An acknowledged expert on seventeenth- and eighteenth-century music explores the background and composition of Handel's famous oratorio, as well as a history of the performance of the Messiah. National ad/promo.
I thought I was buying a book about the oratorio: this actually is about the history of its performances. It might be wonderful as a book on that subject, but I didn't read it because I had no interest in the subject. If you are interested in the music, don't buy or check out this book.
This book was well researched, culling from many other Handel and Messiah sources. I was expecting it to focus solely on the Messiah, but the author goes into quite a bit of detail (early chapters) to lay the groundwork on Handel's background and that of the other "players" in the creation of the Messiah. I felt that some of the background details were unnecessary to the telling of the Messiah story, but it proved interesting, nonetheless. The author even corrects a number of Handel/Messiah myths. It's worth the read, if you're interested in Handel and his Messiah.