Hardcover - first edition - in good, unclipped, lightly shelfworn jacket. Jacket is a little sunned in areas, with a few marks. Text is clear; pages are clean and sound. TS
David Storey was an English playwright, screenwriter, award-winning novelist and a former professional rugby league player. Storey was born in Wakefield, Yorkshire in 1933, and studied at the Slade School of Art.
His first two novels were both published in 1960, a few months apart: This Sporting Life, which won the Macmillan Fiction Award and was adapted for an award-winning 1963 film, and Flight Into Camden, which won the Somerset Maugham Award. His next novel, Radcliffe (1963) met with widespread critical acclaim in both England and the United States, and during the 1960s and 70s, Storey became widely known for his plays, several of which achieved great success.
He returned to fiction in 1972 with Pasmore, which won the Geoffrey Faber Memorial Award and was short-listed for the Booker Prize. Saville (1976) won the Booker Prize and has been hailed by at least one critic as the best of all the Booker winners. His last novel was Thin-Ice Skater (2004).
David Storey lived in London. He was married and had four children.
خیلی حوصله سربر و یکنواخت بود. اصلن چی بود؟ من که متوجه نشدم. شاید رو صحنه چیزی برای ارائه داشته باشه ولی حتا به اینم مطمئن نیستم. ولی خب دلم میخاد لااقل یک بار اجرای این کار رو ببینم. هرچند....
Tegenvaller. Toen het een halve eeuw geleden uitkwam maakte dit stuk furore, maar vermoedelijk wegens de sterbezetting - Ralph Richardson en John Gielgud - want de tekst bestaat uit veel geklets en weinig dramatische kracht. Met uitzondering van de eerste scène, waar je nog subtekst bij kan voelen.
Of the plays that I have read and seen I find ' Home ' to be David Storey's best. It was first staged at the Royal Court Theatre in London, in 1970 with an excellent cast. I have read the play several times and feel that it is better seen than read. This is a personal feeling as Ralph Richardson, John Gielgud, Mona Wasbourne and Dandy Nichols were in my opinion the definitive cast, and it is impossible to see actors and their gestures and facial expressions on the written page. One example of this is the tears that Gielgud sheds and I feel no other actor could compare with him. The ' home ' is an institution and also the homes that the four main characters once lived in, and perhaps will never live in again. The one criticism of the play is the fifth character; a young man whose main purpose is to lift chairs and tables and take them off stage. I have been both a director and playwright in my lifetime and would have left these objects onstage, and the image of this young man who is also in the institution lifting the garden table seemed to me a contrived action that was meant to startle. For me it was not needed, but slightly pretentious and attention grabbing. The dialogues and more subtle movements of the other four was enough to convey the strange and beautiful poetry of the play.
Just performed this play. A joy to perform. It's a wonderfully lyrical play - very funny and poignant and sad. David Storey went to my school so it was good to pay tribute to an old school alumnus.
I haven't read a play in a while and this one was on the shelf where I am sat at work today so I thought I'd give it a read. thank goodness it is so short because this is not an engaging play!
Bit of a weird play. I'm a theatre nerd, but I didn't really get the point of the plot or setting. Maybe I should do some background research and try it again.
Read this play after seeing (in an obit) that it had originally featured John Gielgud and Ralph Richardson. Sadly, I haven't been able to locate even a clip from that original production and I suspect that I'd have enjoyed reading this much more had I been able to hear it in my head in the voices of those two amazing actors.