I wanted to find this book lyrical and profound; Trachtenberg is a wonderful writer, and the idea of using cats as both example of and figure for the force, mystery, and pain of love seems inspired to me. But the book itself seemed pretentious and pastiche-y to me (alluding to every intellectual touchstone from Derrida to Swann's Way); the insights into cat behavior and domestication banal; and the navel-gazing of telling the story of his vexed marriage seemed self-indulgent and pompous. Trachtenberg seems like a hipster impressed with his own wasted youth (snorting Ritalin with prep school friends), wide reading (did I mention he's read Proust? and Ruskin--gasp!), and wastrel creativity (he spends far more time describing his failures to sympathize with his wife's deep devotion to her cat than he does adumbrating how frustrating it must have been for her that he was going broke and getting them deeply into debt). I think the biggest problem with the book for me is this: while Trachtenberg wants the cat connection to be a po-mo metaphor indicating his own knowingness about the unknowability of another person, even another person to whom you are quite devoted, it's actually a totally familiar, even trite metaphor that treats femininity as felinity. In other words, Trachtenberg himself, the well-intentioned if often misbehaving male intellectual, is a totally knowable, sensitive, and engaging character, while his wife "F." is aloof, fickle, at once cold and surprisingly affectionate, thin and lithe, solitary and contemplative...wait a minute...by golly...does it sound like I'm describing a CAT?!?
So, once again, women become unknowable and almost unlovable cats, while men are the devoted and befuddled cat owners who just don't know what to make of them. Trachtenberg's extended meditations on husbandry (managing your household and your wife economically) and on the fall from Eden only emphasize these trying and tired gender dichotomies. I found myself really wishing these two would get divorced by the end of the book. "F." felt like a literary affectation instead of a living, breathing human being, and oddly, even Biscuit, the cat who precipitates the quest that is the ostensible occasion for writing the book, feels a little generic. Trachtenberg is much more engaging writing about his first cat (with a mean underbite and attitude) Bitey and his wife's sweet and sickly lost cat, Gattino. I honestly think I would have preferred this book if it had abandoned its philosophical and literary pretenses and allowed itself to be a cat memoir.