The ubiquitous chair in all its shapes and forms (TASCHEN's 25th anniversary special edition) More than any other piece of furniture, the chair has been subjected to the wildest dreams of the designers. The particular curve of a back-rest, or the twist of a leg, the angle of a seat or the colour of the entire artefact all reflect the stylistic consciousness of each era. From Gerrit Rietveld and Alvar Aalto via Verner Panton to Eva Zeisel; from Art Nouveau to International Style, from Pop Art to Postmodernism, the phenomenon of the chair is so complex that it requires a reference work as comprehensive as this to do it full justice. They are all here: Thonet's bentwood chairs and Hoffmann's sitting-machines, Marcel Breuer's Wassily chair and Ron Arad's avant garde armchairs. The book, a slightly abbreviated version of our classic title 1000 Chairs, devotes one page to each chair, displayed on its own as pure form, with biographical and historical information about the chair.
Charlotte Fiell is a leading authority on the history, theory and criticism of design and, to date, has written 60 books on the subject.
Charlotte initially studied at Heatherley School of Fine Art in London and then later at the British Institute in Florence. She subsequently took a BA(Hons) degree in the History of Drawing and Printmaking with Material Science at Camberwell College of Arts (UAL), London. Following on from this, she trained at Sotheby’s Institute of Art in London.
I’m so confused, mostly because book is really good, but author forget about design from Eastern Europe like it didn’t existed. Some of the chairs were really poor design yet they had been out there anyway because of bauhaus or ethnicity of designer. I’m not only talking about socialist time after war when there was a lot really good design in this part of Europe but also modern times when there was designed inflatable steel stool and won for a Mars expedition and other great projects. There is not only a lot of furniture factory’s but also so many talented people. Maybe you should hire someone with broad recognition of this topic and not only focus on Germany, Italy and France, with some Scandinavian and American designers.
50th book of 2020! loved this, it was a great read. definitely for people who like architecture and design. not super informative, but cool to look at and read!
Why I like it: I'll put it this way: after reading this book, every time I watch a TV show set anytime within the past 150 years, I'm now distracted by identifying the kind of chair, examining the details of its construction and style, and considering where that chair fits in the timeline of chair design paradigms. Not surprisingly, Mad Men is a field day for appreciating furniture design.
Anyway, my point is that this book changed my life.
You might also like: I haven't picked up a copy yet, but I hear that there's a sequel: 1000 Lights. I'm adding it to next year's reading list and will report back.
I read the Spanish version. There are a lot of beautiful pictures, and you will learn a lot of Spanish words for different textile/fabrication materials if you can get through it.
The ubiquitous chair in all its shapes and forms (TASCHEN's 25th anniversary special edition) More than any other piece of furniture, the chair has been subjected to the wildest dreams of the designers. The particular curve of a back-rest, or the twist of a leg, the angle of a seat or the colour of the entire artefact all reflect the stylistic consciousness of each era. From Gerrit Rietveld and Alvar Aalto via Verner Panton to Eva Zeisel; from Art Nouveau to International Style, from Pop Art to Postmodernism, the phenomenon of the chair is so complex that it requires a reference work as comprehensive as this to do it full justice. They are all here: Thonet's bentwood chairs and Hoffmann's sitting-machines, Marcel Breuer's Wassily chair and Ron Arad's avant garde armchairs. The book, a slightly abbreviated version of our classic title 1000 Chairs, devotes one page to each chair, displayed on its own as pure form, with biographical and historical information about the chair.
پر از طراحي هاي مختلف از معمارهاي مشهور و كمتر مشهور با يك موضوع مشترك"صندلي".توي يكي از صفحه ها سير تحولي يه صندلي خيلي ساده به يه طوح پر از كرو و نسبتا پيچيده نمايش داده شده بود كه به نظرم جالب توجه اومد.
I am a little bit obsessed with chairs and this is the reference guide I use when I drag something home from the thift store thinking it might be an important design :)
The introduction is interesting, the 1000 chairs itself are really something to glance through instead of thorougly reading it (actually, that sounds quite obvious...)