I know Sudha for more than a year. She was a fellow participant in the Amazon Pen to Publish Contest 2017, we were selected as finalists of the contest, and she eventually went on to win the competition. I had been thinking of reading her book ever since the past year, but I finally got a chance only recently.
I had read the sample (the first couple of chapters, I guess) of the book long back, and from that itself I knew that she was a talented author. The admiration only increased as I progressed through the book. Her prose is marvelous. She has employed the third person limited POV approach throughout the book, and she has implemented it almost perfectly, which is commendable for a debut author. The characterization is also done beautifully—using dialogues and actions to gradually “show” their development rather than “telling” it to the readers. I could feel for Shweta, the protagonist, throughout, identify with her fears and inhibitions, and also admire her strength during tough times. The other characters have also been weaved beautifully, each complementing the other and their complex relationships adding a rich flavor to the narrative.
The plot is intriguing, and you can’t help but admire its intricacies and the beautiful way in which the interactions between the characters help move the story forward. However, the one flaw that I noticed was that even for a casual reader like me, it was quite easy to predict what would happen at the end. That is something that Sudha does need to work on. One or two scenes in the second half of the book were a bit too dramatic for my liking, but on the positive side, I did get emotional towards the end, which always feels satisfying in a book. Actually, this book would be absolutely perfect for a Bollywood movie; it has all the elements of a blockbuster.
The language is classy, and the editing is nearly flawless. I could not find any grammatical errors, and considering how observant I am about this aspect of writing, Sudha deserves accolades for producing such a neat book. I did observe a couple of missing punctuation marks, but that is totally forgivable in a 280-page book. I loved how she has used short, clean paragraphs instead of long ones that make reading cumbersome. Her vocabulary is excellent, and she possesses a huge repertoire of phrases, both of which she uses expertly in her narrative. Another wonderful thing I noticed was how, despite her lucid, easily-understandable language, she plays with metaphors occasionally and weaves lyrical prose that would delight even those readers who like wordplay. Similarly, she has managed to maintain a perfect balance between over and insufficient description, which is the hallmark of a proficient author. I also loved the vivid descriptions of the food, the culture, and the traditions, especially the food which made my mouth water many times. Not many authors can achieve all this in their very first novel.
The only other—minor—issue I found was one particular aspect of the relationship between Max and Shweta. It felt a bit unnatural for a married Indian woman who is quite new to the US to get so comfortable and even end up living together with a man, despite him being gay. But that is just my personal opinion, and other readers might feel otherwise.
Overall, I think this is a fantastic effort by a debut author, and her future looks very bright in the Indian literary industry. 4.3 stars from my side.