E’mon Lauren’s poems take artifacts, language, and ephemera from life on Chicago’s Southside and Westside to create a manifesto of survival and growth. These poems from Chicago’s first Youth Poet Laureate grapple with sexism, racism, love, and class with a style that announces Lauren as a poet to watch.
Commando is an aesthetic stick up, hallelujahs in a handbag with a handgun. The first collection from the city's first youth poet laureate is a manifesto for a solider at war.
E’mon Lauren was named Chicago’s first Youth Poet Laureate and uses poetry and playwriting to explore a philosophy of hood womanism. Her poem in the issue is from her first chapbook, Commando (Haymarket Books, 2017).
That first poem took my breath away. Just a stunning use of language, song, and space-time of now. The rest of the collection didn't connect as hard, but I'm so white and getting old, friends. I loved the tight lyricism coupled with an open strength of identity. I loved how each poem begged to be read aloud, not just a quiet reading, but a voiced event - the way poetry is meant to be experienced.