Don Quixotic is a series of microfictions that turn on one massive fact—that the president is, if an outsized monster, also an ordinary human being.
Don Quixotic looks inside Trump’s mind, and finds a Byzantine series of self-justifications, along with an array of odd obsessions, not to mention pain, pleasure, trivia, and consequence.
Don Quixotic is both provocation and keepsake. It is both experimental and traditional. It is literature that will both catch fire in the moment and last as long as humans have questions about the minds and motives of other humans.
Ben Greenman is an editor at The New Yorker whose short fiction, journalism, and essays have appeared there, The New York Times, McSweeneys, The Paris Review, and Zoetrope: All Story. He is the author of several acclaimed books of fiction, including Superbad, Superworse, A Circle is a Balloon and Compass Both, Correspondences, and the novel Please Step Back. HIs new book of stories What He's Poised To Do: Stories was published in June of 2010.