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136 pages, Hardcover
First published January 1, 1989
❝ Be the Mask ❞


Tell them they're finished. Tell them the street's belong to the Batman.
The raven was sick. His friend the bat, grew long fingers with webs between them and he fanned the sickness away from him.
You are the servant of a powerful god? Then, priest of Chubala, strike me yourself. I dare you, priest of Chubala, strike me or be known for the pathetic, cowardly thing you are!
After Bat blew the sickness away from Raven, he collected it and took it to the nest of Vulture...

Batman: Shaman (collecting Legends of the Dark Knight #1–5) has the honor of launching an entire ongoing series dedicated to untold tales from Batman's early years — and as a launchpad, it's a fascinating, if uneven, piece of Bat-history. Written by Dennis O'Neil, one of the most influential Batman writers of all time, with art by Ed Hannigan, it tells an origin-adjacent story set in the murky period right before Bruce Wayne first dons the cowl.
The story opens far from Gotham: Bruce Wayne is in the Alaskan wilderness, hunting a fugitive, when things go catastrophically wrong. Injured and stranded, he's rescued by a tribal shaman who shares a story about a bat and a raven — imagery that plants itself in Bruce's mind and later resurfaces the night a bat famously crashes through the window of Wayne Manor. From there, the book folds into a plot involving a death cult exploiting Native American mysticism, forcing young Batman to reckon with forces that are less street-level thug and more ancient and unknowable.
The mystical, Native American-inspired framing device — while ambitious for 1989 — reads as somewhat dated and thin by today's standards; it leans on the "wise tribal figure" trope more than it develops it with real specificity or respect. The plot itself, once it settles into Gotham, also feels a little disjointed, more a series of moody vignettes than a tightly constructed mystery. It's a product of its era, for better and for worse.
"Criminals are a superstitious and cowardly lot" — the line that started it all, echoed here fifty years (to the month) after it first appeared in Detective Comics #33.
As a piece of Batman history, Shaman is worth reading — it's atmospheric, ambitious, and clearly written by someone who deeply understood the character's mythic potential. As a standalone story, though, it's a little rougher and more dated than O'Neil's best work.
My Rating: ⭐⭐⭐⭐☆ (4.0/5)