1688 metai po Didžiojo Gaisro, Merifildsas. Šiame dvare netoli Londono gyvena Embrouzai, savo namus pavertę savotiška sanatorija – čia prieglobstį randa keistuoliai, sielos žaizdų, melancholijos ir nerimo kamuojami žmonės. Visi jie kaip viena darni šeima. Tačiau labiausiai šiuose namuose švyti jaunoji Beta Embrouz. Jau keletą metų tapybos paslapčių ją moko vienas iš namo "svečių" dailininkas Johanas. Įžvelgdamas ypatingą mokinės talentą Johanas skatina Bertą kūrybai: "Pažvelk toliau savo mylimų gėlių. Tapyk gyvenimą – įvairias jo formas ir apraiškas. Būk drąsi". Dailininko žodžiai įkvepia merginą, tačiau jo paties likimas priverčia susidurti su šiurkščia ir negailestinga tikrove...
Tuo metu Londone bręsta politinės permainos. Merifildso gyventojus pasiekia kovų tarp anglikonų ir katalikų atgarsiai. Netikėtai į provinciją iš Naujojo Pasaulio atvyksta jaunas, veržlus ir ambicingas architektas Nojus Leitonas. Jo pasirodymas gaiviu gūsiu įsiveržia į Betos mintis. Revoliucijai įsukus šalį į politinių įvykių, intrigų ir permainų sūkurį Berta priversta spręsti: klausytis širdies ar likti ištikimai savo apsisprendimui tapti dailininke, kovoti dėl meilės ar ją paleisti?
Tai nuostabus pasakojamas apie merginą, kuri nusprendė tapti dailininke tais laikais, kai moteriai svarbiausia buvo ištekėti, susilaukti vaikų ir rūpintis šeima. Apie drąsą būti savimi bet kokiomis aplinkybėmis.
Charlotte Betts discovered a passion for writing after her five children had grown up and left her in peace. Demanding careers in hotel design and property force her to be inventive in finding time to write but she has achieved seven novels in eight years. One of her short stories was published in Scribble and others short-listed by Writers’ News and Real Writers’. She has won first prize in five short story competitions and wrote a regular column on interior design for The Maidenhead Advertiser for two years. She is a member of WordWatchers http://www.wordwatchers.net/ and the Romantic Novelists’ Association.
My favorite book so far in 2012. Much of the plot line is predicatable but that does not diminish the total enchantment of the story. The characters are quirky and endearing and the sights and smells of the times come alive on the page.
It is a book that has made me happy and that is a wonderful treat.
I think reading this book was rather well timed. At the beginning of the book, Beth's painting tutor commits suicide and she struggles on to find meaning and happiness again. Of course she finds it, but a change of scenery helped. I think reading this book was quite well timed because one of my best friends committed suicide in December and I had been struggling to understand and look past the sorrow of no longer seeing her. Finally, I find a book were the character can relate and I can use her experiences and try to apply them to my own grief and mourning.
The main character, Beth, looses her passion for painting. She doesn't know how to regain it, but she's determined to try so that she can make her old tutor proud. She finally finds a position for a local Bishop painting and cataloguing his flowers at the different stages of their development. She finds that she loves this and slowly finds her spirit again.
There is, of course, a lot more to the book than just this one point, but this is the first point that came to mean something to me. It is a terrible thing when a friend dies and you want to make them proud, and Beth does. Furthermore, she finds love in an unexpected place and helps in some unexpected political plots to help her friends in the royal family.
We find in this story that Beth is a patient young woman who can easily pluck up the guts to ask someone a question that has great significance but may also be quite dangerous. She goes through a lot, including a potential rape (luckily people heard her screams) and she goes on, with strength, to look after her family.
This is truly a story of great strength. The story of a woman with great burdens, but who doesn't sulk or self-pity. Beth sets her burdens aside to help her family and friends in their times of great need, however she also finds love in an unexpected place to a man who values her painting skills and wants her to continue (something unheard of back then).
This book is one of my favourites by an excellent author who is quite skilled at writing historical fiction. There are a lot of lessons to be learnt in such a story and I'm glad to say that I've taken some of them on board. Definitely recommended if you like such a story.
'The Painter’s Apprentice’ by Charlotte Betts is a romantic historical novel set in London during 1685-1688, during the time of religious unrest. It is set after Betts’ first novel, ‘The Apothecary’s Daughter’, and involves the same characters, but in no way do you need to read the first to understand the second. As it is just as wonderful however, I highly recommend you do.
In this novel we meet Beth, daughter to Susannah (who was the Apothecary’s Daughter in the first novel) who is at a marital age but has no inclinations. She can’t imagine leaving her childhood home – a comforting hostel for those who would otherwise be shafted into Bedlam – as she especially enjoys the company of one of the residents; a painter by the name of Johannes. As she has quite the talent for painting, all she has ever wanted is to develop her talent to be the very best it could ever be, and if that means never going through the distraction of marriage and a family, so be it.
“L’allieva segreta del pittore” di Charlotte Betts pag. 383
Il romanzo è ambientato a Londra e dintorni nel 1688 e la protagonista è Beth Ambrose, una giovane donna che ha sempre vissuto insieme alla sua famiglia a Merryfields. Merryfields, oltre ad essere la casa di famiglia, è una sorta di manicomio o come amano definirlo gli Ambrose un luogo che ospita persone dall’animo malinconico o disturbato. Ospite perenne della loro casa è Johannes, un pittore olandese che ha perso moglie e figlia in uno scontro tra protestanti e cattolici e che da allora non riesce a ritrovare la serenità. Johannes ha saputo riconoscere il talento di Beth nel disegno e nella pittura e ne ha fatto la sua apprendista. Punto focale del libro è proprio questo…è proprio necessario per Beth dover scegliere tra seguire il suo desiderio di dipingere fino a farne una carriera e la possibilità di farsi una famiglia? Beth era ben decisa a rinunciare all’amore e all’idea di avere una famiglia per dedicarsi unicamente alla pittura fino all’arrivo di Noah, cugino e giovane architetto proveniente dalla Virginia, che sconvolge gli equilibri familiari e le convinzioni di Beth. Sullo sfondo di queste vicende c’è la rivoluzione che vide scontrarsi papisti e protestanti per il potere in Inghilterra. Ho trovato la storia molto bella perché legata a eventi storici accaduti realmente miscelati a vicende romanzate. Questo mix funziona alla perfezione rendendo il romanzo storicamente interessante ma per nulla pesante. I personaggi sono ben caratterizzati, sia quelli principali che quelli secondari, il ritmo è tranquillo senza essere lento, perfetto per questo tipo di romanzo.
The Painters Apprentice tells the story of young Beth who on discovering her talent for horticultural painting finds herself being transported right into the heart of the Protestant & Catholic tension before the Glorious Revolution of 1688.
Once again I enjoyed the historical aspect & historical note. Felt sorry learning more about Princess Anne. Women in her position had it tough in those days trying to bear children.
Without giving too much away I found the beginning sad / harrowing for poor Johannes & with the losses Beth endured. Despite it all it was good to see her grab the reigns and move forward with her life. But will she stay committed to her work in honour of her mentor; will she choose her art over love?
My only issue with this book was I found it hard realising it was a sequel to the Apothecary’s Daughter. So I struggled clicking into the characters initially. However the family & household dynamic was endearing. And the book does stand alone once you get into it. The concept of Merryfield’s and its use for the time period was interesting.
Also I wasn’t best keen on her encounter with Harry De Montford. What a cad! However it was only one section. Alright read but wasn’t my favourite of Charlotte’s books that I’ve read so far.
I really enjoyed "'The Painter’s Apprentice’ by Charlotte Betts, set during 1685-1688. It was interesting as an accurate history of the short reign of Catholic King James of England after the great fire of London, as well as the story of Beth, a gifted artist at a time when women were only expected to marry well and be good wives and mothers. The character Noah also compares the new world of America against an older land England with its smelly streets and rivers and struggling parliamentary system at loggerheads with the monarchy. I really enjoyed the book it is a good read without being too heavy.
İlk kitaba göre daha durağan başlasa da güzel bir hikaye idi.. Romanın kahramanı Eczacının Kızındaki Susannah ve William'ın kızları Betts Ambrose ve Noah Leyton'ın hikayesi idi..Bu hikaye diğer romana göre daha derinliği vardı. Tarihsel kurgu olarak da VIII:Henry zamanın da geçmesi ve onun Elizabeth ile olan ilişkisi Katolikler ile protestanlara savaş açması dini halka karşı kullanması anlamlı idi. Ayrıca Beth ve Noah'ın hikayesi de oldukça güzel idi
This novel follows on from Charlotte Betts 'The Apothecary's Daughter' and tells of her oldest daughter's wish to paint, her life with the family and her love life. Nothing complex or difficult and the main characters are people the reader can like and hope life turns out well for them.
It's a sweet read, a candy floss story suitable for all those dull days or sad days when you need a little cheer up.
Beth Ambrose, protagonista del romanzo, è una giovane donna che vive a Merryfields insieme ai suoi genitori e ai suoi tre fratelli, Kit, John e Cecily, e gestiscono un manicomio – anche se loro preferiscono definirlo come un luogo dove coloro che soffrono di malinconia possono riposare e curare il loro spirito grazie all’aria di campagna.
Il padre William è uno stimato dottore, così come dovrà esserlo suo fratello Kit (che però sogna di lasciare tutto e partire), mentre la madre Susannah è una farmacista che prepara i medicinali con le sue erbe.
I clienti degli Ambrose non sono dei semplici clienti ma una vera e propria famiglia, tant’è che pranzano e cenano tutti riuniti allo stesso tavolo e, tra questi, c’è Johannes, un pittore olandese.
Beth è l’allieva di quest’uomo depresso che ha perso la moglie incinta in una guerra tra protestanti e cattolici: da lui impara l’arte della pittura dipingendo la natura che la circonda partendo da semplici foglie secche dai colori marrone-arancio fino ad arrivare a catturare la più piccola sfumatura di un fiore coltivato nel giardino di famiglia dal fratello minore John.
Beth è diversa dalle ragazze della sua epoca, sa cosa vuole e desidera affinare la sua tecnica di pittrice utilizzando la sua dote per qualcosa di più. L’occasione si presenta quando il vescovo le offre di catalogare i fiori del suo giardino. Finalmente è giunto il momento per Beth di utilizzare il suo talento e tutti gli insegnamenti offerti dal suo maestro; lascia a malincuore la sua famiglia e parte per Chelsea insieme alla sorella Cecily, che dalla vita desidera solo avere un marito e dei figli da accudire, e alloggiano dalla nonna, una donna altezzosa e sofisticata.
Durante la sua storia incontreremo principesse, conosceremo il 1688 fatto di insurrezioni e di ripresa dopo il Grande Incendio di Londra e ci lasceremo incantare da un architetto americano, Noah, per cui inizialmente la nostra protagonista femminile proverà un astio profondo, e che poi cambierà il pensiero che ha Beth sull’amore.
«Il vostro arrivo è stato come un sasso gettato da una grande altezza dento lo stagno di un mulino», disse Beth. «Le onde si sono sparse in lungo e in largo».
Il ragazzo rispetta le sue idee e il desiderio di non abbandonare la sua passione per trovare marito e mettere su famiglia, anche se lei vorrebbe tanto far conciliare le due cose da quando Noah è entrato a far parte della sua vita.
«Non è possibile trovare un compromesso tra la mia passione e l’amore? Deve essere una scelta così radicale?». Sospirò. «Un uomo può soddisfare le proprie ambizioni senza rinunciare alla famiglia. Perché per la donna non è possibile?».
«Lo sapete il perché». La sua voce era brusca. «I figli hanno bisogno della loro madre».
So che un libro non deve essere mai giudicato dalla copertina, ma è stata proprio la cover di questo romanzo ad avermi spinto a leggere la trama grazie ai suoi colori vivaci in primo piano e la luce sullo sfondo che illumina una tela pronta per essere dipinta. L’autrice con la sua scrittura fresca e mai pesante, nonostante parliamo di un romanzo storico, riesce, grazie alle sue descrizioni dettagliate, a trasportarti con l’immaginazione proprio lì, nella Londra del XVII secolo.
Ho molto apprezzato la scelta dell’autrice di non appesantire il romanzo con una lezione di storia, ma di accennare agli eventi che gettarono la cittadina inglese nel caos durante la Gloriosa Rivoluzione. Così facendo credo che, un lettore curioso come me, sia stimolato a colmare le lacune sulla storia inglese e invogliato a informarsi sugli avvenimenti descritti nel romanzo.
Consiglio questo libro non solo alle amanti della Austen, chi ha amato Orgoglio e pregiudizio lo apprezzerà di sicuro, ma anche a chi vuole farsi coinvolgere in una storia d’amore delicata come un bocciolo di rosa, con due protagonisti ben caratterizzati e appassionati.
I think I’ve been taken in by the pretty cover. I’ve read a few intense books recently where I was beginning to feel quite miserable about the fate of womankind. I specifically wanted something lighter but this isn’t what I was expecting. The book is quite heavily focused on King James II and the Glorious Revolution. It was a bit boring. I liked Beth but she’s quite a dull main character. Noah is her love interest (and her cousin) he’s quite arrogant but did eventually win me over. The scene where Noah finds Beth covered in red paint but mistakes it for blood is probably the best part of the book. He turns out to be quite a hero when he rescues Cecily from drowning. Cecily reminded me of Lydia Bennett but Cecily thankfully has a better ending. From the blurb I was expecting the story to be set in Merryfields and for there to be more mystery and drama regarding the guests there (Man in the iron mask vibes). I couldn’t help thinking that William was a bit of a rubbish doctor. He seems to leave both Johannes and Anne completely in the care of his teenage daughter. He also relies on others to promote his business.
It’s was an okay read but I probably won’t be recommending it to anyone. The book did make me want to visit Fulham Palace.
This entire review has been hidden because of spoilers.
I really liked the Apothecary’s Daughter and I wanted to read this as a nice follow on book and to read about the characters lives and how they’d developed. This was not what this book was. There was a small mention of the previous characters at the beginning, but it didn’t even follow up Susanna’s story. It follows Beth, her Daughter, but to be honest, it was hardly reminiscent of the previous story. It was heavily dominated by monarchy, politics, religion, who would be hung for what and who would have a son or daughter born to them and what that meant for those in power at the time and throughout the book is the story of her falling for her 1st cousin, who she eventually marries, I am aware this book is set in the 17th century, and I really like the writer, but this is hardly a follow on book from the first and I feel it is sold as a book hanging onto the shirt strings of the Apothecary’s Daughter when in reality it’s a completely different story about completely different characters, nothing to do with Susanna or her history.
This entire review has been hidden because of spoilers.
Romanzo storico-artistico colorito L’autrice scrive romanzi storici piacevoli, dipingendo con colori gradevoli la vita delle donne inglesi del seicento: le protagoniste affrontano infatti prove e problemi ma dispongono di una libertà e di opportunità che paiono poco probabili per i tempi. Una lettura scorrevole e poco impegnativa, interessante per la descrizione delle tensioni fra protestanti e cattolici, raccontate da un punto di vista insolito per noi italiani.
Another amazing novel from Charlotte Betts! I felt like I had stepped into the past when I read this- it was exciting, colorful, and beautifully written. Very informative on the side of religious and political issues in Britain at this time. A page-turner, I found that once I started I couldn't put it down! Highly recommended for all lovers of a good historical romance.
Mi è piaciuto, anche se titolo e trama mi avevano lasciato intendere ad una trama ben più articolata e "oscura". Tuttavia ho apprezzato la tematica storica sempre presente e la descrizione di luoghi e personaggi.
Very good sequel. Interesting period in history interwoven with fictional artist romance. Beth is a promising artist who gets involved with Princess Anne and the future if England as Protestant or Catholic. Meanwhile she is also falling in love which doesn't go to plan.
Dailininko mokinė, knyga apie meilę, siekius, ištikimybę, ir gražią draugystę. Pradžia lėtokai skaitėsi, bet įsitraukus, jau buvo sunku pasitraukti. Autorės braižas, vis įpinti istorinius įvykius, ir susieti su istorija, praplečia žinias, ir akiratį.
A perfectly adequate historical read set in 1688. No present day story or switching back and forth in time which made for a pleasant change. A 2012 book, so I suppose it was pre that trend.
This book is absolutely brilliant, but you must read the Apothecarys daughter by Charlotte Betts first as this is a follow on. It takes place during the reign of James II and it a very good piece of historical fiction.