Fred Wah has been involved with a number of literary magazines over the years, such as Open Letter and West Coast Line. Recent books are the biofiction Diamond Grill (1996), Faking It: Poetics and Hybridity (2000), a collection of essays, and Sentenced to Light (2008), a collection of poetic image/text projects. He splits his time between the Kootenays in southeastern B.C. and Vancouver.
double bone and all around the fish images of northern lakes all of them or each one freezing over with latitude and the double bone comes out of the mouth with a warning to the tongue and throat then what about the fish scale skin and human face frozen thereafter or before in such a fish thinking ahead of the fisherman the catch and the slip of the tongue to make the hook hold curious places in taste here such ice water imagining cast up into the mouth I mean from the driftwood and all that grey and white breeding
- First Pickerel, pg. 20
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Everyone I know here gets dressed up for winter dreaming
so much brown pink, so much cold Mary's scarf, little fur toque
red coat boat white "writing my seeing" riding my sea out
- Accidents of Colour I, pg. 31
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Her mind and life- time, yearning
for her life's mind on it, heart
dance, literally with her mouth
shoulders too today years ago
I married her. Outside, the distant glaciers
crack and groan with the same desire.
- Her House, pg. 42
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Where I live when I wake up in the morning's dark I listen for the plow down on the road to find out if it snowed overnight or not to the soft snow's silence plow's scraping, distance distant in the valley