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चन्द्रगुप्त
Chandragupt
160 pages, Hardcover
First published January 1, 1994
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April 11, 2021
यह जय शंकर प्रसाद द्वारा लिखित उत्कृष्टता की पुस्तक है। मौर्य काल का विवरण इतना अच्छा है कि आप पुस्तक को एकल बैठक में ही समाप्त हो जायेगीै। यह पुस्तक कथा और इतिहास के मेल से लिखी गई है। यह भारतीय दर्शनशास्त्र के साथ खूबसूरती से मिश्रण है। लेखक ने क्षत्रिय राजाओं की लालची प्रवृत्ति और विकृत सोच का भी खुलासा किया, जिन्होंने भवर पर हमला करने वाले यवन आक्रमणकारियों की मदद की। मुझे इस पुस्तक ही शुद्ध हिंदी बहुत पसंद आयीै। यह पुस्तक समावेशीता के मूल सिद्धांतों, आत्मा से लड़ने के लिए सम्मान, साहस और विनम्रता के साथ हमारे महान पूर्वजों की याद दिलाती हैै।
February 22, 2022
What a work of literature! I have read this 'natak' twice and yet I enjoy it more. The prose style of Jaishankar Prasad is unmatchable and you must not miss it!
May 6, 2018
जीवंत
जयशंकर प्रसाद जी की सशक्त लेखनी ने तथ्यों की सप्रमाण पुनर्स्थापना करते हुए सदियों पूर्व घटे इतिहास को समक्ष उपस्थित कर दिया है! नाटक पढ़ते हुए ऐसी अनुभूति होती है मानो इतिहास के सभी पात्र जीवंत हो कर समक्ष हो गए हों!
जयशंकर प्रसाद जी की सशक्त लेखनी ने तथ्यों की सप्रमाण पुनर्स्थापना करते हुए सदियों पूर्व घटे इतिहास को समक्ष उपस्थित कर दिया है! नाटक पढ़ते हुए ऐसी अनुभूति होती है मानो इतिहास के सभी पात्र जीवंत हो कर समक्ष हो गए हों!
November 10, 2018
Classic work - A must read by every Indian!
This book reminds of basic tenets of inclusiveness, respect for fighting spirit, courage and humbleness our great ansistors carried. A reader can clearly view and understand the qualities a aspiring "Human Being" should carry.
This book reminds of basic tenets of inclusiveness, respect for fighting spirit, courage and humbleness our great ansistors carried. A reader can clearly view and understand the qualities a aspiring "Human Being" should carry.
December 28, 2020
Bilingual Review. English Version given Below.
.
जयशंकर प्रसाद जी की लेखनी की जितनी तारीफ़ करी जाये वह कम है । वर्षों बाद हमने इनकी पुस्तक उठायी थी । लगभग २०-२५ साल से हम हिंदी साहित्य से दूर ही रहे, और इसकी बहुत वजह थीं । अंग्रेज़ी माध्यम के स्कूल में हिंदी साहित्य के प्रति एक उदासीनता तो व्याप्त है , इससे इंकार नहीं किया जा सकता है । पर हमारी वजह केवल यह न थी । दिल्ली आने के बाद यहाँ मॉल के पुस्तकालय में अंग्रेज़ी ही ज़्यादातर मिलती थीं ; उनमें भी कालजयी रचनाएँ तो बहुत कम पुस्तकालय में होतीं थीं । फिर एक दौर ऐसा भी आया कि हम पुराणों एवं रामायण महाभारत पर आधारित फ़ालतू “Bestsellers” का चयन करने लगे । इनके और अंग्रेज़ी “Historians” (नये वाले, पुराने नहीं) ने हमें वापस हिंदी साहित्य के रस में धकेला ।
सिर्फ़ पुस्तक की प्रस्तावना मात्र बेहद रोमांच जगाने वाली थी । प्रसाद जी की लेखन शैली रोमांच का सृजन करती है (Powerful style of writing). इस पुस्तक की प्रस्तावना मात्र से पता चला कि वह इतिहास के रसिक भी थे ।
नाटक तो ख़ैर अच्छा था ही, पर हमें इसकी नायिकाओं का चित्रण बेहद लोमहर्षक लगा । मालविका, अल्का , कल्याणी - यह हैं आदर्श स्त्री रूप जिनमें देश प्रेम व स्वतंत्र विचारधारा है जो देश हित की राह पर है ।
लेकिन अब अच्छे के साथ एक ऐसी बात भी जो हमें शायद कम समझ आयी ।
यूँ तो प्रसाद जी के लेखन में त्रुटि निकालना धृष्टता ही है , परंतु हमें हिंदी साहित्य से यह एक शिकायत रही है कि वह बेहद भावुक या भावनात्मक रौ में होता है । यह कुछ ज़रूरत से ज़्यादा ही लगता है, और मूल कथा से भटका देता है । यही वजह है कि युवा अंग्रेज़ी माध्यम वर्ग इस से दूर हो जाता है । ऐसा नहीं कि हर कोई हिंदी साहित्य पढ़ना न चाहता हो , पर यह अती भावुकता थोड़ा स्वाद किरकिरा कर देती है । जैसे अगर हम इन्हें अंग्रेज़ी के समकालीन लेखन/पुस्तकों के मुक़ाबले रखें तो भी पुरानी भाषा प्रणाली के बावजूद यह इतने भावुक नहीं होते की हास्यास्पद बन जायें और इसलिए आज तक पढ़े जाते हैं । हिंदी साहित्य में हमें हमेशा यह एक कमी लगी है ।
इसके अलावा नाटक कालजयी और पढ़ने योग्य है ।
.
The more you write on the beauty of Jaishankar Prasad ji’s writing style, the more disservice it will be to that great legend of Hindi Literature.
I picked up his work now after school years (would be 20-25 years or so). For years i was sort of away from Hindi Literature, and amongst the many reasons, one certainly is the disdain that English Medium education holds for Hindi Literature in general. However that was not the only factor that kept me away from Hindi Literature. Once i came to Delhi, the avenues of book reading were the bookstores in shiny malls. Mostly they stocked English books (out of which even English classics were properly stocked in very few). Then a phase came when this “Bestseller” vibe even in books swept almost all of us. But after reading a few half baked or rather badly baked versions of Ramayan/Mahabharat or Puranic Tales, and poring through modern age “Historians”, i was pushed back in the comfort of old Hindi Classics.
The Preface of the Book in itself set the tone in the right direction. Any Prasad writing lover would agree that his writing style is extremely powerful and induces an excitement for National Interest. However this Preface also told me that he was indeed a connoisseur of History.
The play was very good. I especially admired the Heroines or Female Characters of the play. Malavika, Kalyani and Alka are the ideal women who take charge independent of their fathers or brothers to pursue and push National Interest when/if they have lost their path. This is the portrayal of an ideal Indian Woman - Fearless and Independent for the right cause.
However i do have one point of concern that is largely addressed towards Hindi Literature in itself.
Although pointing out a mistake in Prasad ji’s work is a sacrilege, yet i will say that Hindi Literature by and large is outlandishly emotional. This over flow of emotional tirade is what deters many to pursue the Hindi space, and to be honest it also takes away the magic of the actual plot.
If i compare any Hindi work to its contemporary Western Literature, the latter despite language style of an era is not so outlandish in talking style and approach towards life that it becomes laughable to read (even something like Shakespeare that has very detached English pertaining to another era).
This is what i always found lacking in Hindi Literature, this over the top emotional tirade. Maybe there is a reason to it.
Other than that the play is certainly a Classic and a Must Read.
.
जयशंकर प्रसाद जी की लेखनी की जितनी तारीफ़ करी जाये वह कम है । वर्षों बाद हमने इनकी पुस्तक उठायी थी । लगभग २०-२५ साल से हम हिंदी साहित्य से दूर ही रहे, और इसकी बहुत वजह थीं । अंग्रेज़ी माध्यम के स्कूल में हिंदी साहित्य के प्रति एक उदासीनता तो व्याप्त है , इससे इंकार नहीं किया जा सकता है । पर हमारी वजह केवल यह न थी । दिल्ली आने के बाद यहाँ मॉल के पुस्तकालय में अंग्रेज़ी ही ज़्यादातर मिलती थीं ; उनमें भी कालजयी रचनाएँ तो बहुत कम पुस्तकालय में होतीं थीं । फिर एक दौर ऐसा भी आया कि हम पुराणों एवं रामायण महाभारत पर आधारित फ़ालतू “Bestsellers” का चयन करने लगे । इनके और अंग्रेज़ी “Historians” (नये वाले, पुराने नहीं) ने हमें वापस हिंदी साहित्य के रस में धकेला ।
सिर्फ़ पुस्तक की प्रस्तावना मात्र बेहद रोमांच जगाने वाली थी । प्रसाद जी की लेखन शैली रोमांच का सृजन करती है (Powerful style of writing). इस पुस्तक की प्रस्तावना मात्र से पता चला कि वह इतिहास के रसिक भी थे ।
नाटक तो ख़ैर अच्छा था ही, पर हमें इसकी नायिकाओं का चित्रण बेहद लोमहर्षक लगा । मालविका, अल्का , कल्याणी - यह हैं आदर्श स्त्री रूप जिनमें देश प्रेम व स्वतंत्र विचारधारा है जो देश हित की राह पर है ।
लेकिन अब अच्छे के साथ एक ऐसी बात भी जो हमें शायद कम समझ आयी ।
यूँ तो प्रसाद जी के लेखन में त्रुटि निकालना धृष्टता ही है , परंतु हमें हिंदी साहित्य से यह एक शिकायत रही है कि वह बेहद भावुक या भावनात्मक रौ में होता है । यह कुछ ज़रूरत से ज़्यादा ही लगता है, और मूल कथा से भटका देता है । यही वजह है कि युवा अंग्रेज़ी माध्यम वर्ग इस से दूर हो जाता है । ऐसा नहीं कि हर कोई हिंदी साहित्य पढ़ना न चाहता हो , पर यह अती भावुकता थोड़ा स्वाद किरकिरा कर देती है । जैसे अगर हम इन्हें अंग्रेज़ी के समकालीन लेखन/पुस्तकों के मुक़ाबले रखें तो भी पुरानी भाषा प्रणाली के बावजूद यह इतने भावुक नहीं होते की हास्यास्पद बन जायें और इसलिए आज तक पढ़े जाते हैं । हिंदी साहित्य में हमें हमेशा यह एक कमी लगी है ।
इसके अलावा नाटक कालजयी और पढ़ने योग्य है ।
.
The more you write on the beauty of Jaishankar Prasad ji’s writing style, the more disservice it will be to that great legend of Hindi Literature.
I picked up his work now after school years (would be 20-25 years or so). For years i was sort of away from Hindi Literature, and amongst the many reasons, one certainly is the disdain that English Medium education holds for Hindi Literature in general. However that was not the only factor that kept me away from Hindi Literature. Once i came to Delhi, the avenues of book reading were the bookstores in shiny malls. Mostly they stocked English books (out of which even English classics were properly stocked in very few). Then a phase came when this “Bestseller” vibe even in books swept almost all of us. But after reading a few half baked or rather badly baked versions of Ramayan/Mahabharat or Puranic Tales, and poring through modern age “Historians”, i was pushed back in the comfort of old Hindi Classics.
The Preface of the Book in itself set the tone in the right direction. Any Prasad writing lover would agree that his writing style is extremely powerful and induces an excitement for National Interest. However this Preface also told me that he was indeed a connoisseur of History.
The play was very good. I especially admired the Heroines or Female Characters of the play. Malavika, Kalyani and Alka are the ideal women who take charge independent of their fathers or brothers to pursue and push National Interest when/if they have lost their path. This is the portrayal of an ideal Indian Woman - Fearless and Independent for the right cause.
However i do have one point of concern that is largely addressed towards Hindi Literature in itself.
Although pointing out a mistake in Prasad ji’s work is a sacrilege, yet i will say that Hindi Literature by and large is outlandishly emotional. This over flow of emotional tirade is what deters many to pursue the Hindi space, and to be honest it also takes away the magic of the actual plot.
If i compare any Hindi work to its contemporary Western Literature, the latter despite language style of an era is not so outlandish in talking style and approach towards life that it becomes laughable to read (even something like Shakespeare that has very detached English pertaining to another era).
This is what i always found lacking in Hindi Literature, this over the top emotional tirade. Maybe there is a reason to it.
Other than that the play is certainly a Classic and a Must Read.
May 26, 2013
The books is a play about famous Indian king Chandragupta Maurya.In the preface
Prasad introduces rare facts about the time of Chandragupta and his region.Good
book for Indian history lovers .
Prasad introduces rare facts about the time of Chandragupta and his region.Good
book for Indian history lovers .
November 26, 2014
ultimate play/drama by Jaishankar Prasad. Worth reading.
November 10, 2017
Awesome
Great story and language loved it. It is a masterpiece of a master pen man. Jai जयशंकर. Thanks a lot
Great story and language loved it. It is a masterpiece of a master pen man. Jai जयशंकर. Thanks a lot
February 14, 2015
An ever green classic. This book has been here for decades and yet it is fresh and worth reading. A person with limited Hindi knowledge shall find this book very tough to read. But for a person having sufficient literary knowledge; this book is a paradise. Must read book who want to get idea of the era of Great Chandragupt.
July 29, 2020
A story set in the time of Chankya and Chandragupta Maurya. This book also gives glimpse of history and some major wars.
This book revolves around the strong characters such as Chandragupta, Chankya, King Poras from Kaling, Alexander and Greek army.
This book revolves around the strong characters such as Chandragupta, Chankya, King Poras from Kaling, Alexander and Greek army.
July 22, 2020
good one
written in not so in easy lang, but described good and yeah chandragupta is really a good story to read tho
written in not so in easy lang, but described good and yeah chandragupta is really a good story to read tho
May 22, 2021
I had this for my exam. Its a really tough books for those who are studying for the Hindi language.
Would recommend
Would recommend
Read
October 12, 2023Very good account of the era of the Chanakya and Chandragupt Maurya.
Language is classical Hindi. Introduces with almost all attributes of the king Chandragupta.
Language is classical Hindi. Introduces with almost all attributes of the king Chandragupta.
October 23, 2023
"चंद्रगुप्त" पुस्तक नाटक शैली में लिखी हुई है। नाटक प्रारंभ होने से पूर्व प्रसाद जी ने 7–8 पृष्ठों में नाटक की भूमिका और ऐतिहासिकता की है। पुस्तक प्रारंभ करने के पश्चात पूर्ण करने के लिए बाध्य करती है। सुंदर चित्रण
Want to read
March 8, 2017I heard about this book it's really fantastic
I want to read this book if anyone has this book please let me know.
you can send PDF file to my id techkumar11@gmail.com
I want to read this book if anyone has this book please let me know.
you can send PDF file to my id techkumar11@gmail.com
Want to read
May 27, 2014read
Displaying 1 - 16 of 16 reviews