, what it means to love, and what it means to believe. And, somehow, Mastras accomplishes all of this without sacrificing an excellent surface story, with continuous action sufficient to hold the attention of its least introspective readers.
I'm still amazed that this is his first novel.
George Mastras breathes life into his characters and settings, creating a work of fiction that contains a considerable amount of truth. He spent several years traveling the Himalayas, Karakorams, and Hindu Kush, and brings a firsthand familiarity with the Pakistan/India borderlands in which he sets his novel. The complex characters are deeply human, with unique strengths and weaknesses, quirks and backgrounds, motivations and challenges.
Nick Sunder, the protagonist, is backpacking through Asia in an attempt to escape guilt related to his former American law practice. Drugs, cigarettes, and even pretty girls haven't succeeded in driving away his demons, however--and in fact, these lead to his topple into the abyss. Hauled into a Pakistani jail on suspicion of having murdered his female traveling companion, Nick loses his American passport to the Pakistani police. When he later flees during a temporary release, he loses his remaining money and identification, leaving him as completely destitute as any other refugee. When even this situation takes a turn for the worse, Nick has reason to fear that even an American embassy would return him to the Pakistani authorities rather than help him regain his freedom. Alone, with no supplies, he is ready to die in the harsh climate, when he is rescued by two simple Muslim men who become his close companions and mentors. Nick has confronted other human forces, struggled with the unforgiving nighttime cold and daytime blazing heat of the local desertlands, and now finds himself face-to-face with the worst demons of all: those within himself.
The rest of the story unfolds through the actions of all the major players in Kashmir's politics: the simple mountain families whose villages were long untouched by religious conflict, the children influenced by madrassa education, the mujahideen, the Indian soldiers, a Muslim woman who is a trained physician and treats men as well as women, a Hindu politician, and more. As the reader is drawn into the stories of these people and this land, it becomes clear that none of these people can be explained in a few simple words. From the "Moslem terrorist" who can't bring himself to harm civilians and is forced to choose between the woman he loves and the religion he practices, to the protagonist himself, motivations are complex and open to examination.
In a time when Americans are too ready to lump all Muslim people into one frightening mix, the distinctions of belief, internal disputes, and differences in religious practice Mastras reveals are particularly important. In this book, some Muslim people are filled with hate, convinced that utter cultural destruction is the only way to achieve "freedom" for their faith. Others live lives of love and generosity, helping even infidel strangers without reservation and at great personal risk. Still others participate in the fighting while longing for a different way to proceed, or continue farming while maintaining friendships with infidels, or live their faith in any of a hundred different ways. They are not painted with one religious brush, not all fanatics, not all even devout.
I'd be posting spoilers to explore one intriguing aspect of Fidali's Way, so won't do so in any detail here. But, I'm fascinated by Mastras' portrayal of one particular Muslim character as distinctly Christlike.
The simple message of love for one another can originate in a variety of places, and sometimes we have to confront the Abyss before we can find ourselves. Ghulam, Nick's primary mentor in the story, explains why he believes that Islam existed before Mohammed, why the "greater jihad" takes place within oneself, and why "There is no God but Allah" can be understood to embrace all paths of spiritual growth. This work examines the meaning of sacrifice and acquisition, the longing for freedom and the ways of seeking it that eliminate hope of its gain, what it means to love, and what it means to believe. And, somehow, Mastras accomplishes all of this without sacrificing an excellent surface story, with continuous action sufficient to hold the attention of its least introspective readers.
I'm still amazed that this is his first novel.
February 14, 2009
This book worked well on so many levels. It starts with a murder, with the protagonist, Nick, accused, a daring escape and then a brutal trek through a rugged land wraught with both danger and beauty. Although the story begins in Pakistan, the real development is in Kashmir, where we gain insights into clashing cultures, religions and philosophies. One of the most interesting voices is Ghulam, who, along with Fidali, serves as Nick's guide through the rugged terrain and it is through their interaction that we see Nick's character evolve as the book is also his personal odyssey and we gradually see that Fidali's way is not a physical path but a spiritual one. Layered on top of Nick's personal story is the heart-wrenching story of Kashmir, torn between two religions and two neighboring nations, and the story of a peaceful village that for so long was able to rise above the conflict, but is eventually and tragically plunged into it headfirst. Last, but not least, there is Aysha, the incredibly beautiful, strong and confident Muslim woman who becomes a physician and returns to her home village with only a desire to serve, making no differentiation between Muslim and Hindu. This is a book that I had to finish, close and digest to really appreciate all its textures.
January 3, 2009
This novel is an emotional and engaging read, both beautifully written and thought provoking. It’s also a timely and gripping page-turner that takes place in the cauldrons of modern-day terrorism - the tribal areas of Pakistan and Kashmir. I like that it deals with India and Pakistan in a current time frame (so many novels concern colonial India, so this is a refreshing change).
The novel essentially follows Nick, an American expat who finds himself in trouble with the Pakistani police after his French girlfriend, Yvette, is found murdered, in a remote part of Pakistan’s lawless tribal areas. The events leading up to Yvette’s death remain a compelling mystery until later in the book, but we get enough hints and glimpses to keep us wondering, and to understand why Nick flees from the police into the dangerous tribal areas, rampant with Taliban militants and drug smugglers. From there, he heads east into the Himalayas, where he crosses the dangerous “Line of Control” into the Indian side of Kashmir. Nick is only able to survive the harrows of this route through the guidance of two local smugglers who befriend him along the way. Once across, and while still in hiding from police (now the Indians), Nick begins to work at an outpost hospital clinic run by a beautiful female doctor, Aysha, whose ex-lover, Kazim, left her to join a cell of muhajideen insurgents fighting against Indian rule. As these lives intersect (or rather, come crashing together), they are all changed in profound ways.
The book reminds me somewhat of Alex Garland’s “The Beach” because it’s largely a literary thriller set in an exotic land that deals with fanaticism (in a different form than in “The Beach”) and the effects of colliding cultures. At the same time, the novel has an extreme sense of place, in the vein of EM Foerster and Rudyard Kipling, with its richly-described characters and living, breathing picture of the tribal areas of Pakistan and the rugged mountain landscape of Kashmir (the author apparently spent time in the region, so his descriptions are authentic). The story is also one of redemption and self-discovery, and thus, in this way, it reminds me a bit of Somerset Maugham’s “The Razor’s Edge.”
Although Nick’s storyline is the centerpiece and vehicle through which the story moves, I found Aysha and Kazim’s storyline to be the most emotional. That being said, I was moved by Nick’s character-arc and how he’s motivated to change by his relationships with the smugglers. Despite all that, on a very basic level, I had to know who killed Yvette and read the book quickly to find out.
This book has a political edge that should not be overlooked given the devastating effects the conflict over Kashmir continues to have on the world around it – the recent Mumbai terrorist attacks being a case in point. Fortunately, there was nothing preachy, distracting or narrow-minded about the author’s handling of these issues. It did give me a new understanding and insight into what’s really at stake in the conflict – not just Kashmir’s place in the larger worldwide clash between the West and fanatical jihadists – but on a more human level.
This novel is a must read. I highly recommend it.
The novel essentially follows Nick, an American expat who finds himself in trouble with the Pakistani police after his French girlfriend, Yvette, is found murdered, in a remote part of Pakistan’s lawless tribal areas. The events leading up to Yvette’s death remain a compelling mystery until later in the book, but we get enough hints and glimpses to keep us wondering, and to understand why Nick flees from the police into the dangerous tribal areas, rampant with Taliban militants and drug smugglers. From there, he heads east into the Himalayas, where he crosses the dangerous “Line of Control” into the Indian side of Kashmir. Nick is only able to survive the harrows of this route through the guidance of two local smugglers who befriend him along the way. Once across, and while still in hiding from police (now the Indians), Nick begins to work at an outpost hospital clinic run by a beautiful female doctor, Aysha, whose ex-lover, Kazim, left her to join a cell of muhajideen insurgents fighting against Indian rule. As these lives intersect (or rather, come crashing together), they are all changed in profound ways.
The book reminds me somewhat of Alex Garland’s “The Beach” because it’s largely a literary thriller set in an exotic land that deals with fanaticism (in a different form than in “The Beach”) and the effects of colliding cultures. At the same time, the novel has an extreme sense of place, in the vein of EM Foerster and Rudyard Kipling, with its richly-described characters and living, breathing picture of the tribal areas of Pakistan and the rugged mountain landscape of Kashmir (the author apparently spent time in the region, so his descriptions are authentic). The story is also one of redemption and self-discovery, and thus, in this way, it reminds me a bit of Somerset Maugham’s “The Razor’s Edge.”
Although Nick’s storyline is the centerpiece and vehicle through which the story moves, I found Aysha and Kazim’s storyline to be the most emotional. That being said, I was moved by Nick’s character-arc and how he’s motivated to change by his relationships with the smugglers. Despite all that, on a very basic level, I had to know who killed Yvette and read the book quickly to find out.
This book has a political edge that should not be overlooked given the devastating effects the conflict over Kashmir continues to have on the world around it – the recent Mumbai terrorist attacks being a case in point. Fortunately, there was nothing preachy, distracting or narrow-minded about the author’s handling of these issues. It did give me a new understanding and insight into what’s really at stake in the conflict – not just Kashmir’s place in the larger worldwide clash between the West and fanatical jihadists – but on a more human level.
This novel is a must read. I highly recommend it.
February 4, 2009
Fidali's Way, a debut novel by George Mastras, is more than an exciting adventure story set in some of the most exotic - and treacherous - regions of the world, it's a gripping tale that takes American traveler Nick Sunder (and the reader) upon a harrowing odyssey leading to his eventual awakening and transformation. Disillusioned with the American way of life, Nick has aimlessly traveled the globe in search of finding meaning to his life, a goal that hopelessly eludes him. In Pakistan, he descends into his own personal hell when he is charged by the Peshawar police with the savage murder of his beautiful French female companion, Yvette. Thrown in jail, Nick is tortured by the sadistic inspector Akhtar, who'll stop at nothing to wring a confession from his captive. Escaping from the police, Nick makes his way through the tribal areas along the Pak-Afghan border with ruthless Akhtar in hot pursuit. Along the way, he joins forces with the smuggler Ghulam, a half-Asian, half-Caucasian wisp of a man, and his companion, Fidali, a stoic giant. Together they travel Fidali's way - a route used by smugglers which passes through areas of such desolation they are seldom seen by man. The trio make their way north into the Hindu Kush, up the steeps of the Karakoram and down into the verdant valley where the beautiful Aysha, an Indian medical doctor, lives and works. With faint echoes of Midnight Express and Lost Horizon, Fidali's Way paints a fascinating portrait of the horrors of fanaticism, the ephemeral beauty of life and love, the transcendence of the human spirit, and opens up a window into the soul of Islam with compelling figures such as the fanatical Kazim, an Islamic extremist torn between love and religious duty, the self-sacrificing Aysha, whose unwavering devotion to her calling borders on martyrdom, and the enigmatic Fidali, who teaches Nick that Fidali's way is more than just a smuggler's route - it's a spiritual path leading to true understanding and redemption. Mastras' rich descriptions of distant, forbidding places, their quixotic inhabitants and the local customs of people who, distilled to their essence, are really not very different from you and me, along with knowledgeable expositions of history and lore, make this novel a must read. It is all the more fascinating when one appreciates that Mastras has actually been to the places he writes about. Kudos to Mastras for a thoroughly entertaining, insightful, and original debut!
January 6, 2009
George Mastras is a true storyteller. 'Fidali's Way' completely transported me - as great art can do.
I don't consider myself a voracious reader, but these pages flew by for me. the author's bio mentions
that he spent a considerable amount of time trekking throughout the region where the story takes place (the Himalayas), and this comes through in the writing. his observational sense of the essential human nature of people from both the east and west - how they interact, understand and can confuse one another - makes me believe that he has lived many of these situations first hand.
I love learning about different cultures - what other people hold sacred, what may have little meaning to others that we westerners may praise... Fidali's Way did not disappoint.
if you're interested in experiencing an informed, articulate, insiders view of The East, told through a great
story - I definitely recommend this book.
I don't consider myself a voracious reader, but these pages flew by for me. the author's bio mentions
that he spent a considerable amount of time trekking throughout the region where the story takes place (the Himalayas), and this comes through in the writing. his observational sense of the essential human nature of people from both the east and west - how they interact, understand and can confuse one another - makes me believe that he has lived many of these situations first hand.
I love learning about different cultures - what other people hold sacred, what may have little meaning to others that we westerners may praise... Fidali's Way did not disappoint.
if you're interested in experiencing an informed, articulate, insiders view of The East, told through a great
story - I definitely recommend this book.
January 12, 2009
This was one that I could could not put down for three days until I finished it. As someone who have traveled through the Himalayas, this novel does it justice by bring out the beauty of the mountains and more importantly the complexities of the politics and cultures. The plot is based on an engaging whodunit mystery, love triangle romance and more importantly envelops the reader in an intellectual journey in learning more about the cultures that is the foundation of present day conflicts in the region.
This is not your standard fictional novel that you read and put away. The author has exceptional skill in combining an engaging suspenseful plot with details that is very much relevant to the current events around the world today.
I will not describe the book too much as it is all written o Amazon http://www.amazon.com/dp/1416556184?t...
This is not your standard fictional novel that you read and put away. The author has exceptional skill in combining an engaging suspenseful plot with details that is very much relevant to the current events around the world today.
I will not describe the book too much as it is all written o Amazon http://www.amazon.com/dp/1416556184?t...
October 4, 2025
4.2*
Een rijk verhaal over een bijna onmogelijke levensreis door Pakistan, India en Kashmir. Mastras neemt je mee in een wereld vol cultuur, religie, wijsheid en fenomenale landschapsbeschrijvingen.
“Twee maanden geleden was de zon krachtig geweest en had de aarde doen broeien tot er gouden velden uit waren gesproten, die waren geoogst door dezelfde zongebruinde armen die de maanden eerder hadden gezaaid. Maar nu miste de zon de kracht om de koude adem van de winter te verdrijven die hun botten verkilde.”
Het voelt net alsof ik zelf de reis van Nick Sunder gemaakt heb, en dat is erg knap.
Dit boek shockeert, ontroerd, en verwondert en is een prachtig verhaal over vriendschap en liefde. Een hele grote buiging wanneer je dit als debuutroman uit je mouw kunt schudden.
Een rijk verhaal over een bijna onmogelijke levensreis door Pakistan, India en Kashmir. Mastras neemt je mee in een wereld vol cultuur, religie, wijsheid en fenomenale landschapsbeschrijvingen.
“Twee maanden geleden was de zon krachtig geweest en had de aarde doen broeien tot er gouden velden uit waren gesproten, die waren geoogst door dezelfde zongebruinde armen die de maanden eerder hadden gezaaid. Maar nu miste de zon de kracht om de koude adem van de winter te verdrijven die hun botten verkilde.”
Het voelt net alsof ik zelf de reis van Nick Sunder gemaakt heb, en dat is erg knap.
Dit boek shockeert, ontroerd, en verwondert en is een prachtig verhaal over vriendschap en liefde. Een hele grote buiging wanneer je dit als debuutroman uit je mouw kunt schudden.
January 12, 2009
I loved this novel. I felt like I could see the mountains and villages Nick was travelling through by the author's rich descriptions of the characters and landscape - like Corelli's Mandolin. I'm a mystery fan too and recommend it highly on that level as well. This book has a lot to offer and it does so across many genres.
February 27, 2025
Spannend en dramatisch. Pakt je bij de strot vanaf de eerste letter.
March 13, 2011
Fidali's Way is a mixed bag. It is a book I immensely enjoyed, as Mastras is a rich storyteller and paces the events well to keep the pages turning and the tension taut and ripe. However, it is also uneven in significant ways that undermine some of its strengths.
Two narrative threads converge. First we meet Nick Sunder, a disillusioned American lawyer who has been backpacking in perilous areas of Central Asia for several years. Encountering a couple along the way--a brazen French woman and her British boyfriend--the three travel together and evolve into a passionate love triangle. After separating under mysterious circumstances (which unfold gradually and non-linearly), Nick is later arrested in Pakistan at his hotel room just moments before boarding a train to India. The police torture him in a filthy prison cell and later negotiate a dicey deal for his release, which is unacceptable to Nick. After managing to escape, Nick subsequently has to trek for many weeks through the Himalayas on the other side of the Tribal Line of Control. He ends up traveling with two very spiritual, noble men (Ghulam and Fidali) from these mountainous regions who invite Nick to accompany them under their aegis and experience with the harsh domain.
Introduced next are Aysha and Kazim, the stunning and brilliant Muslim star-crossed lovers from the small, primitive village of Indian-controlled Gilkamosh in the Kashmir mountains. They separate when Kazim leaves to train as a Mujahid in the rural mountains and Aysha goes to medical school in New Delhi. The question is whether they will reunite when she returns to Gilkamosh to open a clinic. This is also where Nick ends up after his long trek with Ghulam and Fidali.
After a short, lyrical, and haunting prologue, the story begins with muscular, crisp, and thrilling prose. The descriptions of landscape and the difficulties of survival from prison to the Himalayas and the crossing of the Tribal Line of Control are breathtaking. The author writes riveting details of these hardships, and a sense of immediacy and urgency lures the reader on. Additionally, the sensuous, enchanting coming-of-age story of Kazim and Aysha is very moving and compelling.
Unfortunately, as the novel deepens, the tone becomes inconsistent. From a brutal and sharp and often laconic tone at the beginning, the prose turns sentimental. And the parts written to reveal spiritual contemplation and reflection are conveyed through heavy-handed and expository writing. These cogitations tend to be synthetic and cloying. Instead of offering visionary and invigorating argument and thought into spiritual and religious debate, it offers up overused and simplistic notions.
The characters of Nick, Kazim, and Aysha are arch and three-dimensional, with realistic and textured lives and complex inner conflicts. However, they are often thwarted by the uneven tone and style, which lead us into convenient (and sometimes predictable) plot contrivances at various points in the story. And Ghulam, who starts out as enigmatic and formidable, narrows into a background caricature that emerges ceremoniously as a disposable vehicle for other characters or events.
The author has a cinematic talent to his writing, and I frequently envisioned a potent film version of the novel while reading. Mastras has a keen eye for visual appeal and sensuality when he isn't being derivative. Some of the dialogue and scenes could potentially be improved and heightened to correspond to this otherwise lush and exciting story. I was annoyed with one scene between Nick and Aysha that was all but airlifted from the movie Witness (with a few altered details); however, if you are not familiar with the movie, it could stir you with its intoxicating sensuality.
The climax of the story is powerful, and I had to tear my eyes away from the pages to digest and accept some of the bracing and harrowing scenes. I did feel largely satisfied by story's end, and I would recommend it with the caveat that it suffers from the pitfalls that impede many first-time novelists. I look forward to more from this author. 3.5
Two narrative threads converge. First we meet Nick Sunder, a disillusioned American lawyer who has been backpacking in perilous areas of Central Asia for several years. Encountering a couple along the way--a brazen French woman and her British boyfriend--the three travel together and evolve into a passionate love triangle. After separating under mysterious circumstances (which unfold gradually and non-linearly), Nick is later arrested in Pakistan at his hotel room just moments before boarding a train to India. The police torture him in a filthy prison cell and later negotiate a dicey deal for his release, which is unacceptable to Nick. After managing to escape, Nick subsequently has to trek for many weeks through the Himalayas on the other side of the Tribal Line of Control. He ends up traveling with two very spiritual, noble men (Ghulam and Fidali) from these mountainous regions who invite Nick to accompany them under their aegis and experience with the harsh domain.
Introduced next are Aysha and Kazim, the stunning and brilliant Muslim star-crossed lovers from the small, primitive village of Indian-controlled Gilkamosh in the Kashmir mountains. They separate when Kazim leaves to train as a Mujahid in the rural mountains and Aysha goes to medical school in New Delhi. The question is whether they will reunite when she returns to Gilkamosh to open a clinic. This is also where Nick ends up after his long trek with Ghulam and Fidali.
After a short, lyrical, and haunting prologue, the story begins with muscular, crisp, and thrilling prose. The descriptions of landscape and the difficulties of survival from prison to the Himalayas and the crossing of the Tribal Line of Control are breathtaking. The author writes riveting details of these hardships, and a sense of immediacy and urgency lures the reader on. Additionally, the sensuous, enchanting coming-of-age story of Kazim and Aysha is very moving and compelling.
Unfortunately, as the novel deepens, the tone becomes inconsistent. From a brutal and sharp and often laconic tone at the beginning, the prose turns sentimental. And the parts written to reveal spiritual contemplation and reflection are conveyed through heavy-handed and expository writing. These cogitations tend to be synthetic and cloying. Instead of offering visionary and invigorating argument and thought into spiritual and religious debate, it offers up overused and simplistic notions.
The characters of Nick, Kazim, and Aysha are arch and three-dimensional, with realistic and textured lives and complex inner conflicts. However, they are often thwarted by the uneven tone and style, which lead us into convenient (and sometimes predictable) plot contrivances at various points in the story. And Ghulam, who starts out as enigmatic and formidable, narrows into a background caricature that emerges ceremoniously as a disposable vehicle for other characters or events.
The author has a cinematic talent to his writing, and I frequently envisioned a potent film version of the novel while reading. Mastras has a keen eye for visual appeal and sensuality when he isn't being derivative. Some of the dialogue and scenes could potentially be improved and heightened to correspond to this otherwise lush and exciting story. I was annoyed with one scene between Nick and Aysha that was all but airlifted from the movie Witness (with a few altered details); however, if you are not familiar with the movie, it could stir you with its intoxicating sensuality.
The climax of the story is powerful, and I had to tear my eyes away from the pages to digest and accept some of the bracing and harrowing scenes. I did feel largely satisfied by story's end, and I would recommend it with the caveat that it suffers from the pitfalls that impede many first-time novelists. I look forward to more from this author. 3.5
August 10, 2020
It transports you to the physical world through the choice of words made by the author.
May 14, 2009
It is a bleak world, no doubt, and there is value in communicating the depths of the grim and brutal reality to readers. For that, "Fidali's Way" deserves credit.
For me, though, this was a very hard read. There is plenty of blood, plenty of violence, plenty of pain, all written about in excruciating detail. (This, of course, is OK for our society; but similar descriptions of the act of love are considered pornography. I guess it's good to wallow in the flow of blood and the breaking of bones in this and other books, but for me, the constant repetition is depressingly unnecessary.)
Perhaps my main issue with "Fidali's Way," however, is its lack of redemption. There is a minor sense of accomplishment in one area at book's end, but overall, the main characters do not fare well (especially the titular one). It is good, presumably, to present a dismal picture of humanity and how the world works, because many of us would like to believe otherwise, living in our American cocoons, but it is also possible to deliver that message without hammering away at the violence, negativity and hopelessness of the situation in Kashmir and Pakistan.
And all of this was done from a personal, combatant level, which makes the violence almost less justifiable. For me, some sense of the higher-level machinations that cause this violence would have made the book more palatable, and perhaps Mastras could have even shown a potential political path out of the brutal morass this area of the world is caught in.
But instead we just get suffering and pain and agony, over and over again, with most of the suffering and pain and agony serving no real purpose. Perhaps this is what life is really about, and perhaps this is the best we have to hope for as a terrorist-dominated future unfolds (you are either with us or against us, if against us, we will torture you and kill you).
In the end, though, without something more to offer than meticulously descriptive, and constant, episodes of physical pain, blood, wounds and death, "Fidali's Way" is a depressive, black novel that goes nowhere and tells us nothing more than that the world is an awful place and we can do nothing about it.
For me, though, this was a very hard read. There is plenty of blood, plenty of violence, plenty of pain, all written about in excruciating detail. (This, of course, is OK for our society; but similar descriptions of the act of love are considered pornography. I guess it's good to wallow in the flow of blood and the breaking of bones in this and other books, but for me, the constant repetition is depressingly unnecessary.)
Perhaps my main issue with "Fidali's Way," however, is its lack of redemption. There is a minor sense of accomplishment in one area at book's end, but overall, the main characters do not fare well (especially the titular one). It is good, presumably, to present a dismal picture of humanity and how the world works, because many of us would like to believe otherwise, living in our American cocoons, but it is also possible to deliver that message without hammering away at the violence, negativity and hopelessness of the situation in Kashmir and Pakistan.
And all of this was done from a personal, combatant level, which makes the violence almost less justifiable. For me, some sense of the higher-level machinations that cause this violence would have made the book more palatable, and perhaps Mastras could have even shown a potential political path out of the brutal morass this area of the world is caught in.
But instead we just get suffering and pain and agony, over and over again, with most of the suffering and pain and agony serving no real purpose. Perhaps this is what life is really about, and perhaps this is the best we have to hope for as a terrorist-dominated future unfolds (you are either with us or against us, if against us, we will torture you and kill you).
In the end, though, without something more to offer than meticulously descriptive, and constant, episodes of physical pain, blood, wounds and death, "Fidali's Way" is a depressive, black novel that goes nowhere and tells us nothing more than that the world is an awful place and we can do nothing about it.
February 23, 2009
I love a book I can’t wait to get back to. Fidali’s Way not only enhanced my vocabulary but also broadened my understanding and comprehension of events occurring in the Middle East today, generating a compassion for all those in the region forced to endure their current circumstances. Neither all black nor all white, the book reflects the many shades of gray that live in between.
I loved the rich text of description and was quite happy Mastras didn’t feel the need to dumb it down to satisfy the less educated or for those impatient few who simply want to get to the point and skip all the subtext. The subtext was exceptional in enlightening me to the complexity of the political, social and religious issues of the various factions in that region. Mastras’ writing deftly illustrates how subtly harmful and destructive ideas can insidiously work their way into the populace and the devastating ripple effects such can create.
I found myself unexpectedly surprised and delighted at the depth of spiritual insight provided by the characters and was left with the thought that – in spite of all the idiotic ideas human beings are willing to grasp and kill for – there still may be some hope for humanity.
I loved the rich text of description and was quite happy Mastras didn’t feel the need to dumb it down to satisfy the less educated or for those impatient few who simply want to get to the point and skip all the subtext. The subtext was exceptional in enlightening me to the complexity of the political, social and religious issues of the various factions in that region. Mastras’ writing deftly illustrates how subtly harmful and destructive ideas can insidiously work their way into the populace and the devastating ripple effects such can create.
I found myself unexpectedly surprised and delighted at the depth of spiritual insight provided by the characters and was left with the thought that – in spite of all the idiotic ideas human beings are willing to grasp and kill for – there still may be some hope for humanity.
March 30, 2010
Fidali's Way is a riveting adventure story of Nick, an American backpacker, who accidentally kills a Pakistani police officer investigating the murder of another backpacker. In fleeing Pakistan, Nick meet two travelers, Fidali and Ghulam, who are homeward bound with cigarettes to sell in their isolated village in the Himalayas. They help Nick make the treacherous journey across the Himalayas while avoiding the Mushahadeen educated in Pakistani-funded madrassas and India's border guards. The book weaves Nick's story with that of Kazim, a Kashmir boy who who becomes a freedome fighter with Aysha who becomes the town doctor. After a fateful encounter with Kazim, Nick and Ghulam end up at Aysha's clinic. The book does an excellent job portraying the recruitment of young boys in Kashmir to the cause of Islam and the consequences of the struggle between the Pakistan and India on Hindus and Muslims who have lived peacefully in isolated villages for centuries.
October 17, 2013
This is hands down one of the best novels that I have ever read. I stumbled upon this
novel as I was watching a roundtable discussion of the screenwriters for the popular
AMC TV series Breaking Bad. the author G Mastras was on of the writers and this book was mentioned.
This novel is skillfully developed from start to finish with no weak sections in the entire book.
Mastras weaves together characters and plots in an amazingly logical way such that you never doubt why they cross paths. The plot centers around an American Nick S who is wrongfully accused of murder in Pakistan and his saga as he escapes through the tribal areas of Pakistan and Kashmir. He is aided by a pair of locals and then encounters a medical clinic and its local female doctor after one of his travel partners is wounded in an ambush. This novel should be made into a film someday---
novel as I was watching a roundtable discussion of the screenwriters for the popular
AMC TV series Breaking Bad. the author G Mastras was on of the writers and this book was mentioned.
This novel is skillfully developed from start to finish with no weak sections in the entire book.
Mastras weaves together characters and plots in an amazingly logical way such that you never doubt why they cross paths. The plot centers around an American Nick S who is wrongfully accused of murder in Pakistan and his saga as he escapes through the tribal areas of Pakistan and Kashmir. He is aided by a pair of locals and then encounters a medical clinic and its local female doctor after one of his travel partners is wounded in an ambush. This novel should be made into a film someday---
April 10, 2009
I learned about the geography and politics of the region and about the conflicts surrounding the whole Kashmir issue - Indian held Kasmir and the northern portion controlled by Pakistan.
The detailed descriptions of the terrain and landscape of the area - Hindu Kush, Karakorams, the Vale of Kashmir, are very interesting.
What kept me moving through this very detailed book, however, were the two love stories and the inevitability of their being intertwined in the plot of the novel.
I have written another review of Fidali's Way at www.bookbirddog.blogsppot.com
The detailed descriptions of the terrain and landscape of the area - Hindu Kush, Karakorams, the Vale of Kashmir, are very interesting.
What kept me moving through this very detailed book, however, were the two love stories and the inevitability of their being intertwined in the plot of the novel.
I have written another review of Fidali's Way at www.bookbirddog.blogsppot.com
April 6, 2009
Until now, I have been occupied with finishing some of the other books I had been reading. I began yesterday reading Fidali's Way in earnest. All I can say is WOW. If you like Kite Runner and A Thousand Spendid Suns, you will definitely like this book. It is so well crafted that I just want to keep reading and do nothing else.
February 23, 2009
A first book by Mastra, and pretty impressive. As was true of People of the book, I found the author's portrayal of female characters less convincing than of the male characters. It is a combination thriller, survival story, expose of Taliban methods of brainwashing youth, and love story. Takes place in Pakistan, Kashmir and the Tribal Controlled territories. Worth the read.
May 3, 2009
This is a gripping page-turner with interesting political commentary on extremist Muslims in Pakistan and Kashmir seamlessly woven in. Not subtle, not written in gorgeous prose-- it' s a muscular work with a strong story line. Not your standard trade paperback for the book group but definitely fascinating and worth a read.
October 26, 2018
Holy crap, this book is so good and suspenseful! I read it in 4 days, its written by the guy that helped write and produce Breaking Bad. It's a story about an American man who gets charged with murder in Pakistan. He has to go on a crazy journey across the border into Kashmir to escape! Its a nailbiter!
Read
February 12, 2009A book worth reading. It takes place on the Afghan/Pakistani border and deals with the conflict between India and Pakistan over Kashmir. Although fiction, what is written probably happens all the time in real life. Glad I read it.
June 10, 2009
Wonderfully entertaining. Reminded me of Paulo Coehlo with less religion. Enjoyed it and would recommend it.
April 30, 2021
Overall prima boek, leest lekker vlot door, maar er zijn toch een aantal zaken waar ik me aan erger. Ik brand even los:
Het boek is onderverdeeld in 4 delen. Waarin het eerste deel wordt verteld dat Yvette op een raadselachtige manier is overleden, waarin niet helemaal duidelijk is of Nick de dader was of toch Simon. Suprise suprise, ze hadden er alledrie schuld aan. Die opbouw had naar mijn mening wel wat sterker gekund, in 2 delen van het boek komt Yvette's dood vrijwel niet aan bod, om dan aan het einde nog alles losse eindjes aan elkaar te knopen.
Voor mij komt het toch een beetje cliché Amerikaans over. Een twijfelachtige Amerikaan die worsteld met schuldgevoelens en het hele leven maar niet lijkt te snappen, gaat op wereldreis om hopelijk datgene te vinden wat alles verklaard. En dan aan het einde overleefd de Amerikaan alles, vind de liefde van zijn leven en is een held die letterlijk zijn handen in het vuur heeft gestoken. Bleh.
Hoewel het boek goed uitlicht waarom Kazim zijn leven een bepaalde richting heeft gegeven, had ik nog ergens hoop dat het goed zou komen tussen Aisha en Kazim. Gelukkig maar dat die terroristen aan het einde allemaal het loodje leggen, Amerikaanser kan bijna niet. Goed het boek gaat ook niet over het leven van een terrorist maar over het geschenk van Fidali aan een domme Amerikaan. De Engelse titel 'Fidali's way' omvat het boek daarom ook een stuk beter dan 'Tranen over Kashmir'.
Dan heb je nog Yvette, een hautain, verwend kreng die alleen maar loopt te snauwen op Nick (de Amerikaan) en alleen maar lijkt te gaan voor Simon, maar at the end bleek dat ze toch echt voor Nick had gekozen. Wat jammer nou.
Genoeg gal gespuwd, best een aanrader als je een boek wilt die goed afloopt en lekker weg leest.
Het boek is onderverdeeld in 4 delen. Waarin het eerste deel wordt verteld dat Yvette op een raadselachtige manier is overleden, waarin niet helemaal duidelijk is of Nick de dader was of toch Simon. Suprise suprise, ze hadden er alledrie schuld aan. Die opbouw had naar mijn mening wel wat sterker gekund, in 2 delen van het boek komt Yvette's dood vrijwel niet aan bod, om dan aan het einde nog alles losse eindjes aan elkaar te knopen.
Voor mij komt het toch een beetje cliché Amerikaans over. Een twijfelachtige Amerikaan die worsteld met schuldgevoelens en het hele leven maar niet lijkt te snappen, gaat op wereldreis om hopelijk datgene te vinden wat alles verklaard. En dan aan het einde overleefd de Amerikaan alles, vind de liefde van zijn leven en is een held die letterlijk zijn handen in het vuur heeft gestoken. Bleh.
Hoewel het boek goed uitlicht waarom Kazim zijn leven een bepaalde richting heeft gegeven, had ik nog ergens hoop dat het goed zou komen tussen Aisha en Kazim. Gelukkig maar dat die terroristen aan het einde allemaal het loodje leggen, Amerikaanser kan bijna niet. Goed het boek gaat ook niet over het leven van een terrorist maar over het geschenk van Fidali aan een domme Amerikaan. De Engelse titel 'Fidali's way' omvat het boek daarom ook een stuk beter dan 'Tranen over Kashmir'.
Dan heb je nog Yvette, een hautain, verwend kreng die alleen maar loopt te snauwen op Nick (de Amerikaan) en alleen maar lijkt te gaan voor Simon, maar at the end bleek dat ze toch echt voor Nick had gekozen. Wat jammer nou.
Genoeg gal gespuwd, best een aanrader als je een boek wilt die goed afloopt en lekker weg leest.
This entire review has been hidden because of spoilers.
December 2, 2019
Toch ook vrij voorspelbaar, maar mooie gesprekken
July 28, 2020
A very good book centered around Mideast conflicts. Provides a lot of insight into the animosity between Muslims and Hindus.
January 16, 2022
Wat. Een. Boek.
Verdient een pak meer ratings en reviews.
Verdient een pak meer ratings en reviews.
October 17, 2024
Rijk verhaal over een bijna onmogelijke levensreis door Pakistan en India/Kashmir. Vol cultuur, religie, wijsheid en liefde.
November 28, 2024
Een boek met zeer veel impact
Displaying 1 - 30 of 54 reviews