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288 pages, Hardcover
First published June 26, 2018
The Game of Hope is a YA historical fiction novel that follows Hortense de Beauharnais, Napoleon's step-daughter. Honestly, I have no clue what the plot of this novel is because the 133 pages I read were a hodgepodge of girl drama, sordid family dealings, and music. It was all very boring and I'm quite sad because I thought this was going to be a novel I would love. I do enjoy historical fiction re-imaginings and I had high expectations for this one, not absurdly high, but I thought it would be a nice YA historical fiction that would at least garner four stars. What I read only garners 2 stars. It's not bad, but it is bland and drab. This book lacks substance, life, and vitality. It feels like it wants to be dramatic and over the top, but is bogged down by Gulland's disconnected writing style. The style has no passion and it left me feeling so disconnected from the story and the characters. Historical fiction has to be fierce and passionate because it is recreating the past and presenting a multitude of characters. I cared about no one and was interested in no plot. I am so sad that this wasn't a new favorite.
The main female character is Hortense. She is bland, but she does have a drive for composing music, which is an interesting passion. However, her actions in the last chapter towards her friend, Mouse, in revealing the truth behind her mother's death was very cruel and it left a sour taste in my mouth. I was over this novel by that point, but her cruelty and it being swept under the rug so easily was just the nail on the coffin for this novel.
There are a multitude of characters and I can't be bothered with any of them. The drama is petty and manages to be uninteresting. There is also some weird romantic subplot with Jaydin, her music teacher, and I just wasn't feeling it or interested in it. Basically, I couldn't be bothered and found there to be too many characters and not enough development to hold my interest.
“You grew up in a violent time,” she said, her voice soft. “You witnessed things no child should ever have to see. But memories are like words on a wax tablet: they can be erased. You are smart, and creative, and talented. You can become whatever you wish, but first, you must learn to direct your thoughts—even your dreams.” She tucked a stray strand of my hair back up under my nightcap. “Remember: you are safe now.”The story follows Hortense, the 15 year old stepdaughter of Napoleon Bonaparte, during her final year at The Institute -- a finishing school that houses a number of orphaned and/or traumatized children of nobility following the Terror. The characters are rich and come alive on the page, and I found myself caring for each of them deeply.
“Kitchens?”This novel is a coming of age tale, but it is about more than hope, growing up, and young love. It is about living after a political nightmare, the trauma, of moving on and covers the brief period of time between the Revolution and the Napoleonic Periods through a character-driven perspective of the events. True to the time period, there are discussions of arranged marriage, etiquette, and the art of courting; however, romance is not the central component of this story. If you are looking for a historical romance novel of this time period, I think you will be disappointed.
“You need to see them because we’re taught how to cook.”
Eliza stopped on the landing, holding Henry by the neck (strangling him). “Slaves do not perform that function?”
“We have a cook, but Maîtresse Campan believes it’s important that we learn to look after ourselves. We make our own beds and tidy our rooms, sew our own smocks and sashes, cook—”
“In America, slaves perform all that,” Eliza informed me with a somewhat snobbish tone. As if we in France weren’t as advanced.
“Slavery is against the law here,” I said.
Her eyes went wide. “No slaves ?”
“Not since the Revolution. We believe in equality.”
“In America, likewise!”
“Equality for all ,” I said, swinging open the heavy door.