Bound is a book chock full of thematic potential.
Natalie narrates a complex and perplexing story. She has unbounded enthusiasm for business and means to work her way up the ladder to the top. She landed a plum internship in the employ of her professional inspiration. The confounding but aptly named Eric Mann commands Natalie's attention on all fronts. Her job, though ill defined, brings her in close contact with Eric and the inner circle around him. She doesn't have to scratch or claw her way to her own place at Eric's side. In part one, she works hard at her job, but plays the sub to Eric's Dom. Cliches abound only to be unwound.
Part two unveils the big secret which really isn't much of a secret since this book is a lesbian romance. The opening scene and the author notes also slam home the central theme of Bound. Eric was born Erica. She and her twin brother Eric were raised by an abusive father, Charles Mann, and an indifferent mother. Eric died at age five and Erica was tapped to be his lifelong impersonator. Undear old dad, and his staff of professional child manipulators, trained Erica to fool everyone. At thirty and with dad now dead, Eric Mann tries to peel her false identity off like layers of an onion. Natalie witnesses firsthand that her lover Eric is a woman. As the narrator, she has the job of telling this weird and shameful story. She shows and tells what happens with a lover's heart. At first too shocked and too heterosexual to take a bite from Erica apple, Natalie embraces her need to be with the one she loves.
Bound plays around with the theme of bondage. Eric tells Natalie, during their first time together as lovers, that he is into bondage. Obviously, Eric routinely binds her breasts to hide Erica. All the games people play because they are bound by sex roles, sexuality and racial identity are woven into the story. The nature vs. nurture conundrum greatly confuses the characters as they deal with their issues. Eric turns, from therapists and prostitutes, to Natalie for help to bring Erica back from the dead. She knows that she was born a girl, but doesn't know what that means after so long living as Eric. Personal and societal history also binds the characters in restrictive ways. Old friends, past lovers, coworkers and employees manage to reinforce self destructive patterns. The family acts as the institution which imprints false, damaged and harmful limitations on the psyche of these characters. How are they able to survive and grow, instead of giving into the madness that underlies this novel? Wound could easily replace Bound as the title for this book. The image of ripping off the band aid comes up repeatedly. Can the truth set them all free from the false constructs which bind them together or will things fall apart for the business and the relationships that have been built on the seminal lie?
In the end, this girl meets boy and boy is a girl story is a trip. It's a trip worth taking. As a feminist, lesbian and progressive reader, Bound had too much unfulfilled potential for me. Forgetting these filters, I did enjoy reading this book. A second book told from Eric's perspective is possible. I clicked on the survey in the back of the book and voted yes. Who knows what will come of that from these prolific authors? Stay tuned.