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Brown: Poems
Goodreads Choice Award
Nominee for Readers' Favorite Poetry (2018)James Brown. John Brown's raid. Brown v. the Topeka Board of Ed.: the National Book Award-nominated author of Blue Laws meditates on all things "brown" in this powerful new collection.
Divided into "Home Recordings" and "Field Recordings," Brown speaks to the way personal experience is shaped by culture, while culture is forever affected by the personal, recalling a black Kansas boyhood to comment on our times. From "History"--a song of Kansas high-school fixture Mr. W., who gave his students "the Sixties / minus Malcolm X, or Watts, / barely a march on Washington"--to "Money Road," a sobering pilgrimage to the site of Emmett Till's lynching, the poems engage place and the past and their intertwined power. These twenty-eight taut poems and poetic sequences, including an oratorio based on Mississippi "barkeep, activist, waiter" Booker Wright that was performed at Carnegie Hall and the vibrant sonnet cycle "De La Soul Is Dead," about the days when hip-hop was growing up ("we were black then, not yet / African American"), remind us that blackness and brownness tell an ongoing story. A testament to Young's own--and our collective--experience, Brown offers beautiful, sustained harmonies from a poet whose wisdom deepens with time.
Divided into "Home Recordings" and "Field Recordings," Brown speaks to the way personal experience is shaped by culture, while culture is forever affected by the personal, recalling a black Kansas boyhood to comment on our times. From "History"--a song of Kansas high-school fixture Mr. W., who gave his students "the Sixties / minus Malcolm X, or Watts, / barely a march on Washington"--to "Money Road," a sobering pilgrimage to the site of Emmett Till's lynching, the poems engage place and the past and their intertwined power. These twenty-eight taut poems and poetic sequences, including an oratorio based on Mississippi "barkeep, activist, waiter" Booker Wright that was performed at Carnegie Hall and the vibrant sonnet cycle "De La Soul Is Dead," about the days when hip-hop was growing up ("we were black then, not yet / African American"), remind us that blackness and brownness tell an ongoing story. A testament to Young's own--and our collective--experience, Brown offers beautiful, sustained harmonies from a poet whose wisdom deepens with time.
176 pages, Kindle Edition
First published April 17, 2018
70 people are currently reading
3429 people want to read
About the author
Kevin Young
87 books373 followersKevin Young is an American poet heavily influenced by the poet Langston Hughes and the art of Jean-Michel Basquiat. Young graduated from Harvard College in 1992, was a Stegner Fellow at Stanford University (1992-1994), and received his MFA from Brown University. While in Boston and Providence, he was part of the African-American poetry group, The Dark Room Collective.
Born in Lincoln, Nebraska, Young is the author of Most Way Home, To Repel Ghosts, Jelly Roll, Black Maria, For The Confederate Dead, Dear Darkness, and editor of Giant Steps: The New Generation of African American Writers; Blues Poems; Jazz Poems and John Berryman's Selected Poems.
His Black Cat Blues, originally published in The Virginia Quarterly Review, was included in The Best American Poetry 2005. Young's poetry has appeared in The New Yorker, Poetry Magazine, The Paris Review, Ploughshares, and other literary magazines. In 2007, he served as guest editor for an issue of Ploughshares. He has written on art and artists for museums in Los Angeles and Minneapolis.
His 2003 book of poems Jelly Roll was a finalist for the National Book Award.
After stints at the University of Georgia and Indiana University, Young now teaches writing at Emory University, where he is the Atticus Haygood Professor of English and Creative Writing, as well as the curator of the Raymond Danowski Poetry Library, a large collection of first and rare editions of poetry in English.
Born in Lincoln, Nebraska, Young is the author of Most Way Home, To Repel Ghosts, Jelly Roll, Black Maria, For The Confederate Dead, Dear Darkness, and editor of Giant Steps: The New Generation of African American Writers; Blues Poems; Jazz Poems and John Berryman's Selected Poems.
His Black Cat Blues, originally published in The Virginia Quarterly Review, was included in The Best American Poetry 2005. Young's poetry has appeared in The New Yorker, Poetry Magazine, The Paris Review, Ploughshares, and other literary magazines. In 2007, he served as guest editor for an issue of Ploughshares. He has written on art and artists for museums in Los Angeles and Minneapolis.
His 2003 book of poems Jelly Roll was a finalist for the National Book Award.
After stints at the University of Georgia and Indiana University, Young now teaches writing at Emory University, where he is the Atticus Haygood Professor of English and Creative Writing, as well as the curator of the Raymond Danowski Poetry Library, a large collection of first and rare editions of poetry in English.
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Displaying 1 - 30 of 99 reviews
October 18, 2019
Kevin Young writes poetry with so much heart and a swinging sense of inner beauty. Elegies to ease your burdens. Road maps to reflection. Bouncing rhythms of movement. Hey world, here he is, calling out to anyone who cares to listen. This is poetry that melts into your long term memory to stay with you forever. Gentle and graceful. Wild and wailing. Muchas gracias Bonnie G. for having the sensibility to recommend this one. I need my own copy to keep close.
April 17, 2018
This is my favorite collection from Kevin Young yet!
Publisher blurb: "Divided into “Home Recordings” and “Field Recordings,” Brown speaks to the way personal experience is shaped by culture, while culture is forever affected by the personal, recalling a black Kansas boyhood to comment on our times."
Kansas boyhood= baseball poetry
Our times= moving, devastating tributes to young black men killed needlessly.
My favorites include all the parts of "De La Soul is Dead," which quotes a different 90s song in each one, and "Hive."
I received an advanced reader copy of this from the publisher through Edelweiss. It comes out April 17, 2018.
Publisher blurb: "Divided into “Home Recordings” and “Field Recordings,” Brown speaks to the way personal experience is shaped by culture, while culture is forever affected by the personal, recalling a black Kansas boyhood to comment on our times."
Kansas boyhood= baseball poetry
Our times= moving, devastating tributes to young black men killed needlessly.
My favorites include all the parts of "De La Soul is Dead," which quotes a different 90s song in each one, and "Hive."
I received an advanced reader copy of this from the publisher through Edelweiss. It comes out April 17, 2018.
May 28, 2018
As poetry books go, this is a big 'un. Kevin Young if nothing if not prolific, both books and poems-wise. This baby has a little of everything, starting with childhood and school days poems and working up to civil rights works and tributes to black men who were the victim of racist violence. Throughout, like a refrain, the words "brown" and "black" appear again and again in different ways.
My only complaint is the overuse of tercets, especially in the entire first section of the book. If you ever thought you'd never care about stanzas, that view may be put to the test here after so many 3-lined stanzas. Luckily, later in the book, Young mixes it up.
My only complaint is the overuse of tercets, especially in the entire first section of the book. If you ever thought you'd never care about stanzas, that view may be put to the test here after so many 3-lined stanzas. Luckily, later in the book, Young mixes it up.
November 10, 2019
Kevin Young is the poetry editor of ‘The New Yorker’ and has published thirteen books of poetry. In this book, he gives voice to all things brown. I’m far from a poetry expert, but you don’t have to be one to enjoy these poems. Some of them are snappy, there’s a nice sense of rhythm. Some are upbeat, others more somber, taking on weighty subjects. A poem about Trayvon Martin talks about the list growing longer and “the soft song of your skull as an infant” which makes me think how we all start out the same way, as innocent souls. There’s another poem about Tamir Rice and one about Michael Brown.
Young writes about playing sports as a young boy and how they were up against teams that had uniforms, while they did not, about how they were the underdog team and didn’t win any games. But they got better and better, until one day, they did win. At the end of the game, the other team spits in their hands when they came around to shake hands, and say, ‘Good game.” Poetry sometimes makes scenes like these stick in my mind. While there are many poems with great imagery like this, my favorite is the last poem in the book, entitled ‘The Hive.’ It is short and full of power. Instead of ‘The End’ at the end of his book of poems, there’s a screen door with the words “sorry… Closed.” Very creative! Highly recommended for those who enjoy poetry or nice rhythms and potent imagery, but also an insightful and reflective way of looking at current and other events.
Young writes about playing sports as a young boy and how they were up against teams that had uniforms, while they did not, about how they were the underdog team and didn’t win any games. But they got better and better, until one day, they did win. At the end of the game, the other team spits in their hands when they came around to shake hands, and say, ‘Good game.” Poetry sometimes makes scenes like these stick in my mind. While there are many poems with great imagery like this, my favorite is the last poem in the book, entitled ‘The Hive.’ It is short and full of power. Instead of ‘The End’ at the end of his book of poems, there’s a screen door with the words “sorry… Closed.” Very creative! Highly recommended for those who enjoy poetry or nice rhythms and potent imagery, but also an insightful and reflective way of looking at current and other events.
May 30, 2018
Reads with rhythm, like songs of passion and sadness. Many poems documenting (in poetry of course) racism and the human cost. There is also elegiac poems about the young and their passions. A beautiful collection.
March 24, 2021
This one took me a while, due to both its depth and breadth.
Young plays with patterns, as in themes, such as music or sports or, sadly, the assault on black lives. He plays also in the forms his lines take, such as tercets, or a kind of chain verse where the last line of one poem is partially repeated in the next.
What I liked best were how personal the poems felt, and his arresting phrases:
In a poem about Arthur Ashe
“your photo has a sound--
call it About to be.
Call it Maybe.”
or in one about watching children at the pool
“our boys’ bodies grow
as hard to see
as hope.”
Two favorites:
“Hive” that you can read here: https://poets.org/poem/hive
and
“Nightstick: A Mural for Michael Brown.” You can both read and listen to the author recite it here:
https://poets.org/poem/nightstick-mur...
Young plays with patterns, as in themes, such as music or sports or, sadly, the assault on black lives. He plays also in the forms his lines take, such as tercets, or a kind of chain verse where the last line of one poem is partially repeated in the next.
What I liked best were how personal the poems felt, and his arresting phrases:
In a poem about Arthur Ashe
“your photo has a sound--
call it About to be.
Call it Maybe.”
or in one about watching children at the pool
“our boys’ bodies grow
as hard to see
as hope.”
Two favorites:
“Hive” that you can read here: https://poets.org/poem/hive
and
“Nightstick: A Mural for Michael Brown.” You can both read and listen to the author recite it here:
https://poets.org/poem/nightstick-mur...
July 26, 2018
Fantastic collection. Kevin Young divides the collection into sections such as school athletics, hip hop of his youth, Kansas, and young blackn young black boys in their wrestling, baseball, and other team escapades surprised and delighted me . Frankly, I forget the *beauty* of these games. That athletics and arts, sports and literature are not antithetical.
These poems are intimate and honest. Their growing young black subjects aspire to turn sports places into college scholarships. They voice anxiety over their wrestling weight and their body image. They devote themselves to their coaches and teachers, and those teachers raise them up, but as easily say racist comments that dehumanize their Black players, and demoralize them. Overall, I liked how Young's poetry reminds us that early Black sports legends Arthur Ashe (tennis), the Harlem Globetrotters (basketball), or Reggie Jackson (baseball) were as artful as they were powerful
I loved Young's love of language. The way he extracts favorite lines from hip-hop classics in the poetry section "Field Recordings", 'Ode to Dirty Bastard' or 'De La Soul is Dead'
The final section 4 pays tribute to Emmitt Till, Trayvon Martin, Sandra Bland, Michael Brown. A synesthetic confluence occurs again, when Young pairs visual images with oral poetry tradition. IN titles like Triptych for Trayvon: Not Guilty (A Frieze for Sandra Bland); Limbo (A Fresco for Tamir Rice), Nightstick (A Mural for Michael Brown), Young's emblematic painting forms insist that Bland, Rice, Brown remain visible, imho.
I know Kevin Young the critical thinker and researcher. He is Director of the Schomburg Center for Research in Black Culture, and prior to the Schomburg, Young was a Professor at Emory University. IOW, I think of Young as the panel moderator, or the talking expert who gives "blurbs" and "soundbites" when racial conflicts hit the news events. Add to Young's portfolio, he is an adept researcher. Last year he published Bunk: The Rise of Hoaxes, Humbug, Plagiarists, Phonies, Post-Facts, and Fake News (2017). I didn't know what to expect of his poetry, but I sense poetry is his first love and perhaps his most solid writing ground.
These poems are intimate and honest. Their growing young black subjects aspire to turn sports places into college scholarships. They voice anxiety over their wrestling weight and their body image. They devote themselves to their coaches and teachers, and those teachers raise them up, but as easily say racist comments that dehumanize their Black players, and demoralize them. Overall, I liked how Young's poetry reminds us that early Black sports legends Arthur Ashe (tennis), the Harlem Globetrotters (basketball), or Reggie Jackson (baseball) were as artful as they were powerful
I loved Young's love of language. The way he extracts favorite lines from hip-hop classics in the poetry section "Field Recordings", 'Ode to Dirty Bastard' or 'De La Soul is Dead'
The final section 4 pays tribute to Emmitt Till, Trayvon Martin, Sandra Bland, Michael Brown. A synesthetic confluence occurs again, when Young pairs visual images with oral poetry tradition. IN titles like Triptych for Trayvon: Not Guilty (A Frieze for Sandra Bland); Limbo (A Fresco for Tamir Rice), Nightstick (A Mural for Michael Brown), Young's emblematic painting forms insist that Bland, Rice, Brown remain visible, imho.
I know Kevin Young the critical thinker and researcher. He is Director of the Schomburg Center for Research in Black Culture, and prior to the Schomburg, Young was a Professor at Emory University. IOW, I think of Young as the panel moderator, or the talking expert who gives "blurbs" and "soundbites" when racial conflicts hit the news events. Add to Young's portfolio, he is an adept researcher. Last year he published Bunk: The Rise of Hoaxes, Humbug, Plagiarists, Phonies, Post-Facts, and Fake News (2017). I didn't know what to expect of his poetry, but I sense poetry is his first love and perhaps his most solid writing ground.
January 6, 2019
This is why I love the Book Riot Read Harder challenge; I rarely read poetry, and read this in response to the Read Harder prompt "A collection of poetry published since 2014. The collection was wonderful, not a weak piece. I was particularly delighted with Ode to the Harlem Globetrotters (turning tears into confetti is one of the most heartbreaking and true allusions I have heard.) De la Soul is Dead was a close second, and the best laugh came in the Ode to Old Dirty Bastard. And there are a lot of laughs, a lot of joy in this collection, but it takes its place beside a lot of anger, a lot of frustration and confusion. The Emmett Till piece is gutting and adds depth to the stark pain as Young invokes the names of Trayvon Martin, Sandra Bland and other more recent victims of the devaluation of black lives. This slim volume touches on every aspect of brown-ness in a way that demands real reflection rather than just visceral response, and at this moment in time I can't imagine a more noble and necessary thing to demand than reflection.
One note: Young wears his love of music well. In addition to the omnipresent references to music, (from Prince to ODB to James Brown to Jim Carroll to Radiohead to Leadbelly) there is a rich musicality to Young's poetry, and listening to him read on the audio was a real advantage for me.
One note: Young wears his love of music well. In addition to the omnipresent references to music, (from Prince to ODB to James Brown to Jim Carroll to Radiohead to Leadbelly) there is a rich musicality to Young's poetry, and listening to him read on the audio was a real advantage for me.
May 8, 2024
My son was assigned this book for his English class, and since I hadn’t heard of the author, I decided to read it as well. So glad I did! Young’s straightforward style is assessable and the songs and themes remind me of my youth. I identified with much of what he wrote about in my youth and as a parent. Q this collection also introduced me to the Greenwood waiter who seems to have been forgotten by American historians. I highly recommend this collection and look forward to reading more by this poet in the future.
May 25, 2018
Finally, finally, FINALLY I’ve found the kind of poetry I’ve been looking for: eloquent, insightful, blunt, and beautiful. Kevin Young’s “Brown,” an exploration of brown-ness, be it James Brown, Brown Vs. Board Of Education, or the more general minority experience, doesn’t hide behind flowery language or dense layers of allusion and metaphor. Young’s poems get in your face, say what they need to say, and leave you dizzy and altered. With short bursts of imagery and deft turns of phrase, the works in this collection feel primal and unforgiving. I’m blown away. THIS is what I want poetry to be like.
FAVORITES:
“Rumble In The Jungle” - An appreciation of Muhammad Ali’s famous “rope a dope” tactic in his fight with George Forman.
“Lead Belly’s First Grave” - An examination of how the influential musician has been memorialized over the years.
“De La Soul Is Dead” - An epic chain of poems examining Young’s experiences of growing up as a black man, seen through the lens of popular music.
“Sundaying” from the “Repast” oratorio - A gentle ode to contentment.
FAVORITES:
“Rumble In The Jungle” - An appreciation of Muhammad Ali’s famous “rope a dope” tactic in his fight with George Forman.
“Lead Belly’s First Grave” - An examination of how the influential musician has been memorialized over the years.
“De La Soul Is Dead” - An epic chain of poems examining Young’s experiences of growing up as a black man, seen through the lens of popular music.
“Sundaying” from the “Repast” oratorio - A gentle ode to contentment.
August 29, 2018
This book is an education, immersive in the way excellent fantasy novels often are. Inasmuch as it's possible to grok another culture, Brown has invited me into the experience of growing up black in America. The racism, yes, and the violence perpetrated against, but also sports and music, friendship and fatherhood, the rhythm of language and the claiming of heritage and history, heroes and tremulous, pained hope. I want to read more of Young's poetry...and once I have, I'm coming back to discover these again.
June 8, 2020
3.25 stars
I appreciated this collection for its variety of subjects, Young's musicality, and the clear imagery. I liked the song-titled poems the best. I just sometimes felt like the poems were a little too surface-level, too what-you-see-is-what-you-get. If that makes sense. I also read this collection during a rather overwhelming week, so it's possible I just wasn't giving it the proper attention (and was reading it on my phone as a library ebook loan, also not ideal).
I appreciated this collection for its variety of subjects, Young's musicality, and the clear imagery. I liked the song-titled poems the best. I just sometimes felt like the poems were a little too surface-level, too what-you-see-is-what-you-get. If that makes sense. I also read this collection during a rather overwhelming week, so it's possible I just wasn't giving it the proper attention (and was reading it on my phone as a library ebook loan, also not ideal).
February 8, 2020
hey look at me, I’ve stopped reading bad poetry! This is good poetry! Read this instead!
March 17, 2020
Gwendolyn Brooks vibes, for sure.
May 16, 2025
I loved the majority of these— tore through a lot of them late at night because I couldn’t put them down. A memoir in verse mostly— reflections on his Black Midwestern experience—and also reflections on how Brown (color, skin, surname) carries a heavy meaning. Narrating in verse (with some photos too) was a beautiful and powerful choice and I don’t think it would have worked as well in any other format.
“Stung, she yelled / for her daddy, who emerged / no matter what she'd said / & threatened me from his short porch / till I split—some black kid / who dared talk back like Clemente's bat. / Even then / I knew you weren't supposed to do that. / Only later did I learn / Clemente / means mercy.”
Every so often there was a cliche peppered in that was a bit too corny for my taste, which *almost* knocked me out of the flow, but I was pulled back in quickly so!
“Stung, she yelled / for her daddy, who emerged / no matter what she'd said / & threatened me from his short porch / till I split—some black kid / who dared talk back like Clemente's bat. / Even then / I knew you weren't supposed to do that. / Only later did I learn / Clemente / means mercy.”
Every so often there was a cliche peppered in that was a bit too corny for my taste, which *almost* knocked me out of the flow, but I was pulled back in quickly so!
April 1, 2019
Stunning. The path through "De La Soul Is Dead" — as through baseball games and wrestling matches, as along train tracks — is beautifully, meticulously, tensely crafted. Other favorites include the two-line "Ode to Big Pun," "I doubt it" and the "Sunflower" section of "Ad Astra Per Aspera." But the final poem, "Hive," the distillation of Young's gentle, hopeful tenderness in all the poems about his son, is my favorite of them all:
Let him be right.
Let the gods look away
as always. Let this boy
who carries the entire
actual, whirring
world in his calm
unwashed hands,
barely walking, bear
us all there
buzzing, unstung.
October 29, 2021
It took a while for me to get into Kevin Young's poetic sensibilities. But it was a rewarding effort. Sharp, short lines with tactile feel mete out Young's praise for his heroes. Young's ability to infuse historical awareness, poetic depth, and storytelling into one form make Brown the collection it is.
December 30, 2021
I took my time with this book. Over the course of a year I’d pick it up and finish a few poems, rolling them around in my mind, digesting them. It’s a beautiful collection that I could connect with and also investigate. To top it off, the cover is one of the most beautiful I’ve ever seen.
January 23, 2023
There were some poems I connected with, especially ones about Trayvon Martin and Michael Brown and Tamir Rice. I wasn’t sure 100% about the flow and so sometimes I didn’t understand which took away from the overall experience. But I did appreciate the theme and the history it goes through.
December 31, 2018
Powerful poems by award winning poet Young. The second collection of Young’s poems that I have read this year; he has become a personal favorite!
October 24, 2025
2/10
- Let's be honest here, some of this was not very good. I don't wanna say I've written better poems than some of these but... I also couldn't care less about baseball so yeah.
- Let's be honest here, some of this was not very good. I don't wanna say I've written better poems than some of these but... I also couldn't care less about baseball so yeah.
September 16, 2018
Throughout American history, Brownness has been the source of some of America's greatest ills: racism, slavery, and injustice. But the word Brown has been important throughout our history too: Brown v. Board of Education, John Brown, and more. In this collection of poetry, Mr. Young explores this wide spectrum through reflections on America's past and present culture as well as his own childhood recollections in Kansas. It is a fine collection with some very memorable poems, especially the ones in the second half such as "Triptych for Trayvon Martin" and "Repast." His poems in the first half regarding sports and famous African-American athletes were also very enjoyable too. As we continue to grapple with this nation's history of racism and racial injustice, voices and poems like these are as important as ever and I recommend this book for anyone interested in both poems and racial justice.
Read
July 12, 2018I have enjoyed Young's conversations with other poets on the New Yorker's poetry podcast (he is their new poetry editor) so wanted to read some of his poems. I loved this collection and its reflections on brown--James Brown, Brown v. Board (a case I always forget is, like Young, from Kansas), growing up brown. There's baseball, jazz, 90s hip hop, civil rights. Violence and slights, music and food, love between friends, between father and son.
December 27, 2023
I liked this quite a lot, although I didn't understand all of the sports/baseball references. My favorites were Flame Tempered, Sunflower, History, and De La Soul is Dead.
*
Sleeping bags were a war zone where nobody died or got sent home
Later I waved to her from the podium after winning City, my smile as long as the shot she'd thought I had.
I found your first record yesterday-it looked like the past & sounded like the future-that combo platter I loved best of all.
*
Sleeping bags were a war zone where nobody died or got sent home
Later I waved to her from the podium after winning City, my smile as long as the shot she'd thought I had.
I found your first record yesterday-it looked like the past & sounded like the future-that combo platter I loved best of all.
December 13, 2018
I was disappointed. Maybe it's my fault. Maybe I rushed through it. But, none of it stuck with me. Simple words, short lines and short stanzas, but so disjointed in thought as to be almost nonsensical (at least to me). Who's to say? It's such a personal thing: personal to write and personal to read. The best ones told a story, but I feel like those stories would have been better served in prose.
April 7, 2024
This is a really readable and relatable slim
Volume of poetry related to the experience of being brown as an American.
I loved the way Young addresses topics pressing our society and pays homage to many black people who lost their lives while - for the most part- just loving them.
For me my favorite poem was Dictation for William O’Neil - a man who infiltrated the Black Panther party for the FBI. I’ve always thought the toll of that act must have been so much to bear, and of course it seems to have been. I felt like the poem
Did justice to the complex situation of O’Neil.
I did the audio abc the author read his own work, there is a delightful innate rhythm to the work, which is not a surprise as the author references and honors musical greats from leadbelly to Prince and William Johnson…
Such a small treasure this book
Volume of poetry related to the experience of being brown as an American.
I loved the way Young addresses topics pressing our society and pays homage to many black people who lost their lives while - for the most part- just loving them.
For me my favorite poem was Dictation for William O’Neil - a man who infiltrated the Black Panther party for the FBI. I’ve always thought the toll of that act must have been so much to bear, and of course it seems to have been. I felt like the poem
Did justice to the complex situation of O’Neil.
I did the audio abc the author read his own work, there is a delightful innate rhythm to the work, which is not a surprise as the author references and honors musical greats from leadbelly to Prince and William Johnson…
Such a small treasure this book
June 8, 2023
Fantastic, musical, rhythmic verse that is equal parts joyful and somber. An excellent study and reflection of what it means to be Brown in America—and, specifically, (in parts) what it means to be Brown in Kansas. Picked this up as my first poetry read for National Poetry Month and couldn’t be more pleased with my somewhat random selection. I’ll definitely look into more of Kevin Young’s work. Only thing I wasn’t sure about was the arrangement/structure. I think the repetition throughout could have been more effective if the poems/sections were ordered slightly differently. The last section was perfect, though.
I listened to the audio book, and Young’s reading voice is really great. Highly recommend listening if possible.
I listened to the audio book, and Young’s reading voice is really great. Highly recommend listening if possible.
January 26, 2019
I liked this book of poems a great deal, however, Young's style of writing poetry does not gel easily in my brain. I had to slow down and process many of them in order to feel like I was even scratching the surface on the deeper meaning.
The reason I gave this book the three stars I did, is because although the writing style didn't resonate with me, it was very immersive and personal-feeling. It made me learn more about the experiences of PoC, as athletes, within legislation, and within the experience of being black in America. I found that tremendously impactful, and for that reason, I recommend anyone read it who enjoys poetry.
The reason I gave this book the three stars I did, is because although the writing style didn't resonate with me, it was very immersive and personal-feeling. It made me learn more about the experiences of PoC, as athletes, within legislation, and within the experience of being black in America. I found that tremendously impactful, and for that reason, I recommend anyone read it who enjoys poetry.
March 7, 2019
The latest poetry from Kevin Young was published last year in 2018.
It was a welcome surprise from such an accomplished writer.
It has a far-reaching range of subject and deals a lot with history.
The black music history, cultural history, and lovingly personal.
As a personal touch, his child's cartoon action heroes' drawings
illustrate the end papers of the volume. He talks about the Harlem
Globetrotters, Leadbelly, Arthur Ashe, Muhammad Ali and John
Brown's raid. There is such a wealth of material here, the reader
is overwhelmed with its poignant, powerful energies and language.
Highly recommend.
It was a welcome surprise from such an accomplished writer.
It has a far-reaching range of subject and deals a lot with history.
The black music history, cultural history, and lovingly personal.
As a personal touch, his child's cartoon action heroes' drawings
illustrate the end papers of the volume. He talks about the Harlem
Globetrotters, Leadbelly, Arthur Ashe, Muhammad Ali and John
Brown's raid. There is such a wealth of material here, the reader
is overwhelmed with its poignant, powerful energies and language.
Highly recommend.
March 10, 2020
“In the vestibule latecomers
wait just outside
the music—the river
we crossed to get here—
wide boulevards now”
I don’t know how to explain what these poems did to me. The way he builds rhythm and tension, the depth and breadth of black history, the melding of past & present, the way he leaves you holding the weight of a moment after the last stanza—I just can’t with you, Kevin Young. Some personal favorites: “Shirts & Skins” (the way he paints that moment in the roller rink... aggggh), “Mercy Rule”, “History,” “Money Road”, and “Brown” (I will never forget the imagery in this poem. Stunning).
Displaying 1 - 30 of 99 reviews