E’mon Lauren’s poems take artifacts, language, and ephemera from life on Chicago’s Southside and Westside to create a manifesto of survival and growth. These poems from Chicago’s first Youth Poet Laureate grapple with sexism, racism, love, and class with a style that announces Lauren as a poet to watch.
Commando is an aesthetic stick up, hallelujahs in a handbag with a handgun. The first collection from the city's first youth poet laureate is a manifesto for a solider at war.
E’mon Lauren was named Chicago’s first Youth Poet Laureate and uses poetry and playwriting to explore a philosophy of hood womanism. Her poem in the issue is from her first chapbook, Commando (Haymarket Books, 2017).
I don’t think it’s fair for me to give this a rating, but damn what an eye-catching cover that is, and the language of these poems by E’mon Lauren read aloud are reminding me just how much I love poetry. Pacing, alliteration, imagery, all flawless.
That first poem took my breath away. Just a stunning use of language, song, and space-time of now. The rest of the collection didn't connect as hard, but I'm so white and getting old, friends. I loved the tight lyricism coupled with an open strength of identity. I loved how each poem begged to be read aloud, not just a quiet reading, but a voiced event - the way poetry is meant to be experienced.
Lyrical, unfolding, and rich. The poems lay bare the city of Chicago through melodic and visceral verse, transforming the material of the city into song.