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Mikrokosmos #1,2
Mikrokosmos: Books 1 & 2
Béla Bartók wrote the first four volumes of the Mikrokosmos as a series of beginning piano exercises for his son Péter. The great Hungarian composer's complete six-volume collection represents one of the most comprehensive anthologies of contemporary technique ever assembled. This edition, consisting of the first two volumes, presents more than 100 pieces of study material suitable for first- and second-year students.
In a 1945 radio interview, Bartók explained, "The Mikrokosmos is a cycle of 153 pieces for piano, written with a didactic purpose. That is, to give piano pieces which can be used from the very beginning and then going on. It is graded according to difficulties. And the word Mikrokosmos may be interpreted as a series of pieces in many different styles, representing a small world. Or it may be interpreted as 'world of the little ones, the children.'" This volume constitutes the definitive edition of Bartók's tutorials, drawing upon all known manuscripts and the printed originals for a corrected version approved by the composer's son and the first student to benefit from these exercises.
In a 1945 radio interview, Bartók explained, "The Mikrokosmos is a cycle of 153 pieces for piano, written with a didactic purpose. That is, to give piano pieces which can be used from the very beginning and then going on. It is graded according to difficulties. And the word Mikrokosmos may be interpreted as a series of pieces in many different styles, representing a small world. Or it may be interpreted as 'world of the little ones, the children.'" This volume constitutes the definitive edition of Bartók's tutorials, drawing upon all known manuscripts and the printed originals for a corrected version approved by the composer's son and the first student to benefit from these exercises.
80 pages, Paperback
First published January 1, 1940
2 people want to read
About the author
Béla Bartók
1,285 books13 followersWorks, including the music for the opera
Duke Bluebeard's Castle
(1911) and
Concerto for Orchestra
(1943), of Hungarian pianist and composer Béla Bartók combine east European folk with dissonant harmonies.
Since 1920, small childhood hometown of Béla Viktor János Bartók in the kingdom within Austria constituted Sânnicolau Mare or great Saint Nicholas, Romania.
From his mother, he got his first lessons, but from the age of 18 years in 1899, he studied under a protege of the great late Franz Liszt. At the royal academy in Budapest, he met Zoltán Kodály, lifelong friend. Kodály, Claude Debussy of France, Johannes Brahms, and old Magyar melodies influenced Bartók, who met Richard Strauss in 1902. Indeed, Bartók of founded study of ethnomusicology, a passion in which his friend Kodály joined him, studying and incorporating much country into his own.
Since 1920, small childhood hometown of Béla Viktor János Bartók in the kingdom within Austria constituted Sânnicolau Mare or great Saint Nicholas, Romania.
From his mother, he got his first lessons, but from the age of 18 years in 1899, he studied under a protege of the great late Franz Liszt. At the royal academy in Budapest, he met Zoltán Kodály, lifelong friend. Kodály, Claude Debussy of France, Johannes Brahms, and old Magyar melodies influenced Bartók, who met Richard Strauss in 1902. Indeed, Bartók of founded study of ethnomusicology, a passion in which his friend Kodály joined him, studying and incorporating much country into his own.
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April 30, 2018
Thanks to Netgalley, the publisher. and the author for allowing me to read and review a digital copy of this book. I really enjoyed this book.
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