This was not what I expected and I can understand why so many love it but why it has quite a few haters as well. I will talk about every book in itself and as a bundle afterwards.
Bloodborn; Ulrika has been a vampire a mere weeks and can not or barely control her urges to feed but has to follow her mistriss the countess Gabriella to Nuln and deal with a mysterious killer out to get the members the female vampire faction of Lahmia operating in the city. I liked this book for various reasons. Nathan Long does a great job showing the trauma a transformation to vampire state must be, the hunger, the isolation, the fear of discovery mixed with the temptation of power. At times Ulrika came across as a junkie with how she pleads and tries to discipline herself and fails so many times. Thankfully Ulrika is more then that one aspect, she brings with her a resentment of her new identity and unwillingness to accept the reality of her being and her membership in the Lahmian Sisterhood that is only tempered with the promise of action and independence that she is not able to handle. The side characters like the countess, her rival Hermione and the witchhunter Holhmann are all interesting and have well rounded personalities and conflicting emotions. The minor characters like Mathilda for whom I have a special fondness, also were a pleasure to read. The mystery works, the plot is complicated but not convoluted. Good book that even non warhammer fans can appreciate.
bloodforged. picking up right after the events of bloodborn, the chapter of Lahmia in Nuln needs more sisters to survive thus the countess and Ulrika her protege have to stay. The plot is that the countess does not yet trust Ulrika enough to let her a bit more freedom and this sets off a chain of events that causes Ulrika to abandon her mistress and make it back to her home country of Kislev which she wants to fight for as it is rumored to be under attack. However when she gets to the city of Praag, the invasion is not happening. So what is she going to do now? I won't go to deep in the details but if you have read warhammer 40k you know perhaps about the noise marines. Space marines dedicated to the god(ess) of pleasure and vice who use sonic weapons and twisted music to kill and demoralize or twist and control their enemies/victims. There is some amazing analogy between the moment the first noise marine were made and the plot of this book. So while I liked the plot and the cultist plan, I do feel that the side characters are a bit of a letdown compared to book 1. The Lahmians of Praag we never really get to know and frankly I don't feel like they would have been worth knowing. Honestly, a blind girl Ulrika sees singing in a tavern is more interesting and for whom I cared more then the Lahmians. The cultists are fine in themselves but nothing special, it is however Stevan von Kohl who steals the show. If I talk to much about him I will reveal crucial plot points but he is a crucial component of the character development Ulrika goes through in this series for more then one reason. So overall I would say if you liked book one this will please you too.
bloodsworn; on itself I don't like this book. Ulrika returns to her mistress in Nuln after the events in bloodforged as she has uncovered a empire spanning plot to reveal the hidden sisterhood of Lahmia by the rival vampire faction of Sylvania. What follows is a bit of a mess. A few things that made me scratch my head: a conclave of vampire sisters has gathered in Nuln and it includes dozens if not a hundred sisters from all over including bizarre types that can't blend in human society anymore. Ok but a few pages before Nuln is in the grip of vampire fear and witchunters are everywhere. So why would you have that meeting in the city? Surely there must be a remote castle or ruin better suited? Perhaps a few yes but this big gathering? Now the only thing it does, is give us way to many figures that fill up the page and the odd entities become slave to their gimmicks. Second, the conclave is at each others throat because of a possible traitor among them and Ulrika who had abandoned here mistress is deemed a possible traitor as well. But then a senior member of the sisterhood arrives and declares only she will determine who is traitor or not on pain of death if disobeyed. Then literally a second later, Ulrika is dragged by Hermione to her house and accused of treason and she demands they kill her......ehm like what did that senior sister just say? Have we forgotten that already?
But that is nothing to what follows and is the most bizarre plot twist in the series; Ulrika decides that she know hates all of mankind and wants to kill every human on earth or turn them into slaves. This coming right after two books where she sees herself as guardian of the night and shadows. Why? Famke. Who the hell is Famke? Famke is the protege of Hermione introduced in the first book and in book three her maiming and burning by the hands of humans is the reason she turns her back on mankind and the Lahmians who want to live among humans( albeit influencing from the shadows) The thing is, I don't by it. Famke barely gets any attention in the whole series, it is heavily implied she is a love interest for Ulrika ( even if she would deny it and claim she is a "dear friend") but I don't believe it. I don't see why Ulrika has any interest in Famke, why she cares about her and would because of her turn into a vengeful spirit against mankind. The rest of the book we see her switching alliances to the Sylvanians and I have to say; even if the motivations were inadequate, this section is a lot of fun. The Sylvanian section is full of combat and backstabbing and has perhaps my favorite character; the human mercenary Stahleker. But I won't go into details here but if you know anything of warhammer, you know the Sylvanian plot is impossible, the fun is to be had in how Ulrika handles herself in the madness. If it were not for Stahleker though, I would not have had as much fun as I did, his and his mercenaries bond with Ulrika drives this section and his fate is way way more convincing a motive for Ulrika's final decision even though once again the "Famke" issue is presented as the real motivation. No, to damnation with Famke, who the hell cares about Famke, I don't even believe it when Ulrika says she cares about Famke. On it's own, I would not recommend this book, but and here is the but; taken as whole there is something more to it.
The final two chapters of the book has us Ulrika who is struggling to get to grips whit what she has done and as reader it was hard to swallow for us as it is for her. She has betrayed literally everyone. Not a single person she met she did not in some way betray. Perhaps sometimes she was forced through circumstances but betrayed them she has. At the end of it all she doesn't even know who she is anymore; is she a monster? A villain? Or can she be that hero she always wanted be? Or is that an illusion she sticks too? At this point one character was redeemed in my eyes; the countess Gabriella, at various times you hate her or dislike her at the very least. She literally restrains and cages Ulrika and as you as a reader are swept up in Ulrika's manic desires for action, you take over her dislike for the countess. but in the end after everything Ulrika has done, you come to understand that she was right all along. Is Ulrika a hero or a villain? She is neither, she still is that junkie from book one; but her fix is not blood as were made to believe, but the illusion of freedom that she can't handle.
That made the series,that moment there is what redeemed it. Having said that I do still have issues especially with book three. The Famke thing is bad, too many side characters especially the senior Lahmian is wasted potential, you get the impression she is going to be a big thing, but she isn't, why even have her? But what put me off the most, was that Ulrika's importance was overblown. Why do so many vampires, many hundreds years old, care so much about her? In Book one and two that was resolved by scarcity; few vampires thus every single one is important to either side. But in book three I fail to see why she actually grows in importance as she did. Yes she matters to us the reader and I can get why she matters to the countess but why to everyone else? As a reader I guess that is an unresolved question you have to ignore.
In the end is this a good read? Yes and it is accessible to non warhammer fans whom despite the flaws will find it entertaining to read.