Like an old fashioned mixed-tape, Stolen, by Jessica Titone, pulls together several “songs” to give us a flawed, but not-unpleasant diversion. So, whether it is romance, coming-of-age drama, or fantasy that you prefer, you will find it here. This book has a little bit of everything.
The opening chapters are engaging and set the pace well. The use of ballet as a plot device for the budding romance is particularly interesting, as too are the main characters, Ella and Jesse, well rounded and believable. I should also note that despite my normal aversion to love arcs, I found myself quite invested in their future. Taking a look at the overall presentation, I found the writing throughout generally effective, and Titone is particularly good at using character descriptions to build tension. But there is nothing entirely new here. Jesse is the standard dark, brooding love-interest ala a young Mr. Darcy, and Ella is your typical self-conscious teen. The uniqueness to this piece comes towards the hundred-page mark, as the characters are thrown into a fantasy world in a situation reminiscent of Narnia. Unfortunately, this is where my problems with the story begin.
The plot is sound, and interesting. Ella follows a strange music through a door in an attic, and finds herself in another world created by a queen/witch with serious relationship issues; luring all males she can, in the hopes to replace a spurned lover. Unfortunately, with the introduction of the character Wren into the mix, I was jarred out, and lost immersion. It was a peculiar problem, and one that took some time to wrangle. First, Wren tends to use terminology, and speech patterns that are out of period (we are lead to believe she is from a pre-1900 society). Now I can readily forgive this, and most other readers will easily too; after all, this is more or less just my inner history nerd talking. However more pointedly, the character’s personality, and interactions with Ella establish her as merely a device. At no point did I feel any sort of real connection between the two, or that Wren herself, was a person worth paying attention too. Away from this hamstring, as conflict and the introduction of a third character – foreshadowed well, to be the Queen in disguise – the story does recover.
Yet, not enough, and this is largely to do with the ending. While all the major threads are weaved together, I found their resolutions unsatisfactory. Sure, Ella gets her Jesse back in the end. Sure, Wren finally has a life where she is not being taken for granted. But there is the distinct sense that something is missing. Like ending your mix-tape with a piece from Mariah Carey, when the rest is filled with songs by Queen.