This is one of his many children's anthologies, and this particular book focuses on people who blend humanity with something more.
Becoming, by Nancy Springer, is a good choice for the lead story. Medusa wakes up one morning with snakes for hair... and no small amount of hysteria ensues as she tries to come to grips with exactly what has happened and what that means about who she is. A good story with a nice image of statues running through it, though I could see Troy coming from a mile away.
Linnea, by D.J. Malcom, follows Linnea after she's dragged into the sea and turned into a mermaid by a shark-shifting boy. A boy who demands she marry him. Despite the traditional formula, it has a very untraditional ending, which made me happy.
Water's Edge, by Janni Lee Simner, tells of a girl who has spent her whole life hearing the ocean. She's surrounded by a lot of family, but doesn't connect to any of them. When her grandfather dies, she discovers the magic in her own heritage. This should be a familiar legend to anyone who's read much mythology, but it's a good story all the same, and gets double bonus points for its modern setting.
Elder Brother, by Tamora Pierce, was one of the highlights in this book of gems. If you've read her Wild Magic quartet, you'll remember Numair's battle against another mage, during which he used a word of power to turn the man into a tree. This is the story about the consequences of that word: a tree is now a man. And very unhappy about it. People throw rocks at him when he tells them he's a tree. It's just one of those stories you put down howling at the author to write another one, or a novel, or a series of novels. So much potential. But for now, it's enough to have this one.
How to Make a Human, by Lawrence Schimal, is the only poem in this collection. I do not read much poetry, so take this for what it's worth. I think the last stanza should have been chopped off for being too bloody obvious, and although the overall images were nice, there wasn't much beyond face value. It could have pushed certain comparisons more and left a little more to poetic language. I don't really like or hate it. It's just there to read and move on.
Scarecrow, by Gregory Maguire, is about a scarecrow that comes into awareness one day and is trying to make sense of the world around him. He has a fascination with the notion of before and after and of the story of the farmer who created him. It's an amusing story, very thought-provoking, and although I guessed the end an instant before it was revealed, it is still a wonderful surprise. I think this is my other favorite story in the book.
Centaur Field, by Jane Yolen, held up very well until the end. One night a pony gives birth, but the foal has distinctly human-looking bits rather than a horse head. Nobody's real sure who (or what) the father is. Of course the barn tries to keep it secret. Equally inevitable is the world's discovery. I did not like how this was handled at all. It felt too cheap that people would give up so easily. Not that I relish yet another story about government goons making life miserable, but it just felt like there were a lot of real-life concerns that got glossed over.
Princess Dragonblood, by Jude Mandell, is another story about a girl waking up to find she's not quite as human as she thought she was. In this case, the mother's standard deal with a witch takes several very odd turns, and the end felt a bit cheesy, though I certainly enjoyed the headstrong princess. And the dragon wings.
Soaring, by Tim Waggoner, is about a boy born with wings. He can't fly. Being in a carnival as an attraction doesn't bother him as much as dreaming of flight and not being able to do it. I liked this story until the end. Until then I thought I'd found a decent story about a winged guy (very hard to find in the best of times; most stories feel the need to make them angels or somesuch). After that... it's not a bad story. It's just certainly not the way I would've ended it or wanted it to end. It ends the way these things always end: with the kid still not able to fly, only now that's okay.
The Hardest, Kindest Gift, by Bruce Coville, rounds out the collection. It mixes a man's journey with his father's journals, gradually revealing who this man is and why he is more than human. And what, exactly, is the gift he has spent so long obtaining. It's a good story, though I could wish Coville had simply switched back and forth between past and present rather than resorted to the cheap diary trick.
Overall this is an excellent collection, with Elder Brother and Scarecrow as the real standouts. Elder Brother in particular is good if you've read any of the Tortall books by Tamora Pierce and would like an additional piece of the story. Highly Recommended.